Loie Hollowell (American, 1983), Milk Fountain, 2019. Oil, acrylic, sawdust and high density foam on linen mounted on panel, 71⅞ x 54 x 3¾ in.
RMH

blake kathryn
Sweet Seals For You, Always

pixel skylines
occasionally subtle
Aqua Utopia|海の底で記憶を紡ぐ

@theartofmadeline
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Cosimo Galluzzi
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shark vs the universe
NASA
untitled
Cosmic Funnies

tannertan36
Sade Olutola
macklin celebrini has autism
🩵 avery cochrane 🩵
let's talk about Bridgerton tea, my ask is open
Monterey Bay Aquarium

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@mothercanon
Loie Hollowell (American, 1983), Milk Fountain, 2019. Oil, acrylic, sawdust and high density foam on linen mounted on panel, 71⅞ x 54 x 3¾ in.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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'nun with deep sorrow on the left + with ecstatic joy on the right' + 'maternal happiness mixed with pain, a pscyhological and aesthetic study of the expression resulting from the conflict of joy + crying' by duchenne de boulogne, 1862 in ghost in the shell: photography + the human soul, 1850-2000 - robert a. sobieszek (1999)
there is no milk.
"There was something so valuable about what happened when one became a mother. For me it was the most liberating thing that ever happened to me. Liberating because the demands that children make are not the demands of a normal 'other.' The children's demands on me were things that nobody ever asked me to do. To be a good manager. To have a sense of humor. To deliver something that somebody could use. And they were not interested in all the things that other people were interested in, like what I was wearing or if I were sensual. Somehow all of the baggage that I had accumulated as a person about what was valuable just fell away. I could not only be me-whatever that was— but somebody actually needed me to be that. If you listen to [your children], somehow you are able to free yourself from baggage and vanity and all sorts of things, and deliver a better self, one that you like. The person that was in me that I liked best was the one my children seemed to want."
From Toni Morrison and Motherhood: A Politics of the Heart
Breasts and Eggs, Mieko Kawakami, 2020

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Harry Harlow’s fake mother experiment
social skills training, solmaz sharif