I think one of the hardest things to process, for me, has been the question of: Who is Julian Koster, really?
We corresponded on multiple platforms, exchanged countless texts… I can’t remember the exact number but in emails alone he sent me a number of letters approaching 200. It was a lot. When you interact with this many words from a person, i think you cannot help but feel an attachment. But who was i attached to? Was any part of who he showed me actually Real?
I described this to a friend, and they said, ‘Paul, have you ever been Catfished?’ And actually I will say, i think this is a valid description of the way i feel i was Used. A year ago i would have said ‘no no, i have never been Catfished.’ Now, i am not so sure.
I was very sensitive to the fact that I had had an intense emotional attachment to this person’s work when i was in my 20s, before i understood them to be an Abuser. I was clear in the 2020s that this made me vulnerable to manipulation, but I was also clear that morally, it felt like I had an obligation to defer to the Julian he said he was, before deferring to my own interpretation of him. I did not want to be Parasocial, after all, by believing i ‘knew’ Julian just through his albums and a smattering of letters from over a decade ago.
Yet the Julian he said he was (and here i am describing the question of identity largely independent of the question of abuse), was exactly in line with the Julian my Fandom said he was. He encouraged me to believe this, saying it actually felt Hurtful when he was read as something other than the character he presented onstage.
This had a profound effect on me, as someone who (then) believed uncritically in the Parasociality Paradigm, and as a fellow Autist. Often as Autists, we do struggle with Identity, and the only place some of us can be anything that feels like Ourselves, is on the stage. Yet Fandom cultural norms, along with the Parasociality Paradigm, insist that there is only one right way to relate to a creator, and this is to first *disbelieve* what they tell us of themselves through their art. If their art suggests they are gay or trans or autistic, for example, we are told we are still never to ‘speculate’ (or ‘headcanon’) on these identities. To do otherwise, we are told, is to lose touch with Reality itself—to inappropriately ‘force’ our own experiences on that person.
And yet i am all of these things, and in my heart of hearts i KNOW, viscerally, beyond the shadow of a doubt, that if i were to create art, i would *want* that speculation to take place. His words made me realize: if i were in his shoes, it would harm me terribly, and silence my Voice, if oddball Q/ND fans were too frightened to see themselves in me.
In other words, who does it benefit, when we assume someone is (for example) straight until they tell us otherwise? Who do we harm when we refuse to hear the artist’s own voice? I felt utterly humiliated—I had always been told i was ‘protecting’ creators when I refused to credit my own eyes and ears, and yet my very own heart itself knew this wasn’t so for everyone, only for those who weren’t like me—those who were Normal. And here was Julian Koster himself telling me directly: ‘i wish you had trusted your instincts—for some of us it does a greater harm when you do not.’ (Paraphrasing, but still).
I still believe in this, despite what proved to be his unutterable motivation for being perceived in line with fannish interpretations of him. I mean in retrospect of course a serial child sexual abuser wants us to see him as Harmless and Sweet-natured, since he needs that camouflage to cover for the evil he perpetrates. Yet I cannot ‘unsee’ the fact that i, too, would be hurt by others’ overcompensation for their fears of their own feelings and interpretations widely deemed ‘parasocial’—too often such a determination is made by people with zero experience of being Q/ND in this world. And so the Grief I feel—it is just so much more Personal. My perspective on Fannish standards of propriety has changed forever. It is therefore not the old philosophical viewpoint i grieve.
It is only my friend i grieve.
I still miss this person every day. He was very real to me, even if he was never real to this cruel unfeeling Julian. I do not know this horrible man who has taken his place—someone i am not even certain is autistic, who may have simply been reflecting my own characteristics or those of someone else. Someone I do not trust with children, or trust with my wife, someone who wrote words like ‘i love you’ and ‘i care’, and knew they were lies even as he wrote them. I cannot fathom such a person.
The man i knew was, apparently, not Julian Koster, not even close. For Julian Koster shows us every day he is a man without mercy, without scruples. This was not my friend. He shows us a man who enjoys power and cruelty—this too was not my friend. Julian Koster IRL is someone who cannot find it in his heart to honor even the scared little boy he himself once was. My friend, my Julian Koster, was this boy—someone who suffered at the hands of queerphobes and of bullies, who knew what it was like to be Hurt, humiliated, exposed in this way. The Julian Koster who sleeps soundly tonight, comfortable among his lackeys and handlers, content to be their little forest sprite, is not my friend. That is not my Julian.
And it’s odd, because i was prepared for my friend Julian to be a hundred horrible things. I watched him melt down and knew i could receive a fist, or worse. I was keenly aware he outmatched me, and I wished that weren’t so, but this is what we do for one another. This is how we stand strong in the face of each other’s Storms.
This even came at her approval. While Nesey wept alone inside, it was my place to stand alongside my friend who was not himself, to gently suggest he wait to drive. It was my place to be the steady Voice that his eloping gait could keep returning to. It was my place to say ‘do you know you might be in meltdown’ and to offer what was needed.
I genuinely did not care if this meant getting my teeth knocked out. I simply did not care. I know what it is to feel alone in Meltdown. I know what it is to feel Misunderstood. I know what it is to not feel like im in control of my own body. There is no Pain the Julian i knew could have rendered upon me in that moment, which could be worth abandoning a fellow autist to the night. None.
‘How can i help you feel safe,’ i said. I said it to a little boy. I don’t know who it was who answered. At his behest i put my arms around him, i took some comfort in the lock of silver at my neck: This is Julian, i told my racing heart. It is only Julian.
But now… who is Julian Koster, really? Was I attending a fellow autist in that moment, or was i simply giving a con man an audience? Right now it feels like he went back to his little sanctuary and texted his partners in crime: ‘They’re buying it. They’re falling hook, line, and sinker.’ And a laugh was exchanged.
yeah 💔
















