NOTICE: A Flock of Signs by Kim Beck is a recent installation at 100 Acres, the awesome outdoor sculpture park in Indianapolis that opened a few years ago. You can stumble on clusters of these arro...
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NOTICE: A Flock of Signs by Kim Beck is a recent installation at 100 Acres, the awesome outdoor sculpture park in Indianapolis that opened a few years ago. You can stumble on clusters of these arro...

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So many of you have sent us your surface tests already! If you did, look out for your trade in the mail next week. And if you’d like to be part of the art exchange, send your surface test to The Art Assignment, PO Box 30827, Indianapolis, IN 46230.
More instructions here: https://youtu.be/nQeBNClIgqk
This, too, is what one feels in weeping for Oliver Sacks himself, who died early this morning. His was the story of love, lunacy, and a life fully lived.
Whatever exists is in a place – therefore place exists – therefore place is in a place – and so on – ad infinitum.
Zeno of Elea, as found in Alan Fletcher, The Art of Looking Sideways.
Paul Chan’s 1st Light (2005) and Glenn Ligon’s Rückenfigur (2009), as installed in America Is Hard to See. Poet and critic Claudia La Rocco will speak to Chan’s work at 3 pm. Photograph by Ronald Amstutz

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Ryan Gander, I is…(vii), 2013
Ryan Gander, I is…(vii), 2013
New assignment!
You probably made rubbings in elementary school, but Kim Beck views rubbings as field recordings. She wants you to take a snapshot of a particular place by making a rubbing of the ground you’re standing on. Here’s what she means:
1. Get a crayon and a large piece of paper 2. Find a piece of ground that you respond to 3. Make a rubbing of that piece of ground 4. Take a photo of the rubbing in the place you made it and upload using #theartassignment 5. Fame and glory (Your work might be featured in a future episode) 6. BONUS!: Send us your rubbing (with a return address) and we’ll send you someone else’s — mailing info coming soon!
You can now send us your rubbings! Mail it to our PO Box and we will send you a rubbing made by someone else. Make sure to include your mailing address!
Mail your response to: The Art Assignment PO Box 30827 Indianapolis, IN 46230
Mail in a rubbing and get someone else's sent back to you!
The Art Assignment!
I made two art assignments in one evening bike ride today. I did Kim Beck’s surface test and Boundaries with Zarouhie Abdalian.
I set off on a bike ride to photograph boundaries between three towns (total of two boundaries). These towns all basically look the same but have what some people considerer to be a huge difference -it isn’t! The first town is inhabited in majority by francophones, the second town is quite bilingual and the last town is a very high majority of anglophones, so it’s town borders but also linguistic borders. I didn’t make it easy for myself but I tried anyways!
Honestly my favourite of all is the top work, the rubbing of an engraved plaque on a monument dedicated to Acadian settlers. It is both a rubbing and has a very clear dividing line right down the middle. It separates the french text from the english text. So basically I could have just done this one thing and called it a day. I like that I didn’t get too much of the words because I didn’t want it to be too clear as to which is the english side and which is the french side.
The second photo is of an actual floor rubbing as per Kim Beck’s instructions. This was taken from the platform where the monument to the Acadians resides. The planks have been cut to the shape of a big star in reference to the contemporary Acadian flag.
I took pictures of some of the locks that are attached to the bridge that roughly designated the seperation point between two towns. Being able To find some that were in french and some in english is highly representative of the meeting of cultures that happens in this region, as this border. I had planned some interventions of my own to designate these bordera but when I got there I prefered working with what I found to any modifications I had had in mind.
The last photo is at the bridge that separates the bilingual city from the majority anglophone city. I have to admit that I took a lot of pictures that I didn’t like and that I had a hard time figuring out how I was going to make something artistic but that also worked with the idea of borders. I chose this picture of the bridge that links both towns because of the graffiti. It obviously says “four” as in the number 4 but I am francophone so I was reading it in french. In french that word can mean three things: oven, fuck (fourre) and stuff (the third explains the second). My experience in this space with the linguistic confusion is what attracts me to the photo.
Ooh! When I was returning from my ride and I passed the first border again, there was a strong shadow falling right in the spot where I had estimated the border! So that was nice.
I’m definitely ***really*** into that first rubbing. It is rocking my world. I could have just shown you that one but where’s the fun in that?
The beauty of assignments colliding. I think the first two images would make a good pair.
And the last Boundaries photo is really wonderful.
Hooray!
Love the rubbing!!
The Art Assignment: Surface Test
This week, I did my very first Art Assignment (other than the Vidcon rug). Artist Kim Beck’s prompt to do a rubbing of an interesting patch of ground inspired me, and I instantly decided to hike to the top of a nearby mountain to do a rubbing on the concrete foundation of an old casino and hotel that was there until it burned down in 1906.
However, the hike was harder than expected, and, with temperatures above 90 degrees, I couldn’t quite make it to the top. Instead, I made a rubbing of a neat patch of rock and gravel on the trail and had some pretty surprising realizations about the common uniqueness of the spaces we inhabit along the way.

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The Art Assignment: Surface Test - Kim Beck
I decided to do the rubbing on the sidewalk - the place I see almost every day from my window. It’s old and cracked and I still remember my childhood summers walking barefoot, feeling the heat and cutting weeds from the cracks as I earned my first allowance.
Although today day was windy I could still feel warmth of the ground as I tried to capture the surface. I used a graphite stick on some old paper lying under my bed for years. At the beginning the graphite was so light that I barely even saw the texture. Halfway through my graphite was too small to draw anything. Finally I decided to use my whole palm and that was when the magic happened!
Beautiful response!
For her newest video, Rose did the most recent ‘The Art Assignment’ project, ‘Surface Test’ suggested by Kim Beck. It was so much fun to reminisce with her about memories from our college days. Thanks so much, theartassignment, for the opportunity to do this and open our minds in different ways :)
The Art Assignment: Surface Test
I didn’t realize these bricks had ridges until I did this rubbing for The Art Assignment by Kim Beck. I’m looking forward to seeing a collage of the responses to this assignment.
The Art Assignment - Surface Test (Kim Beck)
In response to The Art Assignment: Surface Test, I went on an expedition to the park today.
From the top, I have:
A small patch of concrete. I was surprised that the yellow paint also left a line.
One of a series of holes around the edge of the lake. There must have been a railing/fence there at some point. This one also had a filled-in hole next to it, which made the smaller circle.
A slightly softer surface. I think it’s the recycled tire groundcover used in waterparks, but the rubbing turned out about the same as those from the harder surfaces.
Bricks. Another man-made surface making a clear pattern.
Cracked bike path. I was hoping the little cracks would make a scaly pattern on the paper, but they didn’t come through.
A park bench. Also one of the few places where there was stuff in the area that I could use to hold the paper down.
A wooden/iron footbridge.
More cracked bike path, but the cracks are easier to see this time.
Because it was such a sunny day, I ended up with shadows in a lot of the photos, but that seemed appropriate given the discussion of indexes (and I suppose the reflections of the trees in the water also fits).

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surface test, the art assignment
really enjoyed doing these around my summer camp this evening. we have a lot of different spaces around camp, and so there were a lot of opportunities for a textures and results. I played around a lot with colors, either trying to match the background or the feel of the space, which gave the pieces a little more variation beyond just the textures. I think my favorites are from our nearly 100 year old wooden barn floor (incidentally one of my favorite spaces at camp) because it produced such a nice, true print of what was below, and of the teal pavilion floor, which has so many layers of cracking paint on it that it made a great pattern. doing these rubbings was really interesting because some of them, like the base of the cross overlooking the valley, I thought would turn out really well and actually didn’t. the textures didn’t always translate as well as I imagined, or the look of the surface was much different than what it truly felt like. overall, I really enjoyed this assignment, and would love to keep making them, maybe on a smaller scale, in order to better observe and understand other places in my life.
Love the feet!
The Art Assignment: Surface Test - Kim Beck
I decided to do the rubbing on the sidewalk - the place I see almost every day from my window. It’s old and cracked and I still remember my childhood summers walking barefoot, feeling the heat and cutting weeds from the cracks as I earned my first allowance.
Although today day was windy I could still feel warmth of the ground as I tried to capture the surface. I used a graphite stick on some old paper lying under my bed for years. At the beginning the graphite was so light that I barely even saw the texture. Halfway through my graphite was too small to draw anything. Finally I decided to use my whole palm and that was when the magic happened!