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The Matrix (1999)
Meshes of the Afternoon, 1943 dir. Maya Deren & Alexandr Hackenschmied
HOW DID HE KNOW

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Fats Domino and his son, Antoine II , probably New Orleans, Louisiane, 1957
#wait what happened i need to know
Shelly Duvall was basically abused by the director during the whole shooting in order to get the “best takes” according to him
The magnum opus of his cruelty toward Duvall came in the form of one of "The Shining's" most iconic scenes — the baseball bat confrontation on the stairs. Kubrick made Duvall and Nicholson shoot the scene in a record-setting 127 takes, something that horror fans love to spout off as a fun bit of trivia. The result of the constant takes were Duvall's hands were shredded raw from gripping the bat for such a prolonged period of time, her voice was hoarse from crying, her eyes became swollen, and she left the set completely dehydrated. The moments we see on screen of Duvall crying in pain, fear, and exhaustion were not acting, but an actor delivering lines while enduring a trauma response.
Kubrick's psychological brutalization of Duvall was so severe, her hair began falling out. "To wake up on a Monday morning, so early, and realize that you had to cry all day because it was scheduled — I would just start crying," Duvall said in an interview with The Hollywood Reporter. In the equally iconic "door scene," Jack Nicholson destroyed nearly 60 doors to get the shot to Kubrick's liking, filming this one moment over the course of three days. The scene was mostly improvised, and Kubrick reportedly kept information regarding Nicholson's choices to tear down the door with an axe from Duvall, meaning her reactions are authentic. This isn't acting, this is responding to trauma.
Many of Duvall's lines were unexpectedly cut, she was frequently kept isolated, and she was forced to wait for extensive periods of time before performing her scenes to throw her off. Vivian's documentary even shows moments of Kubrick not acting alone, but instead requiring the rest of the crew to follow his lead. "Don't sympathize with Shelley," he says to the crew. He also made the decision to never compliment her work, and instead criticized every choice or impulse she had for the character. At one point, he encourages the rest of the crew to ignore her and tells them to disregard any needs she expresses. Kubrick is notorious for being a perfectionist, but at what cost?
Kubrick chose to shoot "The Shining" chronologically, which pushed the filming to a whopping 500 days. This means Duvall spent over a year of her life being tormented by a man in an untouchable position of power. Kubrick was already considered an auteur at this point in his career, with his unconventional (see: abusive) techniques hailed as genius rather than correctly identified as harmful.
Read More: https://www.slashfilm.com/726299/how-the-shining-changed-shelley-duvall-forever/?utm_campaign=clip
in light of the texas abortion ban here’s a reminder to stop debating what counts as a human, baby, or life with pro-lifers because that is not a debate you can win. you can not win a philosophical debate about what counts as a person, and you will not change their minds.
what can be proven is that in no situation under united states law is an individual legally obligated to lend their body or organs for the sake of another life.
4.5 million people each year are in need of blood transfusion, the entire process of donating blood takes a little over an hour, it’s free, and a single pint of blood can save up to 3 peoples lives, but there is no legal obligation or requirement to donate blood in place.
it is illegal to take organs from deceased peoples’ bodies without permission. CORPSES. bodily integrity is prioritized by law, even after death.
it doesn’t fucking matter whether a fetus is a person, whether a fetus is alive, whether a fetus has a soul. it literally doesn’t matter. pro-lifers set up the argument through that lens (hence their name) to evoke empathy and pity and take the focus away from the actual process of pregnancy, which changes a person’s body FOREVER. that is not an exaggeration. whether the pregnancy is complicated and high-risk or totally smooth sailing, the birthing person will physically never be the same. if they’re lucky, they’ll come out of it with weight gain, differently shaped breasts, and changes to the cervix/vagina. if they aren’t, there’s a fucking laundry list of potential complications that could arise, that may eventually fix themselves, need surgical or therapeutic intervention, or never go away, like varicose veins, separation of the abdominal muscles, incontinence, prolapse, diabetes, postpartum depression, and chronic pain, just off the top of my head. and this makes no mention of the very real possibility of income disruption, as well as the financial cost of giving birth, and the chance of fucking death, which is even higher for underserved communities like black women.
there is no basis for a governing body forcing an individual to lend their body or organs for the sake of another life. that is the argument. period the end.
lingua ignota photographed by teddie taylor

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Pixies (1987)
Aphex Twin, 1993.
peter falk with the pumped up kicks, c. 1990s
The most popular browsers in different countries in 2012 and 2022.
by @theworldmaps_
do your part - download Mozilla Firefox today!
down by law (1986) dir. jim jarmusch

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leonard cohen at the isle of wight festival, august 31, 1970
I’ll tell you all my secrets, but I’ll lie about my past.