monkeysbz

闻笛声独惆怅

Hear the flute, alone in its melancholy

云深夜未央

The night is still young at Cloud Recesses

是与非都过往

Right and wrong are all in the past

醒来了怎能当梦一场

Rooftop activities are forbidden in Gusu!

(But not for Wei Ying)

陰陽師: 晴雅集

𝐀𝐑𝐂𝐓𝐈𝐂 𝐌𝐎𝐍𝐊𝐄𝐘𝐒

for FLOOD Magazine

𝐀𝐋𝐄𝐗

(BBC6music interview with Steve Lamacq)

The frontman of the British band that performs at Primavera Sound, in São Paulo, invests in more abstract lyrics in new album

Published October 16 2022, by Rodrigo Salem

Alex Turner is not satisfied with the lighting in the room chosen as the setting for our interview. It's a small, cozy hipster hotel in the Los Feliz neighborhood of Los Angeles, one of those above a cafe with tables occupied by young people at the computer, and no lines at cash registers that don't accept cash.

The frontman of Arctic Monkeys, the biggest rock band to come out of the UK in the last 20 years, flips the switches until he finds the perfect balance of light. "Is this okay for you?" he asks, but doesn't seem to care too much about the answer.

Turner likes to have complete control over his environment. "Where do you want to sit? This will be the best place, right?" he asks, coffee in hand, already standing in front of a small beige table below the lamp that insisted on not emanating the adequate light.

Shy to the point of never completing a full sentence, as if his mouth didn't keep up with his fast brain, Turner is acutely aware of his obsession with control and attention to detail, something that has only grown bigger in the last few years at the helm of the band. But the singer, guitarist and songwriter lived something different in the creation of The Car, the group's seventh album, which will be released worldwide this week.

After composing the piano demos alone for much of the pandemic, he was reunited with the rest of the band over the summer of last year, in a secluded house that was part of a 12th-century monastery in Suffolk, on the east coast of England.

"We hadn't done that since the first album. I had extra film rolls and I took my 16mm camera to film everything and keep myself busy during the recording. At first, I just wanted to record the memory, but it seemed to help in the work environment, because I stepped out of the process a bit and gave everyone more space," he says.

"James [Ford, record producer] was delighted, because I wasn't looking over his shoulder all the time and being a twat."

The musician's hobby as a filmmaker was not the only novelty in the three weeks of work in the makeshift studio, complete with a piano borrowed from a resident there and the technological arsenal brought in from London. The period was essential for Arctic Monkeys to remember that they are still a rock group formed by friends.

"We had a lot of laughs and watched the Euro Cup together. It was important to have that band energy again," says Turner, revealing that Body Paint, The Car's latest single, only took its final form because of this camaraderie. "The distorted guitar at the end just came about because I wanted to do that solo with them. It sounds obvious, but being together changes the dynamics of how I play."

Ironically, the album's main theme seems to circle around characters that don't seem to fit the environment they're in. In Body Paint itself, which wouldn't be out of place in one of George Martin's orchestrated productions for The Beatles, Turner sings that he's "keeping on [his] costume and calling it a writing tool."

Jet Skis On The Moat, played on a sultry guitar and with a broken rhythm reminiscent of U2's The Playboy Mansion, brings a Hollywood psychedelic mood—"jet skis on the moat / they filmed everything in CinemaScope, but this is the last time you will ride them, though".

"I was imagining this perception of us living like rock stars in a fantasy castle on a mountain, riding jet skis, disconnected from everything," says Turner.

In I Ain't Quite Where I Think I Am, he seems to describe a strange trip on a luxury yacht off the coast of France, a country where he usually goes with his girlfriend, French singer Louise Verneuil, since he moved back to England from Los Angeles. "I spend less time here, but I love this city. It's where I have my friends," he says.

Extremely protective of his privacy, Alex Turner does not confirm any theories that could refer to his life beyond music. However, he admits that feeling like a fish out of water is one of the themes of the record. "I've definitely written this time about someone who doesn't fit in," he says as he pulls out of his green jacket two folded sheets of paper filled with his lyrics and assorted notes.

I question the reason for keeping this material around and the singer lets his guard down. "I think that this way I can have these conversations more easily, and stay on the same level as other people. You've read the lyrics, listened to the record, and I thought I should do the same to meet you in the middle," he says, soon bringing back up his good-humored defenses. "And it also serves to intimidate people."

Not that he seems to want to intimidate anyone. Turner can barely look up, more concerned with focusing on some object and finding the right words for his answers. Keeping the lyrics in your pocket serves to rediscover the words of the songs.

One of the most brilliant songwriters of modern British rock and someone who has managed to portray the yearnings and feelings of an entire millennial generation, he says his lyrics come out of the space between the conscious and the unconscious.

In The Car, they seem even more abstract. "I love leaving space for lyrics not to be fully understood and to become more interesting as the years go by. I like to explore things that are difficult to talk about."

Does that mean that Alex Turner, who, two decades ago, rehearsed in a garage with Jamie Cook on guitar, Andy Nicholson on bass, later replaced by Nick O'Malley, and Matt Helders on drums, in Sheffield, is finally noticing the inevitable passage of time?

"Funny, it's hard to accept that it's been 20 years," he says. "But we're alive and active. That happens a lot when I'm singing the old songs now. I remember something, not necessarily the lyrics, but the environment, a person and the sensations of the past."

A rich past, we must add. Arctic Monkeys have gone through several phases in these two decades. It began with the confessional hip-hop-enamored rock of the first two albums, a formula that propelled the group into the stratosphere of fame. It gained weight with the stoner rock of Josh Homme of Queens of the Stone Age on 2009's Humbug and the stadium hard rock of 2013's AM. And it culminated in the journey away from Earth in 2018's jazzy Tranquility Base Hotel & Casino.

The Car continues the sonic exploration of their previous work, but brings guitars back to the songs and a Turner interested in using his voice as an instrument. "I don't know if Alex from 20 years ago would like this sound," he wonders. "Secretly, I wanted something along those lines then, but it wasn't within my reach at the time. On second thought, I think he would like it. But if he wouldn't like it, then fuck it," he jokes.

He admits that he changed his way of looking at music and even composing. On previous albums, he wrote the lyrics and then thought of the melody. The music now comes first.

"I made an effort to put the lyrics in sync with a melody that gives me permission to use certain words," says the musician. "I didn't focus on that in the past, I think it started on AM, when I started to change the lyrics as I was influenced by the sound in the studio."

Back on stage since a few weeks ago, Turner believes the pandemic has changed the relationship between band and audience. "The first time we performed was powerful," he says. "There's a new energy that encourages me. I'm trying not to behave the same way on stage. I think some of that comes from the younger crowd."

Brazil is going to feel this in a few days. Arctic Monkeys closes the first day of Primavera Sound, in São Paulo, on November 5th, already oiling the show with a new repertoire. "When we arrive in Brazil, I want to test two new songs and leave some old ones behind," says the singer, who already says that the next album may come out faster than expected after the long gestation of The Car.