My Ethics, Beliefs, Responsibilities, and Approaches as an Interpreter.
Throughout this course I have learned a significant amount about nature interpretation. One thing I have noticed throughout the semester is that my personal ethics have evolved. The root of my ethics I feel is associated with my āsense of placeā (Beck et al., 2018, Chapter 1). Coming into this course my sense of place in nature was strong. I was introduced to nature at a young age thanks to my grandparents. This helped me build a relationship with nature as a child. Furthermore, in high school I had an amazing teacher who helped to further my relationship with nature and encouraged me to pursue a career in the environment. Without my family and my high school teacher, I would not have such a strong relationship with the environment. I am very fortunate for this! Thanks to this I feel that I have strong environmental ethics. Over the semester I have solidified my belief that nature interpretation and a āsense of placeā go hand and hand together. To this day I feel that interpretation can help an individual find their āsense of placeā.
A photo of the Catskill Mountains from Kingston, NY. Photo taken by me on December 30th, 2016.
As a nature interpreter one of my responsibilities is to bring awareness to the environment and promote environmental preservation. Nature is a beautiful gift that is often taken for granted by many. It is important to educate others about its importance. It is also key to promote environmental sustainability. So, moving forward as a nature interpreter I am going to ensure I develop my teachings to incorporate all of these components. In doing so I will successfully teach otherās what natures worth is and how it can be protected. These aspects would be incorporated into my nature walks and information sessions; which is my ideal role as an environmental interpreter. One day, I hope to lead my nature interpretation activities at North-South Lake State Park inĀ New York. As a nature interpreter it is important that I think about the audience that is participating in my activities (Beck et al., 2018, Chapter 4). My first approach as a nature interpreter is being adaptable. Depending on the type of audience I have, I will need to make modifications and changes as I go to ensure that my nature interpretation is speaking to all audiences (Beck et al., 2018, Chapter 4). This means how I lead my nature interpretations for adults will be completely different from how I lead interpretations for kids.
For instance, with kids it would be like a teaching experience and I would incorporate fun activities to keep the kids interested. This would also help to solidify what they learn! Adults I would take a completely different approach such as more in-depth detail. However, one similarity I would have between the two potential audiences is that I would also incorporate personal experiences and stories to help draw in both audiences. I believe this is one of the key characteristics of nature interpretation! This is because a nature interpreter needs to be able to incorporate their own life experiences (with nature) into their teachings to help intrigue the audience more (Beck et al., 2018, Chapter 6). Storytelling is a critical way to get messages across to an audience (Beck et al., 2018, Chapter 10).
Unfortunately, some groups are more privileged than others in respect to their access to nature. This can limit how often an individual has access to nature (if they have access to nature at all). One of my beliefs is that everyone should have the same opportunities to access nature! The audience that does not have access to nature can be classified as being āunderservedā (Beck et al., 2018, Chapter 21). This means that they are not able to fully participate in nature interpretation and are limited in their achievements. Those who have constant access are privileged since they have an advantage in participating more (Beck et al., 2018, Chapter 21). A key factor influencing this is economics. Economic barriers such as the inability to afford services, transportation, and lodging play a significant role since those who cannot afford these are less likely to participate in nature interpretation (Beck et al., 2018, Chapter 21). My second approach is accessibility. I want to ensure everybody has access to nature interpretation! This is what will one day set me apart from other interpreters. I plan to offer FREE access to those who cannot afford it, including children, teens, adults, and seniors. I also want to run free workshops for at-risk youth! Transportation and lodging would also be provided to those who could not afford it. This way everyone has the same access to these resources!
Another belief that I bring to my nature interpretation is that nature is a form of art. From my personal experiences and what Iāve learned this semester; nature offers so many different forms of art! A couple of forms of art present in nature are paintings, photography, and music (Beck et al., 2018, Chapter 10). Photographs and physical surroundings in nature are like natural paintings. The āgift of beautyā is when an individual has the capability of assessing surroundings through interpretations (Beck et al., 2018, Chapter 10). Everyone has the capability of interpreting the āgift of beautyā, however, I feel this is most successful with storytelling. In addition to this, nature offers its own music to us everyday. Sounds like a river flowing and leaves blowing in the wind are all forms of music. These types of sounds are classified as ambient sounds. These sounds are actually similar to an orchestra (Grey et al., 2001). These forms of art in nature are aspects I plan to highlight in my interpretations!
Another responsibility is to be a peacemaker (Beck et al., 2018, Chapter 20). A peacemaker is an individual who promotes peace with others. Not only do others need to respect each other, they also have to respect nature. One of my responsibilities will be ensuring that others are respecting nature as they would another person. Nature and history are aspects that go together. There is history in nature and in historical places there is nature (Beck et al., 2018, Chapter 4). So, another responsibility is to teach others about the history associated with nature. It will also be my responsibility to understand the stories I am telling to intrigue the learner more (Beck et al., 2018, Chapter 21). Finally, my last responsibility is to prepare ahead of time. A good interpreter prepares their material ahead of time to ensure everything is structured so the learners can understand everything.
A photo of me and my FiancƩ. Photo taken by my FiancƩ on December 30th, 2016.
Good luck on your final assignments and exams everyone!
Beck, L., Cable, T. T., & Knudson, D. M. (2018). Chapter 1: What is Interpretation? In Interpreting cultural and natural heritage: For a better world (pp. 3-16). Urbana, Illinois; Sagamore-Venture Publishing.
Beck, L., Cable, T. T., & Knudson, D. M. (2018). Chapter 4: Values of Interpretation for Management. In Interpreting cultural and natural heritage: For a better world (pp. 127-161). Urbana, Illinois; Sagamore-Venture Publishing.
Beck, L., Cable, T. T., & Knudson, D. M. (2018). Chapter 6: How People Learn. In Interpreting cultural and natural heritage: For a better world (pp. 3-16). Urbana, Illinois; Sagamore-Venture Publishing.
Beck, L., Cable, T. T., & Knudson, D. M. (2018). Chapter 10: Arts in Interpretation. In Interpreting cultural and natural heritage: For a better world (pp. 127-161). Urbana, Illinois; Sagamore-Venture Publishing.
Beck, L., Cable, T. T., & Knudson, D. M. (2018). Chapter 20: Global Interpretation. In Interpreting cultural and natural heritage: For a better world (pp. 457-478). Urbana, Illinois; Sagamore-Venture Publishing.
Beck, L., Cable, T. T., & Knudson, D. M. (2018). Chapter 21: The Bright Future of Interpretation. In Interpreting cultural and natural heritage: For a better world (pp. 457-478). Urbana, Illinois; Sagamore-Venture Publishing.
Grey, P. M., Krause, B., Atema, J., Payne, R., Krumhansl, C., & Baptista, L. (2001). The Music of Nature and the Nature of Music. Science (American Association for the Advancement of Science), 291 (5501), 52-54.