I was today years old when I found out Yusuke Murata uses BL as a reference to draw male characters in One Punch Man
Now everything makes sense
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occasionally subtle
h
Lint Roller? I Barely Know Her
Mike Driver
wallacepolsom

Xuebing Du
$LAYYYTER

cherry valley forever

JBB: An Artblog!

titsay
Show & Tell
Peter Solarz
I'd rather be in outer space 🛸
todays bird

Janaina Medeiros

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@molvno
I was today years old when I found out Yusuke Murata uses BL as a reference to draw male characters in One Punch Man
Now everything makes sense

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my guy was meant to be dramatic & with his swords…. i don’t remember much afterwards
more kittens
and warm Genos
«hello, wanderer!
maybe you’d like to purchase a couple of fine carved eggs to support an old blind artist?
a portrait, maybe? i’d have to put your head in my mouth tho to capture your face… better.»
yakuza!au

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a card
//1: fight
woodbine
some years ago i had this story in mind about a group of immortal people facing up to the end of the world.
they would be born throughout human history to allow for the "processing" of human forms of cognition and communication by the universe at large, from oral tradition to public, and then mass, media. they would have no grasp on the particulars of this process, nor the nature of the coming end, or the rules of their own rebirths & assumed "domains" - because there would be nothing solid to grasp: only stories strung, shaping reality and caving under it.
every time one of them dies, others must bear the load of their share until resurrection. and the gap between new "processors" being born shortens as humanity exponentially grows along with its self-reproducing dam. but the first one was the loneliest, and before the others had no respite, getting dragged back into light the instant the last flicker of the mind-star gets snuffed out.
that's Ryo. probably.
she's stories told, her own having dragged on for so long it can no longer retain continuity; it began pre-language and had to spin itself as the tree got to branching. her sense of time has to be episodic to avoid turning entirely anachronistic: anything told is necessarily unwritten.
minding all that, it's her - ontologically? or just epistemologically? - unstable ass that informs others about the coming end & gets to supervise the fallout.
...and yeah, among other things I've drawn her in a 19 c. Ukrainian setting (having Polissya in mind) because I wanted to & it makes sense for her to prefer living near the steppe, yet within the reach of some proper woods to take cover in / escape through. дивна смуглява пані з ліплянки в лісі, що її вечорами бачать як ходить збирає каміння вздовж струмка, до якихось своїх міркувань придивляється, кладе принадні до кошика. показується мало, ба малі від неї завжди приносять якісь оповідки...
avoids living in densely populated areas and, for a long stretch of history, appearing in environments where her appearance gets heavily racialized. unless absolutely necessary - cue that last sketch of her greeting the new guy.
(tbc)
reposting my own art blog once again because i'm gonna be thinking about this story a lot in near future. that involves reading up on mesoamerican history and catastrophism, plus frequent drinking
cw: gore
zombieman let intrusive thoughts win
part 1/2

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insides
Onola for UPAI
«follow me»
a sketch made a long time ago (in 2018?) which i still find one of the best pieces i’ve ever made i totally should reanimate the practice of doing such doodles!
species: gay
moma (the chief of the united tribe) having an important meeting with her colleague from the green tribe actually i have to make a post about moma when i draw her again! ohh i love her. such a kind and badass goddess

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morning stretches!
this was for a facebook group I’m in adkljalkdjl 🤠