insporaitionadlek

i just found myself using this random trick that one of my art professors taught me and i thought other people might like it!

other tips: -at rest, the elbow hits the bottom of the ribcage, and the wrist hits the bottom of the crotch -the distance from your inner elbow to your wrist is about the same length as your foot -the length of your hand (from wrist to the tip of your middle finger) is about the same length as the distance between the bottom of your chin and your hairline

so, if you have a feeling that proportions are wrong on something, those work as quick gauges. like, if a character’s forearm looks too long, try to visualize their foot being the same size and see if that works. if the hands look too big, look at their size in relation to the face.

Okay! I’m going to try to answer this best I can, but before I do, please remember I am just a humble animation student and by no means a professional artist or a seasoned expert, so this might not be the correct way to do things or be extremely accurate. This is just how I do it, and a couple tips I’ve picked up from teachers at school.

First of all, getting familiar with the anatomy of legs helps a lot! (I know this is the dreaded answer to every art question) I don’t know too much about the muscles of the legs other than the basics, so I don’t talk about them here because I don’t want to look like an idiot. They’re very worth studying though, especially the muscles that form the inside of the thigh and back of the calf.

Those are some leg studies I did from life in class last year, with the key parts labelled.

Chances are you’ve tried to draw legs and??

Unless you’re going for a certain style, legs that look like straight tubes or 90 degree angles are gonna look a bit weird.

As you can see with the life drawings above, legs have certain natural curves and rhythms to them! None of the bones in the legs are straight or tubular, so your legs should not be either.

Sorry for the really mediocre pelvis it’s not my strong suit oh god. It’s easy to characterize the legs as something like this:

Remembering that the knee is a hinge joint and that it has a sort of curved offset from the upper leg to the lower leg really helps.

So when you keep that offset in mind and apply some curves over the muscle and fat layered on top of those BEAUTIFULLY RHYTHMIC bones, you get dynamic flow in your legs. The hip (trochanter), kneecap (patella) and ankle (fibula/tibia malleolus) are good landmarks to keep in mind.

So by applying some curves, you get a softer/more dynamic/rhythmic feel to the legs that makes your figure look a lot less static even if they are standing entirely still. It’s also worth noting most people shift their weight onto one hip or another, position their feet weirdly, etc etc.

#Knife #Knives #Cuchillo #Faca #Couteau #нож #ナイフ #刀#pisau #سكين

Modern Knife Types / Blade Shapes

For sources: http://sword-site.com/thread/1111/diagrams-modern-knife-types

A superb fuck-ton of bear references.

If you’re doing animation or something pertaining to bears walking, for the love of mud, watch some clips before you start. The forepaws move a bit differently from other animals. And regardless of how fat and squishy they may appear, they. Run. Fast. They are coordinated and strong. Like I said, watch some clips to get a better idea.

Sourced by gatorsaurus and tinfoilstork:

I want to introduce all of you to this amazing place called the ukhairdressers style gallery.

It’s basically a massive database full of high-quality images of different hairstyles. I mean, look at all the options in that sidebar (and part of it’s cut off):

In total they have 976 pages of hairstyles with about 17 styles each, that’s about 16592 hairstyles to look at. 

Look at all the stuff they’ve got! Long hair:

Short hair:

Straight hair:

Curly hair:

Afro hair:

Men’s hair:

Hair on older models:

Extra-fancy hair:

Even crazy avant-garde hair:

Finnish mythology series: Ajatar