Haendel : Concerto pour orgue, en la majeur, HWV 307 (II-A tempo ordinario)
The Amsterdam Baroque Orchestra
Ton Koopman (orgue et direction)
Enr. 1984
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Haendel : Concerto pour orgue, en la majeur, HWV 307 (II-A tempo ordinario)
The Amsterdam Baroque Orchestra
Ton Koopman (orgue et direction)
Enr. 1984

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Six Lieder, Op.13 - 6. Die stille Lotosblume
Barbara Bonney, Soprano and Vladimir Ashkenazy, Piano
Clara Schumann, Composer / Librettist:Â Emanuel Geibel (Nos.3, 4, 6)
Harpsichord Concerto No.2 in E major, BWV 1053 -Â II. Siciliano
By Composer Johann Sebastian Bach - Conductor Ivor Bolton, David Ponsford (harpsichord) and The St. James Baroque Players
J.S. Bach: Harpsichord Concertos â Regis (2000)
Keyboard Sonata In D Minor, K.34 ; L.S7 ; P.15 - By Composer Domenico Scarlatti - Scott Ross, Clavicembalo (No.34)
Sonata No.3 In A Minor, RV.43, Op.14 - IV. AllegroÂ
By Composer Antonio Vivaldi
Jaap Ter Linden (Cello) ~ Lars Ulrik Mortensen (Harpsichord)Â
âRococo Music Sceneâ By Artist Antonio Zoppi (1860-1926) Â Â

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Aaron Copland -Â Appalachian Spring Suite, II. Allegro
Conductor - Leonard Bernstein
Performed by - New York Philharmonic
Requiem For Maurice Ravel đ”
(March 7, 1875 - December 28, 1937)Â
String Quartet In F Major ( Written In 1903 )
I. Allegro Moderato : Tresâ Doux II. Assez Vif. Tresâ Rythme III. Tresâ Lent IV. Vif et Agite
By Composer Joseph Maurice Ravel
Performed By The Alban Berg Quartett
Requiem For Fryderyk Chopin đ”
(March 1, 1810 - October 17, 1849)
Ballade No. 2 In F Major, Op. 38Â
By Composer Fryderyk Franciszek Chopin
Idil Biret, Pianist
Concertino Pour Flûte, Op.107
By Composer CĂ©cile ChaminadeÂ
BĂŒlent Evcil, Flute and Phillip Moll, PianoÂ

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George Frideric Handel (1685-1759) - March in D-Major for Trumpet, 2 Oboes, Bassoon and Continuo, HWV 416. Performed by Il Complesso Barocco on period instruments.
Fryderyk F. ChopinÂ
âHis music was spontaneous, miraculous. He found it without seeking it, without previous intimation of it. It came upon his piano sudden, complete, sublime, or it sang in his head during a walk, and he was impatient to hear it himself with the help of the instrument. But then began the most desperate labor that I have ever witnessed. It was a succession of efforts, hesitations and moments of impatience to recapture certain details of the theme he could hear; what he had conceived as one piece, he analyzed too much in trying to write it down, and his dismay at his inability to rediscover it in what he thought was its original purity threw him into a kind of despair. He would lock himself up in his room for whole days, weeping, pacing back and forth, breaking his pens, repeating or changing one bar a hundred times, writing and erasing it as many times, and beginning again the next day with an infinite and desperate perseverance. He sometimes spent six weeks on one page, only in the end to write it exactly as he had sketched at the first draft.â
( Written by George Sand )
FantasiestĂŒcke, Op.12 - IV. Grillen In Dâ Major
Composition Year : 1837 (July)
By Composer Robert Schumann
Dubravka TomĆĄiÄ Srebotnjak, Pianist
Trois Gymnopédies, IES 26 : I. Lent et douloureux  II. Lent et triste III. Lent et grave
By Composer Erik Satie
HÄkon AustbÞ, Piano
âPortrait of Erik Satie at the harmoniumâ (c.1890âČs) By Artist Santiago Rusiñol

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Beethoven : Sérénade, en ré majeur, Op. 8. (III-Adagio-Scherzo-Adagio-Allegro molto)
Grumiaux Trio (Arthur Grumiaux : violon, Georges Janzer : alto, Eva Czako : violoncelle)
Enr. 1968.Â
Francois Boieldieu | Arp Konçertosu, Allegro agitato