i've finished the first playtest version of my queer mecha ttrpg, STARCROSS! it uses a rock-paper-scissors style "conflict deck" as the mechanical core of a system full of heart and danger, driving the player characters inexorably towards the resolution they're all fighting for. its blend of mecha action and desperate ideological conflict is heavily inspired by Heaven Will Be Mine, Mobile Suit Gundam, Macross, and Code Geass. if all that sounds interesting to you, please dm me or send me an ask for a free copy of the playtest edition! i would absolutely love to hear people's thoughts on the game at this stage, especially if you're willing to test it out yourself ^^
STARCROSS has a new version on the horizon and more playtests being arranged, as we move closer to release - if you're interested in testing this game out and helping to make it the best it can be, please let me know!
here's an excerpt from the example of play in the rulebook, to give you an idea of how the game plays:
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i wrote this post over on bluesky today and, after receiving a few of the predictable "but what if i Want to write badly" responses you get to any opinion that can be taken as prescriptivist writing advice, i thought i'd talk more about what i'm getting at.
basically, it's an issue of suspension of disbelief. there are a lot of things in fantasy and historical writing that we're willing to look past. dragons, potatoes, the divine right of kings. we are able to suspend our disbelief that a monarch could be anything but a despicable tyrant if the story we're being told is convincing enough, or plays to our comforting worldviews about nobility and Great Man theory. we can also suspend it if we straight up didn't know that europe didn't have potatoes pre-columbian exchange. basically--it means it doesn't bother you that these elements aren't perfectly realistic. fiction is not required to be realistic. clue's in the name.
but there are some things we just can't ignore. some things hit us as out of place for the setting we've been presented, or the world as we understand it. it pulls us out of the story by reminding us, in that moment, that we are reading a constructed narrative made of a series of choices by an author. and for whatever reason, they made a Wrong choice, like plucking the wrong guitar string.
bdsm safety protocols are the classic example, since a majority of people that encounter this sort of thing often enough to identify it online are reading fanfic and romance. things like a red light/green light system appearing in a chinese fantasy world where cars have not been invented, or cowboys intuiting the concept of a safeword while having spit-lubed anal sex in the desert. absurdisms that break suspension of disbelief, because who is teaching these cowboys the principles of consent. nobody.
now, we've beaten the dead horse of 'don't write like you're afraid of a callout post' a million times when it comes to including bdsm best practices in writing. you are allowed to write whatever you want forever, and if what you want to write is perfectly safe, negotiated sex between two adults who would have never received sexual education and probably thought a woman's uterus wandered in the body depending on the temperature, you are free to do that. i'll think your writing is bad, but you don't have to care what i think. you don't have to care about the people who'd get upset at cowboys doing unnegotiated "lasso tricks" either.
anyway, i'm getting off track. the actual point of the post above was that i see this same kind of thing with modern terminology for queer concepts in completely incongruous settings, and it pulls me out just as bad as any cowboy therapyspeak. i simply do not believe the local dirt farmer who binds his chest and changed his name from helen to troy would call himself "trans". i do not believe the wizard who has no time or interest in sex would call himself "asexual". and 1800s english dandies would not be calling themselves "gay" unless they were in a holiday mood.
that doesn't mean they couldn't understand those concepts, but it's not the language they would use to express them, because they would not have it. you see this with discussion of actual literal history--we technically cannot call historical figures "gay" or "transgender" with 100% confidence, even when their behavior lined up very closely with our modern idea of those concepts, because those people did not have our modern idea of those concepts. would they have identified that way, if a time traveler taught it to them? possibly! but we can't know that. they might like "transsexual" better, even if it's no longer in vogue.
and much like nobody is teaching cowboys the concept of aftercare, nobody is teaching our dirt farmer troy the word "trans", which is itself a shortening of several words that have come in and out of fashion as recently as the last century. troy would be calling himself something else, if he even has a word for what he is.
and that's where you, the author, have a Choice. there's plenty of reasons to default to the modern term--you're writing for a modern audience, you want to be clear about your representation, you're afraid of getting yelled at for getting something wrong--but i think it's the wrong move in any serious writing. because what you're losing by doing that is an opportunity to get creative and actually say something with the character, rather than tick a box.
troy might describe himself as a man trapped in a woman's body, because that is how he experiences it, and that experience informs his character. or he might think of himself as a man who just has breasts, because he's always been a man and has been treated as a man, and he's never had to examine it. or he might call himself a "rock", because he lives with dwarves and that's the dwarven word for masculine-presenting.
or he can just say he's "trans", and you don't explore what it means to the character in the world he lives in, while also implying somebody sat this boy down on a stump in the dirt fields and said the word "transgender" to him, and then said it often enough he shortened it to "trans". while living on his dirt farm. where he would never have seen a pineapple.
i am more interested in a troy who doesn't have a perfectly modern understanding of what he is and what he wants, because that's where a story lives. i don't read to see my understanding of things perfectly mirrored back to me, i read to experience something different. i want to read about the guy who calls himself a slur because it's the only language for himself he has, and what that means to him. i want to read about the guy who never calls himself a man, but understands implicitly that he's something different. i want to read about messy, complicated people who don't know shit from fuck. it'll absorb me a hell of a lot more.
anyway.
this is all opinion and i am just one guy so you're allowed to disagree with me. i just won't be interested in your work if you do. and that's only a loss if you make it one.
i completely and utterly understand having reservations or conflicting feelings or even directly paradoxical ones around sexual violence and those who have perpetuated it, but ultimately if you’re going to walk around as a grown adult and describe yourself as a prison abolitionist or against incarceration or frankly anything meaningfully “leftist” while at the same time seriously talking about sexual harm as something inherently different and irreversibly evil that only subhumans disguised as real people can do compared to all other kinds of harm you need to just find a large deep hole and walk all the way down to the bottom and then you just can keep wasting everyone else’s oxygen down there where we can’t hear. nobody got any principles anymore it’s all just posturing racing to sound like the most coolest most badass #victimprotector first
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so there's a natural order to this world and we need atleast four million mans in boots with armor, vehicles, and firearms to enforce it, otherwise something unnatural might happen
like this sentence from the introduction alone is fucking crazy. “approximately half of adults in the united states think that torture can be acceptable in counterterrorism.” what!
just got a call from the american psychiatric association. you old dogs, i said, picking up on the first ring. how many times i gotta tell you to lose this number. i don’t want you coming around here anymore. “listen, toots, we’ve been doing some thinking,” they says, and i says, guess there’s a first time for everything. “you’re a real funny dame, sugardoll. reviewing criticism, we’ve determined that the biggest issue with our previous diagnostic and statistic manuals of mental disorders is the anonymity of it all. we’ve been circling around a vague figure of the mentally well without defining the traits of a mentally well person. there’s no personality. what we need is a cute broad with a couple opinions to model the psychological norm.” so i’m saying back up and give it to me straight: i’m the new standard of sanity? can i get that in writing? and they say, “as the american psychiatric association we hereby state that you are the baseline and any deviations from your personality are deviations from the very concept of sanity, at least in the united states psychiatric system.” they’re making it public tomorrow. it’s a nice gig, if you really want to know. never thought they’d let a woman do it.
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treating 20th century american lesbian bar culture as a universal queer experience and pillar of our culture while simultaneously discounting contemporary theory of gender dynamics is just straight up conservative... you are just trying to conserve a different culture than the usual breed.
I am unimpressed by drag. I am unimpressed by butchfemme. I am unimpressed by so many of the hallmarks of the queer queer culture of the previous century being used as a bludgeon against a fledgling mode of material analysis.
I am unimpressed with transgression being the yardstick by which we measure the value of our culture, rather than the material liberation of our people.
The lexical divergences didn't make the mutual intelligibility any service.
Polish: I'm looking for kids at the shop.
Czech: I'm fucking kids in the basement
I ugly-laugh/cackled in a short burst when I saw this.
A) because language is INSANE;
B) because OH MY GOD how unfortunate;
and C) that you knew my language nerd self would appreciate this (truly awful) situation.
To be honest? The more I learn about Slavic Languages the more I am convinced that at least HALF the strife in the region is because someone misinterpreted what someone else was saying. Or if something was a QUESTION VERSUS A STATEMENT, YOU BEAUTIFUL CHAOS MANIACS.
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It's been years and I still haven't found a single sentence on Wikipedia I like more than this one. and quickly learned how to breakdance. The simple statement. Action, result, reaction. White boy stuns latinos. Quickly. His white ass got there and said I need to have something to keep me from being All the White People, and I'm clearly not a boy of combative strength. Breakdancing bluelinked as the perfect little punctuation, reminding you that it is a rich art and sport, making you consider the sort of undertaking that would be. I like this sentence more than some Beck songs.