You With the Crack Running Through You by Kim Addonizio
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You With the Crack Running Through You by Kim Addonizio

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I feel sorry quite often for the world we live in. All the mundane to more traumatic things. But the mundane nips at me especially. The insidious things that can block a person's path. Fear. Worry. Insecurity. Hesitation to wear a certain outfit. Fear of exposing true and even risky thoughts or emotions. Concern that someone else might think you uninteresting, boring. The way those things and things like them inhibit people and shut them up because other people with the same fears have transmuted their fears into fragile yet consuming narcissisms (inward blame vrs outward blame - how the two love the other). But the idea of winning favor is such a misguided one. Draining - the repugnant pursuit of gained approval - and yet such a trap so easily walked into day after day when decisions are made based on if they make us more lovable or not. Are we even individuals then? Fleshy and real?
Do I make myself unlovable by refusing to be bothered with or by my (un)lovability? Am I less loveable because I will not attempt to deserve love? Perhaps. And yet still do I have - do I receive love?
So much. And so much of it no matter what I'm on about or with this week or the next. And it is so easy.
So wear the outfit. Talk about the most useless topics you'd like. Being interesting, an interaction that engages all involved, is the effort of two or more of those within the interaction - so no more your fault is any boring conversation as it is the fault of the other limp bud you're having it with. There you are. Both boring sometimes and human always and it isn't at all some terrible thing for us to be.
Any blade can be sharpened against any rock. The failure rests in the angle, the position.
And then all honesty, the older I get the more firm is my belief. Anything good is a gift freely given and anything else we should reject to desire - or at the least reject the pain associated with what is not given.
No person is good. No person is special. But if you study them with an unbiased, un-egoed eye, I do think you'll often come to realize that that is quite well and good enough - for people to be people and not somehow transcend beyond that banality. Or at least I have. Over and over. I've come to realize. Everything can interest me. Everything and anything does. So what is good and full is what we make so. That power we have to create again and again something magical with just a push, a word, a gesture, a look but only when another follows along - or many others.
And I'd like you to realize, too. About yourself. Everyone about themselves. And everyone about all else. Everyone about everyone else.
“There is no special love exclusively reserved for romantic partners. Genuine love is the foundation of our engagements with ourselves, with family, with friends, with partners, with everyone we choose to love. While we will necessarily behave differently depending on the nature of a relationship, or have varying degrees of commitment, the values that inform our behavior, when rooted in a love ethic, are always the same for any interaction.”
— -bell hooks - all about love
anyone who let's you go out of their life is a fool. not only because you're stunning either but because of everything you are. complex, multifaceted, bighearted and real. there is always more to you. another layer to be taken by surprise with. and that's rare to be in my experience. special.
I hope you know that. because I do.
If you know me, then you probably already know my aversion to the word special, particularly toward myself + as something I do not believe in (anyone's specialness over others). If you do not know me, this applies still - although it is not meant to diminish the kindness you've extended to me here like a warm open hand, because what I can + do believe in is all of our own singularity, the particularities of each individual + what makes us irreplaceable to one another, + I am so grateful you noticed mine in this way + then cared enough to make sure I was told. It is very meaningful to hear. Thank you. ❤️
Let Birds By Linda Gregg

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Barbara Kingsolver from Demon Copperhead (2022)
Super camp cringe city couple photos with cowboy boots + denim ofc
Somehow we've now veered into a last minute idea to recreate the iconic Simple Life photo. She will be Nicole, as she acquired overalls. I will be Paris. I am fucking weeping.
Daphne Allen (1899-1985)
Night covers the world with her hair, between 1914 and 1916
IN THE GARDEN
IN THE BED
IN FRONT OF THE ENGLISH CHANNEL
IN THE CITY STREET
I KNOW THE WAY YOU LOOKED AT ME
BUT IT DIDN'T HAVE TO BE LIKE THIS
I WOULD HAVE UNDERSTOOD ANYTHING
I JUST WANTED TO WRITE YOU LETTERS
I JUST WANTED TO TOUCH YOUR HAIR
PUT YOUR HEAD INTO MY LAP AGAIN
BECAUSE I AM TIRED + UNCOOL
PARTS OF MY TEETH ARE FALLING OUT
LIKE IN A NIGHTMARE
THERE ARE MEN WHO HATE ME
+ I JUST WANT TO BE NICE TO YOU
SO TELL ME WHERE DO I PUT
ALL THIS KINDNESS NOW
THAT YOU DON'T WANT IT
WHEN I KISSED YOUR BLEEDING FINGER
I FELT WHAT HAPPENED TO YOUR HEART
After a very rainy hike x

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My body needs it—the hot baths, the care, the soft water, the perfume, the warmth. I take on the colors of the flowers, the bloom, the delicacy. It becomes me.
Anaïs Nin, Mirages: The Unexpurgated Diaries of Anaïs Nin 1939-1947
Written on the Body, Jeanette Winterson
“We all have our little solipsistic delusions, ghastly intuitions of utter singularity: that we are the only one in the house who ever fills the ice-cube tray, who unloads the clean dishwasher, who occasionally pees in the shower, whose eyelid twitches on first dates; that only we take casualness terribly seriously; that only we fashion supplication into courtesy; that only we hear the whiny pathos in a dog’s yawn, the timeless sigh in the opening of the hermetically-sealed jar, the splattered laugh in the frying egg, the minor-D lament in the vacuum’s scream; that only we feel the panic at sunset the rookie kindergartner feels at his mother’s retreat.”
— David Foster Wallace, Girl with Curious Hair
What is it that a shadow is trying to say / with the borrowed tongue of silence? Here I stand, // having heard all that has been said, / and like the prolonged abundance of an olive tree // I recall only the beauty of a life, / vast and resilient.
— Saddiq Dzukogi, from Book Two, Bakandamiya

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slicing gaping wounds in all your glances. / And there, just where the pain makes you stop and think, / that’s the very place / I put down my roots.
— Moshtari Hilal, from "Negated Beauty," Ugliness, tr. Elisabeth Lauffer
We Interrupt This Broadcast, Gregory Orr