Barack Obama and his Grandmom
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Barack Obama and his Grandmom

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oscar niemeyerā¦Ā casa das canoas, 1954 @Ā archdaily
Butantã Residence designed by Paulo Mendes da Rocha located in São Paulo, Brazil and completed in 1964 - photography: Nelson Kon for ArchDaily
The Portuguese reporter Fernando Laidley and JosƩ Guerra, in Luanda, Angola, with the VW Beetle used to complete the first trip around Africa by car, in 1955
Although little remembered today,Ā Laidley was famous in the 1950s for performing the first trip around Africa by car, using solely a single VW Beetle, because of their reliability, availability of spare parts (the car broke down a number of times, but survived) and air-cooled engine. The journey started in Lisbon, down the east-African coast till Cape Town and up again through the West coast of Africa till Lisbon again through Tangiers, and lasted about 10 months. Later on, he published his chronicles (he wrote to several newspapers along the journey) into a book, and a number of other books covering different topics, from land journeys he undertook to the Portuguese war in Africa.

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Angolaās flag features a machete and a star andā¦half-circle of a gear? The gear represents industrial workers, and the machete represents agricultural workers. The star represents socialism.Ā Adopted in 1975, it was apparently a deliberate reference to the hammer and sickle on the Soviet Unionās flag.
The Skeleton coast, Namibia and Angola, Africa.
The Himba (singular: OmuHimba, plural: OvaHimba) are indigenous peoples with an estimated population of about 50,000 people living in northern Namibia, in the Kunene Region (formerly Kaokoland) and on the other side of the Kunene River in Angola.Ā The OvaHimba are a semi-nomadic, pastoralist people, culturally distinguishable from the Herero people in northern Namibia and southern Angola, and speak OtjiHimba, a variety of Herero, which belongs to the Bantu family within NigerāCongo. The OvaHimba are considered the last (semi-) nomadic people of Namibia.
The Himba often cover themselves with otjize paste, a cosmetic mixture of butterfat and ochre pigment, to cleanse the skin over long periods due to water scarcity and protect themselves from the extremely hot and dry climate of the Kaokoland as well as against mosquito insect bites. The cosmetic mixture, often perfumed with the aromatic resin of the omuzumba shrub, gives their skin and hair plaits a distinctive orange or red-tinge characteristic, as well as texture and style.Ā Otjize is considered foremost a highly desirable aesthetic beauty cosmetic, symbolizing earthās rich red color and blood the essence of life, and is consistent with the OvaHimba ideal of beauty. The OvaHimba are also accustomed to use wood ash for hair cleansing due to water scarcity.
Hairstyle and jewelry play a significant role among the OvaHimba, it indicates age and social status within their community.Ā An infant or child will generally have his head kept shaven of hair or a small crop of hair on his head crown. This soon is sculptured to one braided hair plait extended to the rear of the head for young boys and young girls have two braided hair plaits extended forward towards the face often parallel to their eyes. This style is called ozondato, the form of wear being determined by the oruzo membership (patrilineal descent group). The style remains during preadolescence until reaching puberty.Ā Some young girls, with exception, may also have one braided hair plait extended forwards, which means they are one of a pair of twins.
OvaHimba girl
OvaHimba girl dancing
OvaHimba boy
OvaHimba girl, one of a set of twins!
OvaHimba children, both boys and girls, removing ticks from goats.
From pubescence, boys continue to have one braided hair plait.
A young man wearing a braid known as ondatu. Namibia. Photo by Nigel Pavitt
Once they reach puberty, OvaHimba girls will have many otjize textured hair plaits, some arranged to veil the girlās face.Ā
This girl is going through puberty, a fact made plain by her hairstyle, which has been designed to cover her face and help her avoid male attention. The puffs at the bottom are either goat hair or synthetic.
(In daily practice, the hair plaits are often tied together and held parted back from the face.)Ā
This girlās braids are arranged to reveal her face, indicating that sheās ready to be married.
Women who have been married for about a year, or have had a child, wear an ornate headpiece called the Erembe, sculptured from sheepskin, with many streams of braided hair, coloured and put in shape with otjize paste.Ā
Married women wearing erembe
Unmarried young men continue to wear one braided hair plait extended to the rear of the head. When Himba men marry, they start wearing turbans, which they never take off unless someone in the village dies. After a death, their heads are shaved.Ā Because the turbans are never removed, things can get a little itchy underneath, so men carry pointed arrow-like instruments to scratch it with.
Married OvaHimba men. #s 1 and 3 wear a scratching implement in their turbans.
Widowed men will remove their cap or head-wrap and expose un-braided hair.Ā
Himba widower. The habit of using a head-scratching implement is hard to break.
[Source]

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Alexander Kellner http://ift.tt/2hdihLI #drawing #architecture #design #illustration #art #sketch
Maison Roly, Nassogne, Belgium by Bruno Erpicum Architects.
Available for $188 per night on airbnb.com/rooms/1803555
Photography by Jean-Luc Laloux.
Naked House, Merida, Mexico by Taller Estilo Arquitectura
African CanvasĀ Margaret Courtney-Clarke
The Art of Africa is a casualty of colonial exploitation, surviving principally in the museums of other countries. ~Ā Nadine Gordimer
āMy objective in this work is to document an extraordinary art form - vernacular art and architecture in West Africa - that is not transportable and therefore not seen in museums around the world. It is an attempt to capture the unseen Africa, a glimpse into the homes and into the spirit of very proud and dignified peoples. In much the same way as I photographed the art of Ndebele women, I have drawn on my personal affinity for the art itself, for methods, design and form, rather than the socio-anthropological or political realities of a people or continent in dilemma. These images portray a unique tradition of Africa, a celebration of an indigenous rural culture in which the women are the artists and the home her canvas.ā
Mysterious Mouth Appearing in the Back of My Nurse, 1941
Salvador Dali

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i put a spell on you
Studio under the Eaves via Henri Matisse
Size: 55.2x46 cm Medium: oil on canvas