Monet Yvette Clarisse Maria Therese St. Croix - M / Penance
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Monet Yvette Clarisse Maria Therese St. Croix - M / Penance

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Maximoff twins sketch dump!!!
Luna, proving she’s her father’s child: ”Hiiiii Magneto! Look, if you’re gonna be an absent father could you be at least absent.”
Pietro: *can’t decide whether he should scold her or start cackling like a maniac* “Oh my god…”
Franklin, already loosing his shit: “ -oh that is the best thing you’ve ever said “
Controversial take I don't think Pietro Maximoff likes many kids that aren't either his blood relatives or don't remind him of someway of himself. There's a reason Finesse was the student he was closest to in Avengers Academy but by default I don't think he likes children and I certainly don't think he would be trying this hard to win the affections of this low-key racist white teenager.
Why would he care about if this blond girl likes him. She isn't very much like him, she isn't very much like Wanda or like anyone else Pietro cares about. Is it because she's a dark blond and Crystal and Luna are both dark blond??? Is that what we're doing?????
Gail Simone's obsession with found family dynamics is genuinely a rot that makes this run feel like a drag to read every week.
I don't really agree with the assertion that Pietro doesn't like children or would be cruel to them. He's kind but not a coddler with kids that are not immediate family. He was the reason Georgia was rescued and Given a place and respect on the team in ANXF.
That being said, yes I agree that Calico was low key racist in this issue to the point Gail had to make Pietro say something even out of character for him to at least somewhat justify Calico's treatment of and attack on him.
Did you read the new Uncanny X-Men issue? Maybe I'm saying some bullshit but I think it is the best writing for Pietro in years since Saladin Ahmed. Gail surprisingly wrote him decently and got his personality and affect for kids right, also the colors here are stunning for him, I hope it became a pattern for him in all books like it is for Scarlet Witch.
I'm not loving the series, and I'm especially not loving this story arc, but as far as Pietro and Monet are concerned, this issue was... fine. Calling it the best treatment Pietro's had since Ahmed is a huge stretch.
Their basic characterization made perfect sense, but a lot of the writing in this book is just weird and choppy. I feel like Simone keeps switching things up with the whole Graymalkin situation-- are they leaving it there? Is Monet in charge? If not, who? So that's kind of irritating.
Monet's interaction with Alice put me on edge-- I know that this is a part of her character, but it seemed strange for her to be shortsighted and entitled after being so clear-headed and down-to-earth for most of the prison arc. Moreover, staging a conversation like this between two Black characters was a risky choice for a white writer, and I'm curious to see how Black readers feel about it. There are a lot of layers to the optics here.
It's true that Pietro has a strong paternal instinct, and while we might normally expect him to be a little more prickly at first, I think that having him jump straight into caring/protective mode, and even try to proactively bond with the kids, was a great way to show his growth-- but when he's this nice up front, it feels like his catty digs later in the issue are coming out of left field. His jab at Becca on the training grounds was really shocking, and I genuinely can't figure out why Simone would have him switch up like that
I was enjoying Pietro's characterisation up until that point (but I can think of several stories since Saladin's that have handled Pietro much better than what we've seen in uncanny so far - Pietro and M calling each other dear heart is v. cute though), I definitely interpreted there was an extra layer in his Kindness to Becca due to her resemblance to Luna.
The outliers were weirdly hostile to Pietro and Monet but it was good to see the others somewhat get over it, but Becca's intense hatred of Pietro from the start definitely has bad optics and comes across (at least to me) as prejudiced in a way I don't think Simone intended.
It definitely felt like Becca was chomping at the bit to attack him and was looking for an excuse and Gail had to make him act out of line (in a way that's out of character even for him) to justify the rich white girl attacking a PoC that she earlier recoiled from and essentially told didn't belong.
What should have been Monet's big introduction as a leader felt like it had very little to do with her (and to a lesser extent Pietro or their relationship) and was all to do with Becca (and through that Gambit). Not to mention her interaction with Alice was wired for the reasons mentioned above.
Monet bribing the kids with new uniforms did get a chuckle from me and the art and colouring is great.

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Beautiful summer Pietro/Monet art I got from Dunken Violett on Instagram ⛱️☀️🌊
Outliers keeping the New Mutants outfits.
New Mutants 3!
The outfits work imo.
not so friendly reminder that Avengers: Doomsday whitewashes yet another canonically Romani character.
Seeing X-Factor in '97 reminded me of All New X-Factor. So naturally, I drew my fav three from that team. I looooved this serval suit design so much! 🖤🩶💛
Why are people so defensive about the Maximoff twins being portrayed as visible poc? I've seen multiple times of people online claiming that portraying them as light brown or even darker brown skin is a stereotype which is funny since 98% of Roma characters in comics are pale or blondes if not in all media too. Wanda and Pietro are currently the only exception in this topic
Why do you think? It's racism and colorism.
There are two types of people who get activated about this-- people who are uncomfortable confronting the fact that their favorite MCU character is whitewashed and a very racist adaptation, and comic readers who, consciously or not, view the characters as white people and want to either minimize or completely ignore the fact that they aren't. Obviously, some people are also just straight-up racist and have a problem with Romani people, visible brown people, or both.
I guess it's possible for somebody to be convinced that white-presenting Romani are "better" representation, but nine times out of ten, that's just a bullshit justification. I really don't know how you could think that makes sense, unless you're wildly ignorant or deeply illiterate.

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Monet, first time meeting the precious other half and wanting it to go well: “-I just want you to know that I love your brother very much.”
Wanda, just wanting to pick on her brother: “You do?”
Money: “Yes.”
Wanda: “Really?”
Monet: “Yes.”
Wanda: “May I ask why?”
This is more an interaction Lorna and Monet would have haha considering Lorna has a more normal sibling relationship with the twins.
The twins are pretty codependent and that's an underreaction
Monet, first time meeting the precious other half and wanting it to go well: “-I just want you to know that I love your brother very much.”
Wanda, just wanting to pick on her brother: “You do?”
Money: “Yes.”
Wanda: “Really?”
Monet: “Yes.”
Wanda: “May I ask why?”
Yor and Yuri's Parallel Journeys - Spy x Family Analysis
I originally posted this on Reddit, but I figured I might as well share it here as well. I also rarely make analysis posts like these cause I'm usually on the wiki, but I thought this topic was interesting enough to make a post for.
also also. this post has lots of manga spoilers up to the latest chapter, so if you haven't caught up, you have been warned.
Yor and Yuri's relationship is probably one of my favorites in Spy × Family, and one I think is often understated. While rereading the series for the nth time, I began to notice something about the Briar siblings: although their character arcs are not identical, they unfold in surprisingly parallel ways. After losing their parents, both Yor and Yuri built their identities around protecting the other. As the story progresses, each is forced to confront the same underlying question: how do you redefine yourself after spending your childhood living for someone else? Yor reaches that turning point first, gradually expanding beyond an identity centered solely on Yuri, while Yuri's recent development suggests he is only beginning to confront the same question from the opposite direction, learning to support Yor's happiness without making himself the center of it.
This is a lengthy post, but I hope you'll bear with me and read it all the way through. Now, let's get into it.
1. Shared Foundations
Both Yor and Yuri lost their parents during the Second East-West War. While the exact circumstances remain unknown, Yor stepped up as Yuri's primary caretaker from a young age and eventually became a Garden assassin to continue supporting him. Years later, during the Cruise Adventure Arc, Yor realizes that her resolve to fight had grown beyond simply protecting Yuri, reaffirming her desire to create a world free from needless tragedies, a motivation that seemingly stems from the losses she experienced as a child. In turn, Yuri grew up inspired by Yor's kindness, resolving to "make this world a kinder place for her sake."
Although these revelations occur in different parts of the story, the chapters that reveal them were released relatively close together. Viewed together, they present the Briar siblings as sharing the same emotional foundation: both chose their paths in response to the same childhood tragedy, each hoping to protect the other in their own way.
2. Catalyst
By the start of the series, Yuri has already moved out and is working for the SSS, leaving Yor living alone for the first time since raising him. After impulsively telling Yuri that she has a boyfriend, Yor meets Loid and eventually agrees to a marriage of convenience. While the arrangement is primarily practical, allowing her to maintain her cover as an assassin and avoid suspicion for being unmarried, Yor also explicitly notes that it will put Yuri's mind at ease, knowing how much he worries about her. Although the marriage begins as a matter of convenience, it quietly becomes the catalyst that forces both siblings to confront lives that no longer revolve solely around one another, setting their parallel journeys into motion.
3. Secret Police Arc
This arc marks the first major divergence between Yor and Yuri. While both still place each other at the center of their decisions, they begin responding to Yor's marriage in fundamentally different ways.
Yor repeatedly frames her relationship with Loid in terms of how it affects Yuri. She worries about causing him unnecessary stress and later thanks Loid not simply for tolerating Yuri, but for accepting him as part of their family. Even at this early stage, Yor's instinct is not to replace Yuri with Loid, but to expand the family she already has. Yuri, meanwhile, responds in the opposite direction. Rather than seeing Loid as an addition to Yor's life, he immediately views him as a rival competing for the place he has occupied since childhood. His hostility toward Loid stems less from jealousy than from a fear of losing the role that has defined his identity for years.
Looking back, these chapters foreshadow the direction both characters eventually take. Yor's first instinct is inclusion: she tries to reconcile her old family with her new one. Yuri's first instinct, by contrast, is exclusivity, viewing Loid's presence as a threat to his place beside Yor. This distinction quietly becomes the foundation for both siblings' later development. Yor gradually succeeds in expanding the world she built around Yuri, while Yuri's journey ultimately becomes learning how to accept that expansion rather than resist it.
4. The Lives They Chose
While Chapters 26 and 29 primarily focus on Anya, they reveal for the first time that both siblings chose their secret professions out of devotion to one another. Yuri pursued the SSS believing he could help Yor, while Yor reflects that what began as a means of supporting Yuri eventually became a source of pride and a way to protect others. Although these revelations seem isolated at first, they ultimately become the core foundation for both characters' later development.
5. Yuri's Character and Yor's Resolution
Chapter 41 is the first time we see Yuri existing (mostly) independent of Yor. We see his exceptional capabilities as an investigator whose concern for families extends beyond his own, suggesting that the ideals Yor inspired in him have become genuine convictions. But the chapter also reminds us that Yuri's emotional center remains unchanged: after completing the case, the first thing he does is visit Yor simply because he wants to see her, immediately reverting to the affectionate younger brother.
Not long after, Yor reaches her first major turning point during the Cruise Adventure Arc. After Yuri tells her that he is no longer a child and that she should rely on him instead, Yor quietly acknowledges that the role she has fulfilled since their parents' deaths has finally come to an end. Wondering whether there is still any point in remaining an assassin, she even considers making her current assignment her final mission as the Thorn Princess.
However, while protecting Olka and Gram, Yor gradually realizes that her desire to safeguard peaceful families is the very reason she became an assassin in the first place. Olka's wish to simply live quietly with her child reminds Yor of the losses that shaped her own childhood, leading her to reaffirm her resolve to prevent others from experiencing the same needless tragedies. Rather than finding a new purpose, Yor realizes that the ideals which first led her to become an assassin had always extended beyond Yuri alone. By the arc's conclusion, as she quietly wishes that the peace she has found with the Forger family could last forever, Yor understands that protecting peaceful lives like theirs is the very reason she continues fighting as the Thorn Princess.
In the middle of all this, we get another look into Yor and Yuri's past in Short Mission 6. While we already covered this in the first part, it is essential to the arc as it forms a complete circle: Yor chose her path to protect Yuri, while Yuri dedicated his life to becoming someone worthy of protecting Yor in return. However, the siblings' parallel development is not merely chronological. Because Yor was forced to grow up first and become Yuri's caretaker, she is also the first to confront what it means to move beyond that role. Yuri, by contrast, has spent much of his life looking up to the sister who raised him. His own journey only begins once Yor's growth compels him to reconsider the role, and ultimately the identity, he has long built around protecting her.
6. Yuri's Identity
While Yor largely resolves this part of her journey during the Cruise Adventure Arc, Yuri is still trying to fulfill the promise he made as a child. Chapter 68 shows this in a surprisingly mundane way. Rather than confronting Loid as an SSS officer, Yuri competes with him over everyday household chores, desperately trying to prove that he can still be more useful to Yor than her husband. Underneath the silliness is an uncomfortable question: if Loid can now provide the support Yuri once wanted to give his sister, what role is left for him?
The Wheeler/Mole Hunt Arc quietly builds on this idea. Before Yuri unknowingly clashes with Twilight, Yor tells him not to interfere in what she calls a marital spat between herself and Loid. Later, after Yuri and Loid nearly kill each other during the operation, Yuri visits the Forger home only to be sent away so Loid can rest. Although Yor later apologizes, these moments show how much her perspective has changed. She still loves Yuri just as deeply as ever, but she no longer instinctively places him at the center of every decision.
Chapter 89 finally turns the spotlight back onto Yuri. Still shaken by his defeat against Twilight and being turned away from the Forger home, Yuri privately admits that his recent encounter with Yor has left him wondering whether he can truly protect his country. The changing role Yor now plays in Yuri's life begins to shake the very motivation that led him to join the SSS. In an effort to become strong enough to defeat Twilight and prove himself worthy of protecting Yor, he throws himself into work, recklessly taking on an entire gang by himself. Chloe saves him from getting himself killed and bluntly points out what he's doing: his entire life revolves around Yor. Rather than telling him to stop caring about his sister, she challenges him to become someone who no longer gives Yor a reason to worry about him. Before trying to protect Yor, he first has to show that he can stand on his own.
By the end of the chapter, Yor visits to apologize for sending him away and admits that she missed him, reaffirming that nothing has changed about how much they care for each other. But Yuri leaves with a new question. Instead of immediately plotting how to get rid of Loid, he asks Yor how she actually feels about him. For the first time, Yuri pauses to consider that arresting or eliminating Loid might not be what Yor wants after all. He doesn't resolve these doubts yet, but for the first time he begins looking inward instead of measuring himself solely through Yor.
7. Chapter 114
Before getting to Chapter 114, it's worth briefly touching on Chapter 91. While it doesn't significantly change either sibling's trajectory, it provides the missing context behind both of their motivations. By confirming that Yor and Yuri's parents died during the war, it retroactively strengthens the Cruise Adventure Arc's revelation that Yor fights to prevent other families from suffering similar losses, while also reinforcing why Yuri devoted himself to becoming someone capable of protecting the sister who became his entire world.
With that context in mind, Chapter 114 offers something the series has rarely given us: Yor and Yuri simply spending time together after both of their arcs have significantly progressed. More importantly, they do so from very different places than where they began. Yuri initially falls back into familiar habits, dwelling on the sacrifices Yor made to raise him while accusing the Forgers of taking her away from him and changing who she is. Yor, however, responds from a very different place. Rather than dwelling on the hardships of the past, she gently explains that those feelings belong to another time and speaks openly about the happiness she has found in her current life.
This contrast becomes most apparent when Yuri suggests returning to their hometown of Nielsberg. While the proposal shows his lingering attachment to the life they once shared, Yor quietly declines. She treasures those memories, but no longer wishes to return to them, choosing instead to continue moving forward toward the future she wants to protect.
Despite this, the chapter reaffirms that their relationship remains as close as ever. Before they part, Yuri remembers that Yor wanted to buy a gift for Anya and gives it to her himself, showing consideration for what is important to her. Left alone afterward, Yuri reflects on the childhood promise that shaped his life and initially wonders whether the Forgers are the reason his sister now feels so distant. However, he quickly realizes that they are not the only reason: he has also built a life whose burdens and responsibilities he can no longer share with Yor. However, we also get a hint that Yuri may be capable of embracing the life he he has built beyond his relationship with his sister, as the chapter closes with him accepting an invitation to join his fellow SSS officers for drinks.
8. The Five-Year Love Plan Arc and onward
The Five-Year Love Plan Arc immediately demonstrates how much Yor and Yuri's dynamic has changed. For the first time, Yor openly admits to Yuri that she loves Loid. Earlier in the series, Yuri viewed Loid primarily as someone who had stolen his sister away. Although he remains visibly uncomfortable with the confession, he decides to follow them to the broadcast to judge for himself whether Loid is truly worthy of the place he holds beside Yor. Even more strikingly, when the hijacking occurs, Yuri and Loid spend much of the arc working toward the same goal: protecting Yor. Although they continue to clash, neither allows their wariness of each other to interfere when Yor is in danger.
When the hijackers later demand that Yor kiss someone as part of their staged reshoot, Yuri immediately objects to forcing his sister into such a situation. However, when it becomes clear that the hijackers will not back down, he argues that Loid should be the one instead, implicitly accepting that, if anyone should fill that role, it should be Yor's husband. Later, both siblings witness Loid risk his own life by confronting the hijackers at gunpoint to protect Yor. When Yor tearfully tells Loid that he could have died, her words echo the advice Chloe previously gave Yuri: that protecting someone also means making sure you return to them safely.
The most recent chapters continue this progression. We see Yuri asking his coworkers to help him evaluate whether Loid is truly worthy of Yor. The question itself marks a complete reversal of his earlier mindset. Instead of assuming Loid has no place beside his sister, Yuri is now willing to consider the possibility that he does. By the end of the SSS party, he even admits to Chloe that he doesn't actually hate Loid. While he is far from considering Loid family, Yuri recognizes that Loid has remained true to his promise to protect Yor alongside him. Rather than judging Loid as the man who took his sister away, Yuri begins evaluating him as someone who shares the same desire to keep her safe.
At the same time, Yuri's attention gradually turns inward. Acknowledging that Yor now has a life of her own, he realizes that he cannot continue depending on her forever and resolves to start acting more like an adult. While his journey is far from complete, this is the clearest indication yet that Yuri is beginning to redefine his own identity instead of measuring himself solely through his relationship with his sister.
Now, one thing I didn’t really touch on is Yuri's "siscon" behavior. I don’t think this analysis ignores it so much as looks beneath it. Most of Yuri’s attachment to Yor is presented comedically, but his major character moments consistently frame that attachment as an identity issue rooted in their childhood rather than just a running gag. That’s why I focused on the underlying question of who Yuri becomes as Yor gradually builds a life that no longer revolves entirely around him.
Viewed as a whole, the Briar siblings' stories resemble two halves of the same journey unfolding at different points in time. Yor's arc shows her learning that loving Yuri does not mean living solely for him, while Yuri's recent development suggests he is only beginning to confront that same realization from the opposite direction. The childhood promises they made to protect one another have never been broken; instead, they have gradually taken on a new meaning. Rather than defining themselves through the sacrifices they once made for each other, they are gradually learning to support one another as siblings who have each built lives, relationships, and responsibilities beyond the bond that first shaped them.
House of Dadneto final day; Cradle, Nostalgia, secret, alternate universe, Betrayal, void, promise, dreams, doubt
I fell off the planet because I was desperately trying to finish this for the final day of house of Dadneto! But we did it!! Please enjoy my first ever little animatic, house of M pietro I love and cherish you, you weird little man
@house-of-dadneto

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quicksilver is genuinely one of the best superhero names in the business. antiquated and poetic term for the element mercury, which is named after the god of speed. and he's literally quick.
pisses me off when modern comics do a flashback to the og brotherhood of evil mutants days and have pietro or wanda act like they were actually Loyal To The Cause. they hated being there from their first appearance. magneto was explicitly holding the fact that he saved wanda's life over their heads the whole time and they were always bemoaning that they had nowhere else to go. these teenage twins trapped in a new country under the control of a man doing "when you live under my roof, you follow my rules" shit before he even knew he was their dad, with no one at all they could trust except each other, is way more compelling to me than the idea that they actually bought into what magneto claimed to be doing. that history is foundational to wanda and pietro's messy swinging-between-estrangement-and-codependence sibling relationship in adulthood AND their whole thing with the avengers. they hadn't had a home or anyone/anything to believe in since they lost their parents until they joined the avengers! things would be a hell of a lot different if that weren't the case.