Mouse

She’s a lot like you, Raymond Lemstra

This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.

Marilee Heyer - "Reena in the Vines." First version of the illustration from Heyer''s book "The Forbidden Door" (1988)

Behind the curtain, Shawn Huckins (because)

7. Charles Amable Lenoir’s 'To the Return of Times Lost’ (19th Century)

Glimmerati, Claudia Keep

Study for ‘Death in the Morning’, John Brosio

Nikita Chan (Chinese/American), Rainbow Shower, 2025, Colored pencil on paper

Capnolagnic cheirophilia, Thérèse Mulgrew

Anastasia Yarygina

Oil on Canvas, 150 x 110 cm

Isolation party, Mark jeffrey R. Santos

The beautiful art of Tom Lovell

Aron Wiesenfeld - "Lost Track" (2018)

Oussama Diab - Dove and Rose (Beirut), 2015