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perusing fanworks and fanalyses. let us watch the fictionworld together.
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milgram's definition of murder VS your definition of murder
Often, people go 'but it isn't murder!' when discussing the innocence of certain Milgram characters. I think that's missing the point, though. Here's a small analysis for why prisoners don't need to commit legal murder in order for them to appear in Milgram.
TL;DR: Milgram (the prison) is structured around what the prisoner considers murder. The Milgram Project itself did this to intentionally expand the range of moral dilemmas that us voters can discuss about.
milgram project & rehabilitation
EXTRA DETAILED meta analysis & character analysis behemoth on:
the Milgram Project voting system's possible commentary on rehabilitation issues
how Es was written
why I think Kotoko is the perfect prisoner to go last in the voting
Featuring quotes from Fuuta, Amane, and Kotoko's voice dramas, and Kotoko's 2nd MV.
This analysis seeks not to persuade the voting but to inform it. Nothing in this judges you for any vote, I only want to share the connections I've made. Thank you if you read.
TL;DR: There's some reason to believe that Es was written partially to reference/challenge the real-life issues surrounding rehabilitation. Kotoko's uniquely positioned as someone anti-rehabilitation, which makes her a good final round of voting because her difficulty generates the most conflict for the plot if it's a pro-rehabilitation story.
non-demonium's possible pun title
I wanted to point out the possible Japanese pun in Non-Demonium (なんでもにうむ).
If you listen to the way Amane sings it, she pronounces it as "nan-demo-nium". The "-nium" is said faster than the parts, the most notable sound being the "i". The effect is that her phrase sounds similar to なんでもいい (nandemo ii).
Additionally, the phrase nandemo ii is often written in hiragana and Non-Demonium itself was written in hiragana:
なんでもにうむ / Non-Demonium なんでもいい / nandemo ii
Typically "nandemo ii" is said by a speaker who has either no huge preference or is going with the path of least resistance. In English, it's similar to someone saying "well, whatever" or "anything goes".
If this pun was on purpose, that can mean multiple things. My two main guesses are:
This can reference the fact that Amane's been losing a grip on her sanity. She's long-since harbored doubts about her religion, as Es pointed out in her T3 voice drama, but still goes ahead with it because she can't bear facing the fact that she'd been abused all her life and killed her mother for that same abusive religion. "Whatever, I have nothing else."
Or it's calling to fact that Amane's parents are hypocrites. They were okay with bending the rules if they benefit, despite not giving her the flexibility with the rules. It meant her mother could have chosen to rebel against the religion and save Amane from abuse at any time, yet Amane's mother only chose to rebel once she herself was suffering for it. "Anything goes if it's me."
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Unrelatedly, I drew this doodle of Amane with the cat she tried to save. It was a fun doodle. Thanks for seeing it.

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Looking at the comments in Fuuta's 3rd MV is baiting me into posting some analysis of him but it's been 9 months and every last drop of Fuuta-essence had been captured and stored in Fuuta-vials by now, probably.
Still. I want to put out something for him sometime. Perhaps there's a piece of Fuuta left uncharted.
amane's mom attempted to crawl away
She was in the doorway when she collapsed.
Notice the wooden stick that was used on Amane and her mom - this means the wooden stick was indeed used in the doorway. Through this we can determine that the MV's order of punishments was likely linear.
Amane's raised fist was the first act of punishment by the cult (the corporal punishment), so it must have happened in the doorway as well.
The electrocution punishment is too vague to be certain where it happened. It could be in the doorway due to the scraps of paper littering the floor, but the living room could have been littered as well.
The water punishment happened in the living room, as shown by the change of scenery and the poster at the back matching the poster in the living room.
The verbal punishment is the last punishment, so it had to have happened in the living room after the water punishment.
After Amane was done exacting the cult's punishments, she was in the living room.
There is no smeared blood path. If there were, you could make the argument that Amane somehow dragged her mom to the living room. There isn't any because her mother herself found the strength to move herself into the other room.
She could have tried to escape, somehow, in the timeframe between Amane getting the bucket filled with water and returning to her mother. Either she wanted to escape through the window or she was struggling to go someplace even in her delirious pain-adled state. In any case, there was no way of escape.
Prisoner #8 Amane Momose's T3 video is now at 888k views.
fuuta's haircut for amane & why she kept it
... a serious but lighthearted theory + character analysis.
Fuuta himself had been ashamed of the haircut. He knew that it looked unkempt, wasn't well thought-out, and had been uneven. For a child whose whole life had been controlled by her parents, Amane must have been used to her haircuts being proper.
However, so far, nothing in Fuuta's interrogation questions indicate that Amane punished Fuuta for messing up.
Q14: Do you forgive Amane's actions?
F: I understand what you want to say. But I alone will forgive her. Even if she's wrong, I'll still forgive her
Q18: What does Amane mean to you?
F: Well, I wonder. It's not something that I can say in a few words. She was salvation, at least.
Q19: Do you truly believe in Amane's doctrine?
F: Believing in it or not, it doesn't matter. Still, I have to believe, I will not let that person be on her own.
It's possible that Fuuta was scolded, yet based on Amane's MV it's unfit to say she consciously hated his attempt.
Importantly, Amane stayed with this haircut even in her MV. She wears it as the factory operator and she's controlling a toy factory that produces toys in her likeness:
Her casual blue clothes
Her T1 MV magical girl uniform
Her T2 MV parade uniform
Her T3 Milgram uniform and Fuuta's haircut design (with the surprise addition of Fuuta's eyepatch)
Given that prisoner MVs are metaphors for their psyche, this can imply that there's a part of Amane who identifies with the haircut Fuuta gave her. Somehow, it is given the same identification has all her other 'selves'.
The reason is simple: She has had her whole life controlled for her. Fuuta's botched haircut is likely the first time she's ever had her hair messed up that badly.
In Amane's T3 Voice Drama, Es notices that she's had uncertainties about her religion + parents' practices for a long time. So, long before her T3 MV, Amane has harbored doubts about her controlled life. Her coping mechanism is typically to stifle her emotions, but her doubts were there regardless.
That's why Fuuta's haircut stays with her in the MV. He may have done it wrong, but he was also her first follower + supporter outside of her parents. She's the operator behind the toy factory—in charge of controlling her own life for once—and having an imperfect haircut from someone she saved was an extension of that.
Something as small and funny as a botched haircut was emotionally significant, whether she consciously admits it or not.

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The urge to watch this on repeat has overcome me.
I remember listening to all his songs on repeat, years ago. Salamander & Backdraft were my favorite. Then, I listened to Appare March on repeat last year.
It's a recurring circumstance.
The urge to watch this on repeat has overcome me.
trial 3 momose amane mv analysis
Of the frames + lyrics at 1:23 - 1:38, specifically.
1:23 - 1:30 005 He just can’t be saved / Artificial life extension is taboo / Dear dear, so much work for such uselessness
Despite the lyrics on screen scorning medical help, there's imagery of Amane factory-producing medicine. Her hands are shaking as if she's hesitant and doesn't know what to do.
It's clear she's desperate to help her mom. Amane froze up, knowing that medical assistance would help but also knowing that the doctrine forbids it. Her trashtalk of Shidou's profession can be interpreted as her own hopelessness about how her mom can't receive medical help because "artificial life extension is taboo" - she projects her shame onto Shidou.
1:30 - 1:38 003 Well you’ve really got it / Glad to see you’re a good smart boy / Lookin’ more alive than before, I’ll let you stay by my side
Amane's mental imagery shifts into her trying to stop the production of medicine. Her hands stop shaking in the next scene, as if realizing something. She then clasps her hands together and prays.
Once again, she is showing how much she wants her mom to be saved. This sequence is similar to the Magic MV wherein Amane is told to pray the cat's injuries away. Back then, she was punished for trying to heal the cat through medical practices - here, she remembers her 'lesson'. She streamlines her anxiety through banking on faith and this steadies her hands.
Amane, in the present, praises Fuuta for seeing the light of her teachings - to her, he appears "more alive" once he'd refused medical assistance. It's evident that she's trying to cope with the idea that medical assistance is punishable in her religion. By "more alive," Amane could be referring to Fuuta's increase in mental clarity + peaceful outlook.
"If the spirit feels capable and soothed, that is all that's needed. The physical body may live or die, may hurt or heal - what matters is that you continue to believe. Only then will you be saved."
There's parallels to her Milgram life through this. Despite trying to keep following the rules, Amane went through emotional turmoil and hesitated. It could be that Fuuta's belief in Amane had calmed her just as she once calmed her shaking hands. Seeing proof that her religion could benefit someone had been the proof she may have wanted during her murder/life - that there is good in following the rules.