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are fairies a thing only elves who are mages can do? i havent finished dungeon meshi yet, sorry if this questions sounds... weird?? i didnt know how to ask
Not sure if only elves but seems to be more common for them at least
Fairies seem to be something troublesome to make, we only see canaries who have Faries and I assume they do because they need to comunicate a lot.
Milsiril supposedly had a fairy when she was in the canaries but after she left she no longer has one.
So my assumption is that it's something only a few mages go thru the trouble of making
And maybe mostly elves due to some cultural reason? I imagine gnomes wouldn't be too comfortable making one and they prefer to use spirits, and tallmen would probably think it's gross like Marcille
That's all speculation on my part tho, I don't think there's any confirmation it's only elves or not
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One of the things I really appreciate about Dungeon Meshi is how the text is so clearly full of love for animals. Like the true kind of love Laios feels for the monster where he wants to know everything about them, but most of all he respects them and loves them as animals.
One of the chapters I can't stop thinking about is the one about Anne the Kelpie. It's kind of impressive how well it illustrates the different kind of love people have for animals. And how someone that loves an animal isn't necessarily an animal lover. If that makes sense.
When Senshi calls out Anne what he says is "Don't worry Anne's Harmless" but she isn't, she's a wild animal.
Marcille immediately reacts positively about it thinking it's cute she accepts the treat Senshi has for her. And hers and Chilchuck's reaction to Senshi wanting to cross the river on her back is more surprise while Laios immediately realizes how bad of an idea it is.
But Laios is the animal monster lover so how come when he finally is faced with a "docile" monster he doesn't react positively like the others? Marcille even calls him a monster. That's because Laios loves monsters, and Senshi loves Anne.
I've seen this attitude around me several times, where people love a specific animal but what they love is their idea of that animal, they don't really know them because they don't love the animal part of them.
It becomes a "this one is special because I love them" that can quickly become an issue for the animal as much as it is for the person. It's something unfortunate I see time and time again irl.
Anne wasn't wicked, Anne wasn't mean, Anne didn't trick him. Anne was a wild animal and Senshi loved her as Anne but not as a kelpie.
She acted on instinct, maybe she did love Senshi in the way kelpies can love, but animals are still animals and must be respected and treated as such. Climbing on top of Anne's back was the equivalent of putting your arm inside a alligator's mouth, the mouth is gonna close because that's what they're designed to do.
The real life equivalent I see the most of "I love this animal but I don't love the animal part of them" is with dogs. If you insist on loving an animal without acknowledging they ARE an animal they might hurt you, you might hurt them, it will only end in grief.
The best way you can love an animal is by understanding they're an animal.
That is all to say I don't mean that the love Senshi felt for Anne wasn't real or that it's all his fault. He couldn't have known with the information he had and unfortunately it came down to the worst outcome.
i feel like NGE glosses over this aspect of their dynamic & ultimately ofc it turns out this isn't really what happened but like. can u imagine if your mother died right in front of you and your father responded by immediately abandoning you and you're devastated
and as you grow up i imagine you'd be like ok i'm still devastated but looking back i can see that he wasn't in a place to be primary caregiver to a child and i guess i can respect that
but then when you finally reunite with him you realise that he had in fact adopted another child your age in the interim so it's not even that he didn't want to be a father he just didn't want to be your father
Shinji shows frankly impressive restraint i think he could & should have eaten Gendo's face like an angry chimpanzee
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9. Righteous Indignation - Becomes excessively angry over perceived injustices, often alienating others.
10. Altruistic Self-Destruction - Sacrifices themselves for others to an unhealthy degree, often leading to self-neglect.
11. Pathological Modesty - Downplays their own achievements to the point of self-sabotage or invisibility.
12. Incapable of Solitude - Feels an intense fear of being alone, leading to codependent or unhealthy relationships.
13. Over-Rationalization - Justifies every action or decision, even when it’s clearly flawed, to avoid guilt or responsibility.
14. Constant Self-Sabotage - Subconsciously undermines their own success due to deep-seated fears or insecurities.
15. Misplaced Loyalty - Stays loyal to people or causes even when it’s harmful or undeserved.
16. Ethical Rigidity - Follows their moral code to the letter, unable to adapt to complex or gray situations.
17. Need for Obscurity - Prefers to stay unnoticed or in the background, avoiding recognition or responsibility.
18. Involuntary Aloofness - Appears distant or disinterested, often without meaning to, leading to misunderstandings.
19. Fear of Mediocrity - Terrified of being ordinary, they constantly strive for greatness, often leading to burnout.
20. Rejection Sensitivity - Overreacts to criticism or perceived slights, often withdrawing or lashing out.
21. Conflict Avoidance - Avoids confrontation at all costs, leading to unresolved issues and resentment.
22. Over-idealization of Others - Puts people on pedestals, only to be deeply disappointed when they don’t meet expectations.
23. Chronically Unfulfilled - No matter what they achieve, they always feel something is missing, leading to constant searching.
24. Compulsive Truth-Telling - Feels compelled to speak the truth, even when it would be kinder or wiser to remain silent.
25. Overactive Imagination - Sees threats or possibilities where there are none, leading to anxiety or missed opportunities.
26. Faux Humility - Pretends to be humble but secretly craves admiration or validation.
27. Micromanagement - Needs to control every detail, often suffocating others or hindering their own progress.
28. Anachronistic Thinking - Clings to outdated beliefs or practices, struggling to adapt to modern realities.
29. Over-Reliance on Routine - Becomes anxious or lost without their routines, struggling to adapt to change.
30. Selective Memory - Remembers events in a way that suits their narrative, often distorting the truth.
31. Paradoxical Fear of Success - Desires success but subconsciously fears the changes or responsibilities it might bring.
32. Compassion Fatigue - Once empathetic, now numbed or indifferent due to overwhelming exposure to others’ suffering.
33. Overwhelming Nostalgia - Lives in the past, unable to move forward or appreciate the present.
34. Unyielding Perfectionism - So focused on flawlessness that they struggle to complete tasks or accept anything less than perfect.
35. Epistemic Arrogance - Believes they know everything worth knowing, dismissing the possibility of learning from others.
36. Excessive Hedonism - Pursues pleasure to the point of neglecting responsibilities or moral considerations.
37. Over-Cautiousness - So afraid of making mistakes that they rarely take action, leading to missed opportunities.
38. Idealistic Naivety - Believes the world should operate according to their ideals, often clashing with reality.
39. Ambition without Direction - Desires greatness but has no clear path or plan, leading to frustration and failure.
40. Emotional Transference - Projects unresolved emotions onto others, often misinterpreting their intentions or actions.
41. Overdependence on Routine - Becomes anxious or lost without their routines, struggling to adapt to change.
42. Misplaced Guilt - Feels responsible for things outside of their control, leading to unnecessary self-blame.
43. Fear of Being Ordinary - Constantly strives to stand out, often at the expense of authenticity or well-being.
44. Chronic Indecisiveness - Struggles to make even simple decisions, constantly second-guessing themselves.
45. Faux Cynicism - Pretends to be jaded or cynical as a defense mechanism, while secretly caring deeply.
46. Romanticization of Suffering - Believes that suffering is noble or meaningful, often rejecting happiness or comfort.
47. Selective Compassion - Empathetic towards some but completely indifferent or cold to others, often based on biases.
48. Avoidant Optimism - Avoids negative thoughts or situations, clinging to an unrealistic positivity that ignores real problems.
49. Fear of Abandonment - Clings to relationships out of fear of being left alone, often leading to unhealthy dynamics.
50. Overidentification with Work - Sees their job as their entire identity, struggling with self-worth outside of work.
51. Excessive Altruism - Sacrifices their own needs to help others, often to their own detriment.
52. Self-Imposed Isolation - Withdraws from others out of fear of rejection or misunderstanding, leading to loneliness.
53. Over-Analysis Paralysis - Overthinks every situation to the point of being unable to make decisions or take action.
54. Eternal Romantic - Sees the world through a lens of idealized love, often leading to disillusionment or heartbreak.
55. Emotional Incontinence - Struggles to control their emotions, often overwhelming others with their intensity.
56. Fear of Aging - Obsessed with youth, they go to great lengths to deny or hide the aging process.
57. Intellectual Cowardice - Avoids challenging their own beliefs or ideas, sticking to what they know out of fear of change.
58. Emotional Hoarding - Holds onto past hurts or grudges, unable to let go and move on.
59. Unquenchable Curiosity - Always needs to knw more, often prying into others’ lives or crossing boundaries.
60. Romantic Escapism - Uses fantasy or daydreams as a way to avoid dealing with reality, leading to detachment.
61. Masochistic Tendencies - Deliberately seeks out situations that cause them pain or discomfort, believing they deserve it.
62. Incurable Wanderer - Can never settle down, always moving on to the next place or experience, leading to rootlessness.
63. Dependency on Validation - Needs constant approval or praise from others to feel good about themselves.
64. Constant Self-Reinvention - Continuously changes their identity or persona, never settling on who they truly are.
65. Moral Masochism - Finds satisfaction in self-punishment or guilt, often holding themselves to impossible standards.
66. Faux Bravado - Pretends to be fearless or confident to hide deep-seated insecurities or fears.
67. Over-romanticization of the Past - Idealizes past experiences, believing that things were better back then, leading to dissatisfaction with the present.
68. Chronic Hedging - Never fully commits to decisions or actions, always leaving themselves an escape route.
69. Fear of Stagnation - Constantly needs to be doing something or moving forward, fearing they’ll become irrelevant or bored.
70. Over-Attachment to Objects - Places excessive sentimental value on material possessions, struggling to let go.
71. Emotional Stoicism - Refuses to show or acknowledge emotions, leading to repression and eventual breakdowns.
72. Self-Flagellation - Constantly punishes themselves for perceived failures or mistakes, often disproportionate to the actual events.
73. Fear of the Unknown - Terrified of what they can’t predict or control, leading to anxiety or avoidance of new experiences.
74. Romantic Pessimism - Believes that love or relationships are doomed to fail, leading to self-sabotage or cynicism.
75. Intellectual Purism - Believes in the superiority of “pure” intellectual pursuits, often dismissing practical or emotional concerns.
76. Existential Dread - Obsesses over the meaning (or lack thereof) of life, leading to paralysis or despair.
77. Involuntary Nonconformity- Desires to fit in but can’t help standing out or going against the grain, often feeling alienated.
78. Self-Imposed Martyrdom - Puts themselves in a position of suffering or sacrifice, believing it’s their duty or fate.
79. Idealized Self-Image - Clings to an unrealistic self-concept, struggling to accept their flaws or limitations.
80. Compulsive Honesty - Feels compelled to always tell the truth, even when it’s hurtful or inappropriate.
81. Over-Reliance on Technology - Becomes helpless without modern conveniences, struggling to cope with real-world challenges.
82. Moral Exhibitionism - Shows off their ethics or principles to gain admiration or moral superiority, often insincerely.
83. Perpetual Student Syndrome - Always learning but never applying knowledge, avoiding real-world responsibilities.
84. Emotional Osmosis - Absorbs others’ emotions so deeply that they lose track of their own feelings or needs.
85. Pathological Frugality - So obsessed with saving money or resources that they miss out on life’s joys or opportunities.
86. Obsessive Self-Improvement - Never satisfied with themselves, constantly striving for unattainable perfection.
87. False Modesty - Pretends to be humble while fishing for compliments or validation.
88. Uncontrolled Impulsiveness - Acts on whims or impulses without considering the consequences, leading to chaos or regret.
89. Chronic Hedonism - Lives only for pleasure, often to the detriment of their long-term happiness or relationships.
90. Overly Abstract Thinking - So focused on big ideas or concepts that they lose touch with reality or practical concerns.
91. Romantic Idealism - Believes in a perfect love or relationship, often leading to disappointment or disillusionment.
92. Selective Altruism - Only helps others when it suits them, often ignoring those who don’t fit their criteria.
93. Pathological Shyness - So shy or introverted that they struggle to function in social situations, often missing out on opportunities.
94. Moral Superiority - Believes they are more ethical or righteous than others, often looking down on those who don’t share their views.
95. Over-identification with a Role - Sees themselves only as their job, family role, or social identity, losing sight of their true self.
96. Chronic Complaining - Constantly finds something to complain about, often bringing others down or creating a negative atmosphere.
97. Faux Stoicism - Pretends to be emotionally strong or unaffected, while secretly struggling with deep emotional turmoil.
98. Addiction to Drama - Thrives on conflict or chaos, often creating drama where there is none to feel alive or important.
99. Obsessive Collecting - Gathers possessions, knowledge, or experiences obsessively, often unable to let go or move on.
100. Inflexible Optimism - Refuses to acknowledge negative possibilities, often unprepared for setbacks or challenges.
101. Contrarianism - Always takes the opposite stance just to challenge others, often without genuine conviction.
102. Emotional Projection - Attributes their own feelings or issues onto others, often leading to misunderstandings.
103. Compulsive Heroism - Feels the need to be seen as heroic or brave, even in situations that don’t call for it.
104. Spiritual Narcissism - Uses spirituality as a way to feel superior to others or to avoid personal flaws.
105. Self-Defeating Humor - Constantly makes jokes at their own expense, using humor to deflect serious issues.
106. Identity Fluidity - Frequently changes their identity or beliefs to fit in with different groups, losing a sense of true self.
107. Overattachment to the Past - Can’t move on from past successes or failures, allowing them to define their present.
108. Pseudointellectualism - Pretends to know more than they do, using complex language or ideas to impress others.
109. Overidealization of Youth - Places youth on a pedestal, often dismissing the value of experience or aging.
110. Refusal to Accept Help - Rejects assistance from others, believing they must do everything on their own, even to their detriment.
111. Emotional Manipulation - Uses guilt, pity, or other emotions to control or influence others, often without realizing it.
112. Inconsistent Values - Holds contradictory beliefs or morals, leading to confusion or hypocrisy in their actions.
113. Obsession with Legacy - So focused on how they’ll be remembered that they neglect the present or make unwise choices.
114. Excessive Eagerness to Please - Goes out of their way to make others happy, often at the cost of their own needs or principles.
115. Emotionally Guarded - Builds walls around their feelings, making it difficult for others to get close or understand them.
116. Selective Memory - Chooses to remember events in a way that favors them, often distorting the truth.
117. Overattachment to Authority - Relies heavily on rules or leaders, struggling to make decisions independently or question authority.
118. Fear of Vulnerability - Avoids showing weakness or asking for help, leading to isolation or burnout.
119. Intellectual Detachment - Approaches everything with cold logic, often ignoring the emotional or human side of situations.
120. Obsession with Control - Needs to control every aspect of their life and others’, often leading to stress or strained relationships.
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*disclaimer: this is based on what’s worked for me, aka an artist that likes to make comics/storyboards. so this advice is directed at people who do that
you can do things like this:
Which is fun! Character sheets like this are great, especially for personal reference! But frankly, I don’t think most people engage with this (at least I personally don’t). You could have the coolest character in the world, but it will be harder for most people to feel invested when they’re presented so neutrally like this.
My main piece of advice is: get better at writing.
That might sound harsh when said like that, but let me explain what I mean! (Not trying to imply you’re bad at writing either!)
What I tend to do is just throw characters into situations with as little handholding as I can. Give enough context that readers can follow along, but don’t feel like they’re being explained to.
what can you learn about the characters through their designs alone? (age, personality, economic status, occupation, etc)
what can you learn about the characters’ relationship though their interactions alone? (are they close? familial? romantic? is there hostility? are they tense/relaxed?)
what are the characters currently doing? what were they doing previously (how long have they been talking)? what are they going to do next? can you convey this without dialogue?
how do they feel about what they are doing? are they content? focused? over/understimulated? would they rather be doing something else?
where are they? does it matter? would establishing a setting in at least one panel clarify the scene? is there anything in the enviroment that could tell some of the story?
what time of day is it? what time of year is it? what is the weather like?
Now, with all this in mind, I'm going to give you another example. I'm going to use completely brand new characters for the sake of the experiment, so you won't have any bias (aka I can’t use Protagonist from above, since you already know all about him).
Did this get more of an emotional response from you than the first example? Why do you think so? Who are these characters? How do they know each other? What else can you infer about them? What happened? Who is "she"?
Now, you don't have to actually answer all those questions. But think about them! You can tell people a whole lot about your characters without ever showing them a list of their likes and dislikes.
Obviously, comics aren't the only way to get people invested in your original characters! But regardless, easily digestible formats will grab people's attention faster than huge blocks of text, and comics are a lot less work than doing wholeass storyboards.
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name:
meaning of name:
nicknames/titles:
age:
gender:
location:
birthday:
strengths + example where it's shown:
weaknesses + example where it's shown:
how it affects others:
emotional depth
attachment style + how it manifests in the story:
physical fear:
emotional/abstract fear:
happy memory:
sad memory:
object of significance:
philosophical outlook/belief:
what characters are ignorant about themselves:
how confident are they:
goal:
long-term dreams:
what they're embarrassed/ashamed to tell others about:
regrets:
source of pride:
source of misery:
what they admire above all else:
do they believe in fate:
personality
mbti:
enneagram:
big five:
character archetype:
star sign:
who they pretend to be on the outside:
who they actually are/how they feel towards the mask:
mental health conditions:
how it manifests for them:
iq:
eq:
humour:
reputation:
habits
bad habits:
mannerisms when stressed:
mannerisms when content:
mannerisms when scared:
mannerisms normally:
verbal mannerisms/distinctive speaking style:
how do they move across a room:
what do they say and what remains unsaid:
how they express love:
hobbies:
appearance
defining features:
eye shape + colour:
hair texture + colour:
skin texture + tone:
vibe:
height:
build:
clothing:
any bodily disfigurement (scars, etc.):
overall attractiveness:
their opinion on their appearance:
appeals to:
relationships
who they trust most:
what they wish they could do for them:
what's holding them back:
who they hate most:
what they wish they could do to them:
what's holding them back:
relationship with the protagonist:
relationship with the antagonist:
siblings:
relationship with them:
parents/step-parents:
relationship with them:
previous broken relationships:
why did it break:
what others expect of them:
who believes in them:
their mentor character/who they look up to:
political/religious/other affiliations:
what makes them different from every other character:
non-human relationships + why:
romantic "type" + why:
relationship dynamics:
backstory/background
primary emotion towards their past:
primary feelings while in their past:
where did they grow up:
defining incidents:
earliest childhood memory:
saddest memory:
happiest memory:
major accomplishments:
their opinion on it:
notable people in their backstory:
effect on them today:
trauma:
what have they already lost:
financial circumstance:
progression
why are they important (eg. why're they the only one able to do something?):
what do they learn about themselves throughout the story:
what do they learn about the world:
how do they feel towards their newfound knowledge:
character arc (positive, negative, neutral):
how relationships change because of their actions:
what mistakes do they make:
what scene is their character highlighted:
do they get what they want:
why or why not:
what happens to them after the story ends: