โ EDIT05 โท BREA + BG3 ห- entire pantheons have dwindled and been reborn, silently recorded by this book.
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โ EDIT05 โท BREA + BG3 ห- entire pantheons have dwindled and been reborn, silently recorded by this book.

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โ EDIT04 โท BREA + BG3 ห-
under the stars .
๐ โ . ๐๐๐๐๐ : gelfling wings, brea's wings, as well as the vapran culture surrounding them ! ( wings + hc, prompt. )
. . . one of the most prominent features of sexual dimorphism between gelfling are wings - gelfling assigned female at birth are born with the characteristic of growing wings during early adulthood while amab gelfling are born without. the wings vary in function between the seven clans, as well as the traditions surrounding them, but a factor shared throughout them all is how widely cherished of a gift they are to thra's daughters.
the developmental process of wings begins under the skin and along the midsection of the erector spinae - the wings membrane and longitudinal branches remaining soft and malleable as they grow as not to stifle the mobility of its host : this stage of development is often not uncomfortable, and can sometimes - albeit rarely - start as young as the early teens depending on the clan and wing functionality. the average age range for this stage of development varies between the mid to late teens, commonly in the later stages of puberty. during this time, the wings will begin mapping its unique web of veins, wing branches, and folds - it's said that no two gelflings wings are the same ! and the pupate stage of the wings development is where this oneness forms.
the second stage is the hardening of the costa. once the wings have taken their shape, folded under the skin of the gelflings back, the leading edge of the wings + axillary plate that attaches it to the gelfling's back muscle will begin a hardening process that somewhat sharpens the membrane. this is when the means becomes uncomfortable for the host, their backs oft sensitive to touch, muscle strain and aches. salves and relaxation are recommended by healers and elders as vliyaya rarely offers relief. however, old mothers tales recite that the more difficult the aches, the easier the wings will bloom, for the hardening of the costa is in part to ensure the wings have a stronger articulationย and sharper osseinย to better cut through the skin it grows under.
the third process is the surfacing of the wings. usually done in the soothing company of your mother or another guiding feminine figure in your life, the costa will slice through the thin skin on the back that separates the wings from the world : they oft do so in one slick and easy motion, though it's not uncommon for them to need a little help along the way. initially, they will be diaphanous and flimsy, though still able to keep their shape thanks to the hardened costa and subcosta, the primary stability margins of the wings. it can take anywhere between a few days and a few weeks for them to harden and take on a thick, leathery consistency, so it's enforced that the gelfling don't fly before this happens to ensure longitudinal veins along the wings branches aren't damaged. ( however, this is less of a concern for clans like the drenchen, whose wings more so resemble that patagia, and are built for gliding or swimming. ) wings are considered a strong, girlish gift, and the scarring this process leaves in its wake are worn proudly by winged women - though they tend to fade with time, it's rarely entirely.
the mythological origins behind a gelfling girls wings is vast, each clan settling on different stories on how wings came to be. from a girl plucking a cloud from the sky and knitting it about her shoulders or how a pretty lass touched her hands to a rock and made a wish for crystalline wings : the most traditional and darker tale of them all was told by a songteller named harle. the tale follows a gelfling maid who lived on skarith's outskirts, a dangerous land with no elders to protect their children. in her desperation, the maid visited the aughra the helix-horned, begging for aid : in turn, aughra took two cragraptor feathers and stabbed the girl between the shoulder blades, sewing them to the bone. the gelfling maid then spread her wings, feeling energy from the crystal, and forging a new connection between her blood and the blood thra. flying home, she pelted dangers with stones, and she resultedly became a brave protector of her people. eventually, she had a daughter of her own : born with wings, and aughra's gift was passed through the ages, always to thra's daughters.
โ EDIT03 โท BREA + DA:V ห-
isana negat, in the hunterhorn mountains.
โ EDIT03 โท BREA + LORE ห-
good bye, my protector.

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โ EDIT02 โท BREA + DA:V ห-
coffee in treviso.
commissioned from urdrupe. feat. @bluemns
โ EDIT01 โท BREA + BG3 ห-
๐๐๐๐๐๐ : sigils in occultism & mysticism, and what they mean in reflection of her character, her growth, and her relationship with her sisters.
. . . โฐโโโฎ ๐๐๐ ๐๐๐๐๐๐๐๐๐ผ, THE PERSONAL TRINITY & POWER IN THREES : the multiplicity of a being is complex, but many cultures illustrate the concept of a divine trinity. as a whole, itโs very common to see in the world of thra the sacred power of the number three : three suns, three moons, three eyes, three heroes, three daughters. the fae tradition of wicca recognises the three souls similarly to other spiritual cultures : and commonality in all the systems concludes that every soul has its own language or means of communication.
๐ฉ๐๐ ๐๐๐๐๐๐ง ๐จ๐๐ก๐ : the greater sun, the blue moon, the eldest daughter. eternal, omnipotent, conscious, and intelligent. who is oneโs authentic self. generally regarded as a form of being in uninion with a divine source. itโs a strong force of an individualโs metaphysical identity. SELADON, a loyal eldest sister whoโs lived with the equally rose - tinted and cruel ideology of who she is will be forever her highest self. following the rebellion, the second battle of stone - in - the - wood, she is enlightened, awoken, and her efforts to fix what she destroyed in her blind rage is a slow but sure process to becoming the strong leader and sister she should have been all her life. that is her highest self. this is the part of ourselves that performs miracles.
๐ฉ๐๐ ๐ข๐๐๐๐ก๐ ๐จ๐๐ก๐ : the rose sun, the pearl moon, the mid daughter. analytical, rational, logical, and in abstract term. it is self - aware. a more tangible manifestation of willpower. itโs the interface through which we engage the world. TAVRA is a warrior in blood, in body and in name - the middle daughter of the all maudra. her head and heart have a healthy balance. she stood before the lords and accused them of jeopardizing the safety of her fellow gelfling, and even then - her every move was calculated, every outcome considered. she can see mayrinโs grooming. sheโs an outside set of eyes as a result of her awareness. this is the part of ourselves thatโs nothing short of the entire truth, no matter how heartbreaking.
๐ฉ๐๐ ๐ก๐ค๐ฌ๐๐ง ๐จ๐๐ก๐ : the dying sun, the hidden moon, the youngest daughter. emotional, pre - verbal, stubborn, lonely. it talks in inner ages, memories and emotions, it rarely uses language. a connectedness with all things, but never without consequence. this part of the self thinks in images and very directly, is sometimes prone to play tricks on you, and sometimes it is not willing to cooperate at all. BREA, a living fact - file. a tome in all but age, the most neglected of the three daughters who hadnโt even the attention to adopt an emotional hardness as her sisters. brea follows her heart, sometimes without thinking, which can lead her into serious trouble. breaโs interest and constant curiosity lead her to have her mother stepping on egg - shells to get around her, and purposely keeps her in the dark about things in fear of how sheโd react. it is the part of ourselves that is uniquely us, and animal - like .
. . . โฐโโโฎ BREA'S JOURNAL, ๐ผ๐๐ฟ ๐ฝ๐๐๐๐ ๐๐ ๐๐๐ผ๐ฟ๐๐๐ : a book of shadows is a typically very personal and secretive book of text and instructions for magical rituals within the neopagan religions of wicca, alongside many other pagan practices - and while breaโs studies wouldnโt have a specific focal point of magic studies, the parallel is there. for a single coven, only one copy of a book would exist, and it would be common for followers of the rule to learn & record in verbatim from the original material & into their own journals, similarly to breaโs already standing relation with the library & her journal. and their recreation & copy from the study is considered incredibly important and almost secret to its owner. traditionally, these texts would tie to experimental practice, and would typically demand everyday ritual works or an otherwise record of magic.
( ๐ฝ๐พ๐๐ด. ) when the book owner dies, their book is typically burned so that it could not be discovered that they were practising wicca, but in breaโs case of contemporary usage, her journal was specially made for her, and isnโt needed to be burned upon departure - despite it being canonically implied she dies surrounded by it. bound by leather, and embroidered by her grandmother. her journal passed to brea like some wicca users would pass their books from teacher to student.
her work would similarly resemble the traditions of eclectic wicca, in the sense the term "book of shadows" is typically used to describe more personal journals over traditional texts (SOMETIMES CALLED BOOK OF MIRRORS TO CONTAIN THOUGHTS , FEELINGS & EXPERIENCES). her coven book of core information would differ from magical material in that it would follow learnings of astrology, poetry, divination & history, and politics.
. . . โฐโโโฎ BREA'S HAIR. THE QABALAH / ๐๐๐๐ ๐๐ ๐๐๐๐ : the tree of life is a symbol most prominent in jewish mysticism, but the symbolism is used in a multitude of mythologies and philosophies : a representation of one's relationship with the divine world and god. in dark crystal canon, the tree of life is a geometric rune devised by mother aughra that pre-dated the arrival of the urskeks : made up of eleven stations which consisted of four macrocosm elements of the physical world (earth, moon, word, love), and another seven microcosmย aspects of the life of the spirit (sun, warrior, gateway, force, self, form & source). it's one's personal relationship with the universe, consisting of emanations of the divine states of being that compose reality.
BREA'S MACROCOSM ASPECTS earth (kira-staba), moon (her people), word (truth), love (sisterhood).
BREA'S MICROCOSM ASPECTS sun (lore, knowledge), warrior (her bond with her older sister katavra), gateway (the aureyal), force (her bond with her eldest sister seladon), self (power in threes), form (maudren vilya), source (the crystal of truth).