I don’t like how you put these two photos together, as if to imply that the dumplings with the paw print have anything to do with this sweet, innocent angel who has never done anything wrong.
he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH

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@nendian
I don’t like how you put these two photos together, as if to imply that the dumplings with the paw print have anything to do with this sweet, innocent angel who has never done anything wrong.

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RIP Marjane Satrapi, author of the amazing graphic novels Persepolis about living during the fundamentalist revolution in Iran in the 70’s and 80’s. She also created the animated movie based on the graphic novels, which is where these gifs come from.
Gifset source
Reblogging in honor of Marjane Satrapi, one of THE great graphic novelists. Her comic Persepolis was a crucial text for shaping my belief that comics can deeply explore identity, culture, politics, and history.
“Because the truth is, tech doesn’t have an image problem. It doesn’t have a message problem. It has an intention problem. What’s wrong with the axe murderer who broke into my house is not that he hasn’t successfully persuaded me to buy into his narrative. What’s wrong is that he’s trying to kill me with an axe. Similarly, when you launch a product that’s designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isn’t that you haven’t told the public a good story about those things. The problem is that you are trying to do them.”
— The 40 Most Rage-Inducing Problems in Tech
Hey…. Hey… Character’s covered in blood, okay? You remember characters covered in blood?? You used to love characters covered in blood
Remember when 10 year old girls used to wear happy bunny t shirts that just said shit like “I’m going to skin you alive”

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Help I can't stop playing this game
My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.
I'm seeing a couple of posts circulating about the gay 90s and this movie. The above is a very good summary, and I think it's worth adding a few other points.
This movie got made because Robin Williams said yes to it (and it's important that Gene Hackman did as well). Williams in the 90s was a mega-star of a type that's not present in the current media environment (maybe Tom Cruise, but I personally think that's echo from his salad days). Even his flops made money on the back end in the video rental market, which also doesn't exist anymore (streaming is different). Hackman was on the other side of his A-list career but still Hollywood nobility if not full royalty.
Playing gay was considered career suicide in the 90s. There had been a number of actors who put lie to that belief stretching back decades, but this was Williams and Hackman (yes, being on screen next to a gay character was enough to get you blacklisted) saying "screw that" and doing it anyway.
Being gay and out was career suicide in the 90s.
Nathan Lane had a really nice gig going for himself. The Lion King put him into the Disney rep company with people like Williams, Bette Midler, and Whoopie Goldberg (check their IMBD list from the 90s--they were making bank at Disney).
Lane didn't come out until several years later (nice summary: https://deadline.com/2024/06/nathan-lane-robin-williams-advice-coming-out-birdcage-1235975010/).
I don't want to imply that this was a Sorkinized moment where everything changed because of one thing, but this was a very important movie that caused real movement in the needle on queer acceptance.
It also proved that there was a market for films with gay characters, which had the knock-on effect of gay filmmakers being able to find distributors of their gay-themed films. Which meant that more people than ever (queer and non-queer) got to see representation on-screen.
KICK THE CAN!
Let’s play the biggest game of kick the can on the internet.
To kick the can, reblog it. I wanna see how long this can go on for.
the oldest reblogs for this post that i can find are from january 2nd of 2013. this can has been getting kicked around tumblr for almost 13½ years now
And yet somehow this is my first time kicking it!
The mile-long rainbow flag being carried down First Avenue in New York City.
“For New York City Pride in 1994 (Stonewall 25), Baker created a mile-long rainbow flag that was carried down First Avenue in Manhattan. During the parade, Baker used scissors to cut segments from the flag to be rushed to Fifth Avenue for an impromptu protest march in front of St. Patrick’s Cathedral, the headquarters of New York City’s anti-gay Catholic archdiocese.
^“At the bottom of the image is the segment of the flag cut for the St. Patrick’s Cathedral protest. Photograph by Mick Hicks”
“Gilbert Baker wearing a white sequined dress (right) and other protestors triumphantly march the cut pieces of the mile-long flag past St. Patrick’s Cathedral. Photograph by Charles Beal”
“If I have one message to give to the secular American people, it’s that the world is not divided into countries. The world is not divided between East and West. You are American, I am Iranian, we don’t know each other, but we talk together and we understand each other perfectly. The difference between you and your government is much bigger than the difference between you and me. And the difference between me and my government is much bigger than the difference between me and you. And our governments are very much the same.”
― Marjane Satrapi, Iranian graphic novelist
Goodnight, and rest in peace, Marjane Satrapi. Thank you for your work and your voice. May we hear you.

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Social media is getting to a point where you might as well just send letters to your friends.
Can I interest you in a brief biography of this absolute icon?
I know. I know. It's the hat, isn't it? You need to know more. You simply must. And if that doesn't do it, then perhaps this rather striking profile will:
Elizabeth "Amy" Dillwyn was born in Swansea in 1845, the eldest daughter of a prominent family. She was related to the photographer Mary Dillwyn, the abolitionist William Dillwyn, and the astronomer Thereza Dillwyn, and her father was the Liberal MP for Swansea. Upon his death, she inherited her father's spelter works in 1890, as well as his debts of £100,000 (£8mil today.) She lived in relative frugality while she worked to save the business, renting lodging rooms and refusing to pay herself a salary in favour of keeping 300 people employed, until the debts were recouped 7 years later and she was able to buy her own home.
Dillwyn was also an author, and her 6 novels often touched upon class issues. She was a supporter of the Rebecca Riots, in which local Welshmen dressed as women to destroy tollbooths in protest against unfair taxation, and also supported the strike action of local seamstresses. Her novels also often included lesbian themes, most prominent in Jill, which tells the story of a gentlewoman who disguises herself as a maid and moves to London, falling in love with her mistress. Dillwyn herself wrote about her sexuality in her diaries, writing about her love for her friend, Olive Talbot:
My own belief is that I’m half a man & the male half of my nature fell in love with her years ago & can’t fall out of it again. I care for her romantically, passionately, foolishly, & try as I may, I cannot get over it.
Dillwyn referred to Talbot in her diaries as her 'wife', and never married. She was considered something of a beloved social eccentric, often wearing men's attire, smoking cigars, and turning up to her father's funeral in a purple skirt with a yellow flower in her belt as a protest against Victorian mourning conventions. She was a staunch suffragist and supporter of social reform. She died in Swansea at 90 years old, and her house now bears a blue plaque to commemorate her.
Currently, there's an ongoing research project about her and her diaries led by Professor Kirsti Bohata of Swansea University, who also wrote her entry in the Dictionary of Welsh Biography. Some of her novels are available from Honno Press, which champions Welsh women's writing. An edited selection of her diaries has just been published by the South Wales Record Society, and is being prepared for open access. Images sourced from David Painting, the biographer of the Dillwyn family.
oobh i got plany off bobbin thread

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My latest cartoon for New Scientist
p.s. I'm coming to Germany soon with my new book of science cartoons. Details at www.tomgauld.com