
shark vs the universe
cherry valley forever
Not today Justin
🩵 avery cochrane 🩵
Monterey Bay Aquarium

roma★


if i look back, i am lost
Aqua Utopia|海の底で記憶を紡ぐ
todays bird
Keni
Mike Driver
occasionally subtle
One Nice Bug Per Day
we're not kids anymore.
macklin celebrini has autism

titsay
almost home
hello vonnie
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@monsterwaltonfrankenstein

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the damsels in distress
ignoring the role of the female in Shelley’s novel could be an easy task, since most novels at the time tended to do so, except for the fact that her mother and father were both radical human rights activists; both of whom believed in the equal rights of women—especially Mary Wollstonecraft, Shelley’s mother, who was an essayist and novelist, and best known for her essay, A Vindication of the Rights of Woman. So, why is it that, in Frankenstein, Shelley chooses the only two female characters—Elizabeth and Justine—as victims of the Monster’s cruelty, and kills them off? Also, why does she decide that Victor Frankenstein will not heed to the Monster’s request of making him a female companion?
For starters, I don’t think Shelley ignored the female nor did she subject her to a lesser role in the novel. The reason why the Monster would not be considered “human,” I believe, despite his very-human characteristics, is solely because he was not born. In other words, he was not conceived and birthed by a woman. Thus, the role of the female in the context of this novel is a huge one—without women one cannot be born.
Of course, the male is needed in order to create and the Doctor takes this role with his experiment, but creation is obsolete without a womb and a woman to carry said creature, which the Doctor destroys. Thus, the only person that “kills” the role of the female is the Doctor by forming a creature that defies this natural law—both symbolically and literally since he creates the monster that is the cause of the death of the women in the novel.
Shelley, I believe, used this analogy in order to captivate the significant importance of women, and how the male as the counterpart does an insidious amount of damage to himself and to nature if he tries to evade this fact.
Why am I dying to live if I'm just living to die?
Tupac Shakur
this could easily be relatable to Victor or the Monster.

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But who prays for Satan? Who, in eighteen centuries, has had the common humanity to pray for the one sinner that needed it most?
Mark Twain (via adecentfellow)
“Maturity is when we realize that monsters live on top of beds.”
Nelson Costa (via airportsbannedme)
No man chooses evil because it is evil; he only mistakes it for happiness, the good he seeks.
Mary Wollstonecraft Shelley
(via monisters)

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inside vs outside
It goes without saying that setting plays a crucial role throughout the novel. Hence, the distinctive affects that it has on the characters, specifically Doctor Frankenstein, and specifically the contrasts between being indoors and outdoors, became overly obvious to me as I neared the ending of the novel—so much so that I took notes on my observations. The affects of being indoors vs outdoors produced different temperamental/psychological affects; although, both settings had similar affects like that of loneliness.
When indoors, the doctor is ardently working on his secret experiment and hence never leaves the apartment. This, of course, produces feelings of loneliness because of the lack of human contact. Living day-in and day-out in such an environment gives way to ones imagination to flourish and take charge—when the mind isn’t being fed with beautiful images and/or sensual pleasures, it is easy for me to believe that ones mind feeds itself with its imaginative capabilities. Thus, the doctor becomes a lot more insensible towards nature saying “the fall of a leaf startled [him], and [he] shunned [his] fellow creatures.” Constantly being indoors also caused a great fever to come over him—alluding to the idea that the indoors environment, at such a degree, as opposed to the outdoors, is unhealthy.
When immersed in nature, the doctor’s mind takes a more passive role. Nature has a calming effect on the doctor that contrasts the zealous ambition he portrayed when in his apartment. Although Nature did cause moments of violent passions, they were introspective outbursts that were quickly soothed by the image of a mountain or a lake.
I find it kind of funny, I find it kind of sad,
The dreams in which I’m dying are the best I’ve ever had…
The Smiths - I Know It’s Over
it's so easy to laugh,
it's so easy to hate--
it takes strength to be gentle and kind.
In a river the color of lead Immerse the baby’s head Wrap her up in the News Of The World Dump her on a doorstep, girl This night has opened my eyes And I will never sleep again You kicked and cried like a bullied child A grown man of twenty-five Oh, he said he’d cure your ills But he didn’t and he never will Oh, save your life Because you’ve only got one The dream has gone But the baby is real Oh, you did a good thing She could have been a poet Or, she could have been a fool Oh, you did a bad thing And I’m not happy And I’m not sad A shoeless child on a swing Reminds you of your own again She took away your troubles Oh, but then again She left pain So, please save your life Because you’ve only got one The dream has gone But the baby is real Oh, you did a good thing She could have been a poet Or, she could have been a fool Oh, you did a bad thing And I’m not happy And I’m not sad Oh… And I’m not happy And I’m not sad Oh… And I’m not happy And I’m not sad
The Smiths (via maroon-synthesis)

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Coldplay - Don't Panic
oh, all that i know
there's nothing here to run from
cause here, everybody here's got somebody to lean on.