Cosimo Galluzzi
YOU ARE THE REASON

祝日 / Permanent Vacation
d e v o n
DEAR READER
Monterey Bay Aquarium
One Nice Bug Per Day

blake kathryn

#extradirty
Alisa U Zemlji Chuda

Janaina Medeiros

Aqua Utopia|海の底で記憶を紡ぐ
let's talk about Bridgerton tea, my ask is open

★

Kaledo Art
2025 on Tumblr: Trends That Defined the Year
taylor price

Product Placement
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@munayoyoo

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Teenage smokers by Ed Templeton 1994-2002
marcy saint by yulissa benitez
That 70s Show (1998-2006)
"Looking through ooz art with archy, two years since the album- HB x photos by @frankleboner"

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“Jesus Stole My Car Keys” Issue 8, 1994 photographer: Phil Knott stylist: Katie Grand
Coelho 2006
Frank-N-Stein
Scanned from the 1968 Portage (Indiana) High School Yearbook
Flora and Sylva
As we continue to progress through our gift processing, we came across this pleasant little item from an anonymous donor: Glass Flowers from the Ware Collection in the Botanical Museum of Harvard University; Insect Pollination Series, published in New York by Harcourt, Brace and Company in 1940. Now housed at the Harvard Museum of Natural History, this remarkable collection of flower facsimiles was commissioned by Prof. George Lincoln Goodale, financed by Elizabeth C. Ware and her daughter Mary Lee Ware as a gift to the Harvard University, and produced entirely in glass by the German artisans Leopold and Rudolph Blaschka from 1887 to 1936.
According to this slim publication, the Ware Collection “contains specimens illustrating 164 families of flowering plants, a selected group of cryptogams illustrating complicated life-histories, a group of models exhibiting the relation of insects to the transference of pollen, and a group of rosaceous fruits illustrating the effect of fungus diseases.” More information about the collection along with a video on the collection’s restoration can be found at the Harvard Museum of Natural History website.
This small book focuses on the pollination series of the Ware Collecton, and includes color reproductions of sixteen paintings of the glass facsimiles by the noted German-American artist and illustrator Fritz Kredel, who’s woodcuts we highlighted yesterday in our Typography Tuesday post.
A Bathing Ape: Bapesta FS-001 (2006)

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-Afro Hair and Beauty . 98′-02′
-Eileen perrier.
Barbershop, 2019
www.akramshah.com
Chinese 78rpm record sleeves, 1930s-40s
“Fine Wind, Clear Morning”. 1831-35, Japan, by Katsushika Hokusai
Textile sample. Japanese, Late Edo or early Meiji era, 19th century. Silk, gilt paper strips; plain-weave crepe (chirimen), hand drawn paste resist-dyed and painted (yûzen), embroidered (shishû, takeyamachi-nui). Textile sample with design of flying birds against a dark sky over swirling water with grasses alongside the banks in gray, brown, blue and white, created by the yûzen process, and accented with gilt paper strip embroidery. . Provenance: William Sturgis Bigelow Collection; gift of William Sturgis Bigelow to the MFA in August, 1898. MFA

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Peter Fraser