André VILLERS - Abstraction, ca. 1980
TVSTRANGERTHINGS
trying on a metaphor

blake kathryn
EXPECTATIONS
cherry valley forever
noise dept.

Andulka

gracie abrams
Claire Keane
untitled
PUT YOUR BEARD IN MY MOUTH

★
Show & Tell
"I'm Dorothy Gale from Kansas"

pixel skylines
official daine visual archive
Mike Driver
Misplaced Lens Cap

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@muscavomitoria
André VILLERS - Abstraction, ca. 1980

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The vanity of existence.
Source
A new treatise on the practice of navigation at sea, 1902
EYES WITHOUT A FACE (1960) dir. Georges Franju
Untitled, Carnaval de Huejotzingo, Puebla, Photo by Kati Horna, 1941

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Slavko Vorkapich, The Furies | 1934
Making crosses
Luisa Casati (1881-1957) in 1913, extravagant, decadent personality of her time, occultist, spiritualist and occult book collector.

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Alphonse Legros, Death and the Maiden, 1895

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🐺 Amusement microscopique tant pour l'esprit, que pour les yeux A Nuremberg: Se grave et se vend chés Adam Wolfgang Winterschmidt: 1764-1768. Original source Image description: Illustration titled “Amusement microscopique tant pour l'esprit, que pour les yeux,” depicting a detailed, magnified view of a wolf louse. The central subject is the louse’s body, shown with a segmented, oval shape covered in fine hair and multiple labeled legs ending in curved claws. The head displays large compound eyes and antennae. Surrounding the main image are close-up views of the louse’s mouthparts, intestines, and a small round inset showing the louse in natural size. The intricate line work and shading highlight the texture and anatomical features for scientific study. The image is framed and labeled “TAB. XXI,” dated 1764-1768.
Sara Facio y Alicia D' Amico, Silvina Ocampo, 1963