You know what guys?
I miss this place.
Also read this monstrous post I wrote 10 months ago
Munich Underground Scene Review 2020-2024 – #munich again
DEAR READER
Not today Justin

⁂

JVL
trying on a metaphor
Sade Olutola
will byers stan first human second
Xuebing Du
Stranger Things
Lint Roller? I Barely Know Her
wallacepolsom
occasionally subtle

Janaina Medeiros
Misplaced Lens Cap

if i look back, i am lost
2025 on Tumblr: Trends That Defined the Year
noise dept.

sheepfilms
seen from Poland

seen from United States
seen from T1
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seen from Uruguay

seen from Colombia

seen from United States
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seen from United States
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@munichagain
You know what guys?
I miss this place.
Also read this monstrous post I wrote 10 months ago
Munich Underground Scene Review 2020-2024 – #munich again

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Look moms we made it!
Get the book here:
These Girls, too - Über prägende Role Models von den 1950ern bis heute. VÖ: 13. Juni, jetzt vorbestellbar
What Are People For?
23.07.2021 | Olympiastadion | München
© t u n e a r t / Käthe deKoe
I take a little bit of time off of my paid holidays (that’s such a new and welcome concept) to look back on the last few years of my Munich adventure. In a way, I think my journey reflects a reality that is bigger than myself – for example, the number of Clubs in Munich got cut in half in the last five years. In the same time frame, my excitement at discovering great artists working together in a vibrant scene (once penned the city of hard choices by yours truly) turned into delusion and apathy. And I had been warned about it from Day 1 by the artists of the Munich subculture.
This learning process, which makes me now say back “Yes, you’ve been right all along,” helped me really understand why the different constellations of the Munich Scene work the way they do and somehow I became one of its members, instead of one of its curators.
This is why in the following few pages, I write about the personal (Part 1 : From fanaticism to apathy), I jump to the community (Part 2: The Munich Underground Sound in the last decade), to politics (Part 3: Autopsy of a City™).
I don’t take it personal if you don’t read everything, I know I wouldn’t.
Viele Kreative finden München langweilig, gerade Nachwuchskräfte ziehen lieber nach Berlin oder Hamburg. Das wird für die bayerische Haup
As a young Veranstalterin that came to Munich with the explicit idea of being part of said subculture (theres very few of us), I can say the following :
1- 2 years and over 50 concerts and a couple festivals organized later, I don’t think it’s possible for anybody to live from concert organization by themselves. Either you need State support, or you need a rich boyfriend/girlfriend to pay for your “Luxus hobby”.
2- there’s not a single venue in this city that will support a long term local experimental music showcase 100%. It will always be a question of “can we get city money from it” or “you need to cover your own costs” - not because the venue managers are assholes that don’t believe in the music, but because there is no stable audience for experimental music in Munich.
3- once again for the people in the back, there is no stable audience for experimental music in Munich and organizing experimental concerts is a financial risk that nobody can afford to assume
4- 99% of Munich’s representations of subculture (the Boat, the Containers, the Hotel happening, the Beach and the Tents) are actually a capitalist dream that screams “Disneyland” more than “artistic freedom”. Your bottled Weinschorle is not feeding my creativity.
5- Munich finally pushed me beyond all my limits and I am too tired to care anymore. To hell with this scene, or absence thereof, I will do like many before me, and we will organize some public representations of subculture when we feel like it, at our own financial risk, for an audience that doesn’t grow, and keep to themselves through bonds of friendship rather than lifestyle.
- Emilie Gendron, @munichagain

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November has always been an important month for Munich Again. November 22nd 2014 is when i published a picture of me on my blog for the first time, and got viral. On November 25th, I changed my Tumblr name from “thequeenston” to “munichagain”, and it marks the moment I “professionalized“ my blog. It was not a typical fan blog anymore. It was content-oriented. For my readership. Less than a month later I was interviewed on German radio. This period was the peak of the obsession, fueled by playful nerds overseas, that found the whole ordeal quite funny and refreshing.
A year later, in November 2015, I came to Munich for three months, with an empty credit card and a lot of wounds to heal. I started that trip with the idea that I would write the whole time, make a live-in-the-city blog about the nightlife, use my “fame” to promote unknown bands, and so on. Little did I know, I would get too close and personal. The creative residency lasted for a good month, and after, it was writer’s block. I got caught in the trap of the subculture, which is : Keep it to yourself, because anyway the only people it interests are those that were there. And if you missed the thing, you’re at fault. It’s a VIP thing, you know.
November 2016 : I moved to Munich. With even more wounds to heal as the year before, some of them raw and deep. I came over this time around with a loaded credit card. I still hadn’t managed to get back on my feet after the last two trips (yeah I did a quickie to Germany in July too). I came ill-prepared, and relied on the kindness and desire to help of people close to me. I still do actually. But I understand much more about the structures of my new country now, and how to survive in them.
In November 2017, after nearly a year of weekly bookings in Rote Sonne, everything is once again uncertain : the concert series are not viable anymore. To have weekly underground booking in a techno club sounded like a idealistic avenue, and it was. To bring ideals to completion, one needs a lot of money. Talking about money, I was still not allowed to work. And even if my German was getting better, I still could not form full sentences. Oh, and I stopped smoking. A year of pushing away pain, and keeping anxiety under control, because it’s still full-blown survival mode.
We are now five years later, in November 2018. I just found a full-time job in Germany. My German is ok, my financial situation is less of a catastrophe and more of a work-in-progress. For the first time since what feels like two hundred years, I feel lighter. There’s solutions ahead. And beauty. And I finally decided to end a three years long Schreibblockade by committing myself to put down this whole story on paper. Because an enormous part of it is still untold.
Oh and there’s two fucking great concerts coming up too.
Survived Oktoberfest. Working on a thing.
Before Oktoberfest, a picture post.
Show in Impex soon
Facebook "Help people find you because we fucked up the algorithms for small players"

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Bis morgen!
(NOT CLICKBAIT!) You will totally loose your shit at number 8! 😆😆😆
Danke Danke Danke Curt Magazin!
So yes all in all Carte Blanche to Rumpeln was a total success.
new poster artwork for rote sonne and munich again

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Free to watch • No registration required • HD streaming
@l-e-r-o-y starts at the Noise Mobility Festival (Glocke) in half an hour, followed by Musica Povera and the Bam Bam Clan!
Leftovers of a Murena Murena performance.