Misfit was here!

“You can always assume one thing about your clients; and that is that they are doing their best. Always assume everyone is doing their best. And if they’re having a day where their best just isn’t that great, or their best doesn’t look like your best, you have to be okay with that.”

Bari Weiss was hired by CBS to be editor-in-chief of CBS News in October 2025, when Paramount Skydance acquired CBS. 

Weiss had no television-news experience. She was a New York Times Opinion staffer and founder of The Free Press.

In May, Weiss made Nick Bilton the new executive producer of “60 Minutes.” He has no television experience. He has no management experience, either. 

I remember when CBS News was the most admired news organization in America — home to Walter Cronkite and Edward R. Murrow. They spoke truth to power. Cronkite had the guts to challenge Lyndon Johnson’s war in Vietnam. Murrow had the guts to expose Joe McCarthy and his communist witch hunt. 

Now, CBS News is a disgraced shell of a news organization that last week fired famed “60 Minutes” senior correspondent Scott Pelley, after gutting most of the rest of its team. 

Pelley says Weiss repeatedly interfered in stories “60 Minutes” sought to run. When, for example, the show did a piece on the murder of Renee Good in Minneapolis, Weiss wanted to make “the protesters look more violent,” and to describe Good “as driving toward the officer,” when videos show her driving away from him. 

Pelley concluded that Weiss was trying to put “a thumb on the scale for the President’s version of events that I felt was a level of political influence that I had never seen in 37 years at CBS News. … a thumb on the scale on behalf of the administration. Constantly looking out for the views of the President.”

Why was Weiss doing this? Presumably because her boss, David Ellison, wants to suck up to Trump, and hired Weiss to help him — and she hired Bilton to aid her in doing so. And she fired other staff because they wouldn’t. 

Trump, meanwhile, has chosen Bill Pulte to be acting director of national intelligence. Pulte has no background in national security. He was head of Trump’s federal housing agency. His entire professional experience before that was at companies tied to his family’s wealth. 

Trump chose Pulte not because he knows anything about intelligence but because of his eagerness to advance Trump’s political revenge campaign. He used his housing office to attack Trump’s enemies, leveling accusations of mortgage fraud against people Trump considers political enemies — Letitia James, Senator Adam Schiff, and Lisa Cook, a Fed governor Trump has sought to fire. 

Trump has also chosen Todd Blanche to be Attorney General. Blanche’s qualifications? As acting Attorney General, Blanche oversaw the Justice Department’s indictment of former F.B.I. director James B. Comey over a photo he posted on Instagram in May 2025 of seashells on a beach that spelled out “86 47,” which the department characterized as a threat to the president. 

It was the second attempt by Trump’s Justice Department to prosecute Comey, against whom Trump has vowed retribution for Comey’s alleged disloyalty to Trump during Trump’s first administration — when Comey said Trump pressured him to drop the investigation into former National Security Adviser Michael Flynn, publicly refuted Trump’s allegations that the Obama administration had wiretapped Trump, and publicly challenged Trump’s narrative regarding the Russia probe. 

Before becoming Pam Bondi’s attack dog at the Justice Department, Blanche was one of Trump’s personal lawyers. 

Speaking of no relevant experience, I can’t resist pointing out that Lindsey Halligan, who Trump appointed U.S. Attorney for the Eastern District of Virginia, had been a White House aide with no experience as a federal prosecutor before she was appointed. Halligan was tasked by Trump with prosecuting James Comey and Letitia James, after her predecessors as U.S. Attorney — Erik Siebert and Todd Gilbert — refused to do it. The ploy didn’t work. The federal courts threw out both indictments. 

I could go on — Kash Patel, Pete Hegseth, Robert F. Kennedy Jr. — but you get the point. Under Trump, experience, knowledge, and talent are irrelevant. The only criterion for getting a top job is blind loyalty to Trump. 

But now this poison has also leached into the private sector, in vital places such as CBS and CBS News — places where people used to be hired for their experience, knowledge, and talent. Now they’re hired for their willingness to sacrifice their integrity to suck up to Trump. 

This is how dictators poison the organizations a free society depends on. Trump is destroying CBS News by putting suckups David Ellison and Bari Weiss in charge, just as he’s destroying the Department of Justice and the Office of National Intelligence by putting suckups Todd Blanche and Bill Pulte in charge. 

Sadly, a dictator will always be able to find people whose blind ambition exceeds their integrity. 

But you and I don’t have to accept any of this. 

We can boycott CBS News and its sponsors.

Friday’s jobs report — showing that America added 172,000 jobs in May — stimulated a lot of celebratory bullsh*t.

Trump said, “It’s raining jobs!” White House National Economic Council Director Kevin Hassett claimed the job market is "hitting on all cylinders.” The mainstream media called it a “blowout jobs report,” “stronger-than-expectedjobs data,” the labor market’s “best three-month stretch in more than two years.”

What all this acclaim left out was that wages are falling relative to prices.

Average hourly earnings for private-sector production and non-supervisory workers — that is, for most employees — rose by only 8 cents (or 0.2 percent) in May. That’s the weakest pace of wage growth since 2021. 

Meanwhile, prices are rising quickly — by around 3.8 percent annually. Hence, real wages — that is, their actual purchasing power — are dropping. The paychecks of most American workers aren’t covering rising costs. They’re getting poorer.

It’s no cause for celebration that the American economy is adding a lot of jobs that are paying less. Hell, if paychecks keep shrinking relative to prices, there’s no telling how many jobs can be added. June’s job report could top May’s 172,000 new jobs. 

There’s no limit to the number of terrible jobs an economy can create. If inflation-adjusted pay keeps dropping, we could see many hundreds of thousands of crappy new jobs per month. But most Americans would be getting poorer and poorer. 

Bottom line: Don’t fall for any breezy, celebratory focus on the number of new jobs. Always ask: What about real (inflation-adjusted) wages? 

Scott Pelley, the famed CBS “60 Minutes” correspondent who was fired last week by Bari Weiss, the new head of CBS News, gave an interview to the New York Times about what occurred. I reproduce it below because it’s an important indictment of Bari Weiss, of Tom Cibrowski, the president of CBS News, and of David Ellison, who runs Paramount Skydance, the parent corporation of CBS. It shows very clearly that, in effect, Trump fired Pelley because Trump doesn’t want Americans to get the truth about what he’s doing — just as Trump fired Stephen Colbert from the same network because Colbert was telling Americans the truth about Trump, through satire. The question I want to leave you with (and will take up in a later post) is: what are we going to do about this? 

Here are Pelley’s words: 

“No one saw the Black Thursday massacre coming. This is our entire senior staff. Tanya Simon, our boss, she’s the first woman ever to be executive producer of “60 Minutes.” And she concluded this season with a growth in our audience of nine percent, which is unheard-of in broadcast television, and a growth of our online presence of 190 percent. Last season, we had 2.5 billion views. That’s a third of humanity! So we’re riding high.

The night before, Tanya and I were at the Emmy Awards, and we won two Emmys. Within hours, all of those people have been wiped out, and one-third of our correspondents have been fired. At the same moment, we are informed of our new executive producer. His name is Nick Bilton. I’m sure he must be a wonderful man, but no one had ever heard of him. He has zero experience in television news and no experience in management. So imagine how we feel when someone like that comes into a shop like “60 Minutes.”

Explain to me exactly how you felt. Shock, dismay, impossible to believe, searching desperately for an explanation, knowing that an explanation would be forthcoming and then not seeing that. No executive at CBS News, our editor in chief, Bari Weiss, coming over to explain, to talk with us, to sit with us. That’s a family at “60 Minutes.” My colleagues and I have worked together 10, 20, 30 years. We travel together. We dine together. We go into literal combat together. My former boss and former producer Bill Owens saved my life in a firefight in Iraq. So, these bonds are pretty tight, and when somebody wipes out, murders, a large number of your family members, people are desperate for some explanation, and as you and I sit here today, there still has been none.

CBS leadership says that they tried to get in touch with you to talk about all of those changes before Bilton’s first day and you didn’t speak to them. Why not? I’m almost 69 years old, and if I’ve learned one thing in life, it is not to reflexively react when you feel that way. I thought, I’m going to give it a day. I’m too emotionally wrought up. I am going to say the wrong thing. I am not going to hear what they have to say. This isn’t the moment. So we got through the weekend, and I learned that Nick Bilton was going to speak to the “60 Minutes” staff that next Monday morning. My wife and I had a hiking trip in the Canadian Rockies planned, and I wasn’t going to be able to be at the meeting and she and I talked about it, realized that this was an existential moment for “60 Minutes” and canceled the vacation so I could be there. That was the first time that I had an opportunity to meet Nick Bilton.

At that meeting, you spoke up very forcefully. You asked him why he’d taken the job “knowing that you will never be welcome here.” Why did you decide to have that first interaction with your new boss in public and not behind closed doors? It was behind closed doors. I was with my family in a closed room. None of this was meant to be public. Imagine I’m walking into this room with these people who have devoted their lives to “60 Minutes.” They have not received any kind of explanation. They are waiting for Bari Weiss to walk in the room in the hope that she’s going to explain why this tragedy has occurred and why it was so necessary. I’m waiting to see who comes in and it’s Nick Bilton and one of Bari’s deputies. No Bari. People are a little shocked by this. As we’re standing in there, Nick makes his way to the front of the room and does something absolutely jaw-dropping to me. He pulls out his phone and begins reading a statement off his phone in a room full of 50 heartbroken people. The callousness, the tone deafness of that, you could hear the groan in the room. They put out a big spread of bagels like we were all going to feel better. And also, if I can give you a little bit of context.

Please. What happened a couple of days before the meeting was so critical. Nick Bilton wrote an email to the staff, introducing himself. And it was so insulting. He told us that it wasn’t 1968 anymore, and he helpfully noted that gasoline doesn’t cost 32 cents anymore, suggested that we had all been frozen in amber in 1968 when the program first went on the air, and that nothing had improved. He said in his email that it was “strange” that “60 Minutes” is only on the air at 7 o’clock Eastern time on Sunday once a week, when we’ve been on the air 24-7 globally, online, for well over a decade. It betrayed the fact that Nick Bilton didn’t know anything about us, didn’t know anything about our culture, and yet was being imposed on us as our new leader.

Why did you feel that you were the person that needed to get the answers at that meeting? First of all, our entire senior staff had been wiped out. They’re not there. I looked around the room. I’m the only correspondent there, which surprised me very much. I learned that my colleagues were out shooting stories, as they should be in the month of June, but I’m the only correspondent. And I looked at my friends and colleagues in the room and realized I was the senior person. So when I saw Nick Bilton’s email and then saw him reading to my brokenhearted people off his phone, I felt that somebody had to stand up not just for the broadcast but for the people. There are people in that room who go to war zones when they are pregnant. [Tears up] Newsrooms are sort of like the military or the police or the beautiful people at the FDNY down the street. It is a life-threatening job in many instances. And to have people running CBS News, who don’t know that, have never felt that, and don’t understand it, is a tragedy.

You know, Bari Weiss came into a job with a mandate to evolve and modernize CBS News, to reinvent legacy media. In that meeting, you said Weiss was “murdering ‘60 Minutes,’” language that you’ve used here. Can you explain what you mean? It was the wholesale nature of it. Senior staff wiped out after a triumphal year. One of the things Nick Bilton said in that ill-fated email to the staff was that he was excited — I’m paraphrasing here — to tell the staff about the new crop of correspondents. And when I saw that, I thought, “They’re going to fire all of us, eventually.” So that’s why I use these admittedly, for a journalist, hyperbolic terms. They capture the scale of what happened.

You then have a meeting with CBS leadership after this very contentious interaction [with Bilton]. Did you go in expecting to be fired? Oh gosh, furthest thing from my mind. It hadn’t occurred to me. The president of CBS News, Tom Cibrowski, sent me a note and said, can you come by and talk to us? And I said, absolutely. I scheduled about an hour on my calendar for the meeting. I didn’t know who was going to be there.

It really didn’t occur to you that you could be fired after so many of your colleagues had been let go, and after you’d had this very contentious interaction with your new boss? Some reporter I turned out to be. I just didn’t connect the dots. I mean, was this meeting [with Bilton] contentious? Yes, but “60 Minutes” is known for two things: a ticking stopwatch and hard questions.

There was a screening once with Mike Wallace, and Mike and the executive producer and founder of “60 Minutes,” Don Hewitt, got into a big argument about a script. Wallace jumps up in the middle of the screening, throws his script up in the air and yells at Don, “Well then you write the effing thing!” One of those pieces of paper comes down and slices an associate producer across the face. He’s bleeding now. He’s got a paper cut on his face. That was about a story. The meeting that I was in was about whether “60 Minutes” was going to even survive.

So, you walk in and what was the energy of the room? Hostile, dismissive. Before I can take my seat, Tom Cibrowski said, this is a firing offense. So I sit down, like, OK, let’s talk about it. Tom accuses me of physically abusing Nick Bilton. This is a lie. I didn’t come within 10 feet of Nick Bilton. In my life, I have never put my hands on anyone in anger. And when he was caught in that lie, he said, well, OK, I take that back. And I said, great.

So I’m thinking that the meeting’s going to carry on. We’re going to have a long conversation. Very quickly after the meeting began, Tom Cibrowski said, this conversation is over. I was stunned. I didn’t have a 60-minute stopwatch in that room. I don’t know how long it lasted really, but I think it was about 10 minutes. Cibrowski tells me, you’ll have our answer in a few minutes. I went over to my office, and much to my surprise, all of my guys on my team were still there. They wanted to know what happened in the meeting. What was that all about? Did they explain why our people were fired? And I sat down in my office, it has a big plate glass window that looks out on the newsroom, and there were a whole bunch of people standing out there. I didn’t think anything of it. I’m waiting to find out what my fate is. I explained to my team, “I think I just got fired, but they haven’t told me that.” And then I look up and all those people are still out there, and then it hits me. This is a vigil. Four hours go by, and I go outside and said, “I’m leaving.” I packed up and left just so those people would go home. And not long after that, the email came throughand said that I’d been fired.

I want to take a step back because this didn’t happen in a vacuum. The saga at CBS News began when David Ellison, the son of Oracle billionaire Larry Ellison, took over CBS as part of his purchase of Paramount. There was a lot of turmoil around that sale. The longtime previous owner of Paramount and CBS, Shari Redstone, told my New York Times colleague that she sold the company to Ellison in part because, after Hamas’s attack on Israel on October 7, she wanted to devote herself to causes around Israel. I’m sure there were other reasons as well. Did you ever speak to Ms. Redstone about the sale, and how did you feel about it? I didn’t speak to Shari Redstone about the sale. I felt the sale was very necessary. The company was in financial trouble. It wasn’t clear what our path forward was going to be. Mr. Ellison came in with a lot of money, a young man of vision, and I thought this was going to be very good for all of us.

The very last thing that the previous ownership did was pay a multi-million-dollar bribe to the president to settle this frivolous, ridiculous lawsuit. And very shortly after that, somehow the Trump administration approved the sale. That lawsuit against “60 Minutes” had caused a great deal of concern. Paying the bribe broke our hearts. No lawyer thought that was necessary, but they did it to get the sale through. At that point, my colleagues and I thought, great, that’s behind us. We have bright new leadership with financial resources. We’re in better shape than we were before. That was the theory.

Ellison then hires Bari Weiss to run CBS News. Weiss is a former opinion writer at The New York Times who left to start her own publication after claiming bias in the Times Opinion section. I never worked with her, for the record. The Free Press, which she launched, is generally pro-Israel and bills itself as pushing against what it sees as the mainstream media. What did you make of her appointment? I was not familiar with her name, so I did some research and discovered those things that you just outlined. What concerned me was that she had zero television experience and had never managed a large global operation like CBS News. Those were red flags to me, but I thought, David Ellison thinks she’s the right person for the job. We are absolutely going to welcome her, listen to her, and give her the benefit of the doubt.

When Bari comes in, she has a meeting with senior “60 Minutes” staffers, and in that meeting she asked, “Why does the country think you’re biased?” I wasn’t there, but that is what I’ve been told by my colleagues, and they were shocked.

What was the feeling about that opening salvo? “Uh-oh.” She didn’t offer any kind of a metric. Do you have a poll? Is there market research? What are you talking about? We felt that she was making statements that she couldn’t back up and was coming into the news division with hardened preconceived notions that didn’t seem to be thought through.

You’ve now accused Weiss of injecting “falsehoods and bias” into at least one of your politically sensitive stories. What did she specifically ask for? What story? That’s February, and my team and I are doing a story about the protests in Minneapolis against the ICE crackdown there. We’ve interviewed Senator Rand Paul, Republican, because he’s going to hold hearings into this, and the fact that a Republican was going to do that was quite newsworthy. So, we interviewed Senator Paul and then built out a story about what had happened — the killing of Renee Good, the killing of Alex Pretti, the protests. I felt it was very important to identify that the protesters themselves were being very aggressive and that they were half of these confrontations, and so I instructed my producers to find images in which we see the protesters acting aggressively. We found a picture of a protester chest-bumping an officer. We found a picture of an officer being hit in the head with a snowball. We culled together a lot of video of protesters screaming in the faces of officers because we were going to talk about the killing of Pretti and the killing of Good, and it seemed to me important to tell the audience about the entire context. I thought we’d done a really good job with this. We also included a picture of Alex Pretti before he was killed kicking out a taillight on a police car and made a point of saying, this is Alex Pretti and this is what he did.

So, the story goes through screenings. It’s very well received. There are notes as always and we do rewrites as always. But this is on a very tight deadline. It’s Sunday; we’re going on the air that night. And in the case of stories that are, as we say, crashing, our deadline on Sunday is noon. So, we work on all of these things. We get the piece approved by everyone. And about four hours after our deadline, Bari Weiss sends an email to my boss, Tanya Simon. Two of the things in the email include, can we make the protesters look more violent? Now, I’m paraphrasing. I don’t have the quote, but that’s what was communicated to me. And the other thing, Renee Good’s car. You need to describe her as driving toward the officer.

This is not what you see on the video. On the video, you see the officer standing slightly off the front of the car. And you clearly see Ms. Good’s wheels turned completely as far as they will go, away from the officer. But he shoots her in the head, kills her, and says something about her that I can’t repeat in polite company.

We have gone out of our way in our plan from the very beginning to show the protesters for the responsibility that they had. We had already scrubbed the video archives, looking for those scenes. Somehow that wasn’t enough for Ms. Weiss. The video showed that the officer wasn’t standing in front of the car and she wasn’t driving toward him, but that’s what the president said about that, and that’s the way she wanted it described.

Did you do as she asked? I asked my producers, “Did we leave anything out that’s important? Did we make a mistake here? I don’t think so, but go back and look.” And then I sat down with a video editor, and I went over the video of the Renee Good killing over and over again, and realized that the event was not as the president said and not the way Bari Weiss remembered it. And it’s late. Our deadline was noon. It’s now almost 5 o’clock. That’s dangerous as hell. So I decided that I wouldn’t do those things. I wasn’t going to get in a debate about it. I wasn’t going to call Bari Weiss about it. I was just going to refuse to make those changes.

Did you change any language in the broadcast? Anything? Not that I recall based on her notes, but as you probably are aware, when you’re doing a story, especially on deadline, a lot of things happen, there’s a lot of input, and you’re just scrambling to save everybody’s skin because you’re going to have a crash, which is what happened.

Next day I didn’t hear anything. Nobody called, nobody said anything. It occurred to me that maybe Bari Weiss didn’t see the broadcast and didn’t realize that those changes hadn’t been made. But that’s how that happened. There was a thumb on the scale for the president’s version of events that I felt was a level of political influence that I had never seen in 37 years at CBS News. 

Could she not have been trying to be fair to the administration at a moment of very high tension? She could have been trying to be fair to the administration, except I felt that the story was abundantly fair to administration and to the ICE officers and to border patrol officers who were caught in that moment.

Is it possible to see this as the system working? She had notes, you felt they didn’t make sense to take, the piece ran, and there was no retaliation. Well, it was the interference that’s a problem, especially in a story that’s been approved by the top editors. And the bigger problem, Lulu, frankly, is not any kind of political influence. The problem was the incompetence. You don’t break a deadline. That episode came within 19 minutes of not making it to air. The entire hour of “60 Minutes”! It was the night of the Grammys. “60 Minutes” was the lead-in to the Grammys, and we almost didn’t have a broadcast. I pledged to myself that no matter what Bari Weiss wanted to do in a story, I would never break the deadline again because we put the entire network in jeopardy.

Why did you think she was asking for these things? I need to be a little bit careful here because I don’t want to be hyperbolic. My impression at the time was that she was putting a thumb on the scale on behalf of the administration. Constantly looking out for the views of the president. We’re reporting those views. There’s nothing wrong with reporting those views, but it was never enough. 

Cecilia Vega, who was recently fired, also alleged interference after she was let go. Sharyn Alfonsi as well, and you are now doing the same. CBS has denied any bias or interference, saying in a recent statement that changes and disputes were “the normal back and forth between editor and correspondent that happens in every newsroom.” A more generous interpretation of Weiss’s tenure might be that her missteps have been due to a lack of experience. Could inexperience be the real problem? I think inexperience is the larger part of the problem. The most difficult thing for the staff is trying to make up for all of these missteps in terms of our production and the technical aspects of television. It’s been enormously stressful.

.Another high-profile “60 Minutes” host, Anderson Cooper, declined to renew his contract this year. And at the end of his final show, he went on air and said, “I hope ‘60 Minutes’ remains ‘60 Minutes.’” That was seen as a swipe at Bari Weiss. Did you talk to Anderson about why he did not renew his contact and his reasons for leaving? I did not.

How did you receive that news? Correspondents don’t resign from “60 Minutes.” It’s the greatest job in the world. There is nothing else to aspire to. So, if a person of Anderson Cooper’s stature decides that he has to leave the broadcast, that’s an indication that he has found his role there untenable.

It’s been reported that Bari Weiss was upset that Anderson Cooper’s comments had aired in that way. That’s my understanding.

Do you think that was part of the reason executive producer Tanya Simon was let go? Yes. My understanding from people directly involved in that interaction is that Bari Weiss was quite livid that Anderson Cooper was allowed to say those things and that she, Bari, was not consulted beforehand, which in our normal course of business would not have been done anyway. I believe that was part of the reason Tanya was let go. But she wasn’t let go for cause. She was let go to create a space for the new person, Nick Bilton, to come in.

Tanya was completely blindsided by this. She was told that she was coming into a meeting to discuss the past season and the next season. She walks in; she sits down. And Tom starts the meeting with, the nature of this meeting has changed. We’re letting you go. And told her she was fired and had to get out of her office by 5 o’clock.

Can I give you a little bit of background? The Simon family is legendary at CBS News. Her father was a famous Vietnam correspondent and then Bob Simon covered every single war, everywhere in the world throughout his entire career. I was with him in Kuwait during the Gulf War in 1990. We would stand on the roof of the hotel and watch the missiles come in. He taught me how to be a war correspondent. And then Tanya Simon comes in. She’s at the broadcast 30 years. There is no respect for that. Get out of the office by five o’clock? What company in the world treats their precious people that way? [Tears up] Tanya Simon spent her whole childhood waiting for the call that her father was dead, never knowing if she would ever see him again. Her whole childhood. Get out by 5 o’clock. Make of that what you will.

I can hear how much this has hurt you. Yes, it’s like your spouse being murdered. I don’t care about me. It’s not about me. I am not emotional about this because I have lost this job. I’ve done it for a long time. I’ve had the greatest experiences. But the people I leave behind, treated in this way? That breaks my heart, and it’s going to take me a long time to get over it.

One of the arguments that Bari Weiss has made about “60 Minutes” and CBS News is that they need to be brought into the modern era. Nick Bilton also said in that staff meeting with you that “broadcast is an ice cube that is melting.” Do you think they have a point, even if “60 Minutes” is reaching a huge audience now? Does its metabolism, the kinds of correspondents that it has have to change to reach a younger audience that interacts with media in a completely different way? Of course we have to reach out to a younger and younger audience, but their argument about joining the internet age is just disingenuous. It’s almost as if Bari Weiss and Nick Bilton were sealed in a time capsule in 1990, and it just cracked open. They’ve just discovered the internet, and they’re running around telling everybody how important it is. At CBS News, yeah, join the fight. We started our first “60 Minutes” online show, “60 Minutes Overtime,” in 2010. I shoot TikTok verticals, or I used to shoot TikTok verticals on every assignment. We’re there. We’re everywhere.

Nick Bilton sent a very conciliatory note to the staff this past week. At last.

He promised editorial independence. He praised some of your longtime colleagues, Lesley Stahl, Bill Whitaker, Jon Wertheim. And while we’ve been talking, those three released a statement that they are staying at “60 Minutes.” How does that make you feel? Same reason I was staying. I haven’t talked to them. I assume it’s the same reason. And we have had conversations before this about staying to maintain the principles of the broadcast. If we leave, we can’t help. There have been other times — when Anderson left, when others were fired — that we could have stormed into a meeting and quit, but those very distinguished correspondents and myself did have conversations about this and decided that we were better working on the inside, and that we could influence things for the better. And we did. And it was my intention to stay and do exactly that.

Do you think they can trust those assurances? No. I would venture to say that trust is broken.

Do you think Bari Weiss needs to be removed? Oh, gosh, yes. Look, she’s a lovely person. And her Free Press organization that she founded has been very successful. But television’s not her thing. This is like somebody walking up to me and saying, “There’s a 747, there are 400 people on it, we need you to fly it to Paris.” I’m going to decline because I don’t have a clue. And it would have been so much better if Bari Weiss had been offered this job and said, “Oh, that’s not for me, I don’t know how to do that.”

President Trump reacted to your being fired. Did he?

He went on a podcast and called you a stiff. I’m surprised that the president of the United States would bother to notice, but please tell me. I’m not aware of this.

He said you were part of this gang of “stupid, crooked people that don’t care about your country.” Stupid? I can take that. Stiff? Yeah, probably. Don’t care about the country? I’ve never worn the uniform. But I’ve been in combat for this country, in Afghanistan and Iraq, Kuwait. I’ve been shot at, spent nights in foxholes filling up with water in the desert. I’m not aware that the president of the United States has ever done any of those things for his country. Please correct me if I’m wrong. You become a journalist because you love the First Amendment. You become a journalist because you love the country. And while all the other descriptions that the president used about me might be applicable, not that one. [Tears up] There is no democracy without journalism. It can’t be done. That is why I am a journalist.

***

I detest him and everything he does or says. Ditto his despicable aides and Cabinet members, his unprincipled sycophants and suck-ups.

But it’s possible that someday we’ll look back on this horrendous era and say we needed Trump. We needed to see how horrible it could get before America was able to revive its ideals. 

Please hear me out.

Even before Trump, we were barreling down the wrong road. Inequalities of income, wealth, and opportunity were worsening. Legalized bribery was soaring in the form of mounting campaign contributions from big corporations and the wealthy. Workers were getting shafted. On Wall Street and in C-suites, fealty to the rule of law was giving way to “greed is good” selfishness. Giant corporations were monopolizing ever more of the economy. America was losing its moral authority in the world (think Abu Ghraib and the torture memo).

We couldn’t have remained on that road. Even if we didn’t know it then, most of us understand that now. Trump has opened our eyes to the consequences of extreme greed, corruption, cruelty, and utter disregard for the Constitution and the rule of law. His brazenness and shamelessness have awakened us to much that we took for granted.

He and his regime are still dangerous as hell, of course. But the American public is catching on. His polls are in the cellar; they continue to fall. 

It’s as if the nation has been through basic training in democracy, a stress test in civics, a crash course in the importance of having a decent and good government.

Before Trump, how many Americans understood the importance of “checks and balances” among the three branches of government, as envisioned by the Founders? 

Now nearly everyone knows, because we’ve seen what happens when the head of the executive branch usurps the power of Congress and defies the federal courts.

How many of us really knew what “due process” meant when it came to giving people accused by the government an opportunity to defend themselves?

By now most of us have seen videos of people dragged out of their homes in the dead of night by masked agents of the U.S. government and thrown into detention camps without so much as a hearing. And we’ve seen government agents murder American citizens in cold blood on the streets of our cities. 

Did we understand the meaning of corruption, bribes, self-dealing, and pay-to-play before Trump extorted corporations and billionaires to contribute millions to his campaign, his PAC, his inauguration, his ballroom, and his 250th birthday party? Now, we surely do.

Did we really know the importance of professional civil servants before Trump fired tens of thousands of them and substituted brainless loyalists? Before he got rid of the head of the Bureau of Labor Statistics because it published truthful jobs data he didn’t like?

Did we understand the importance of expertise before Trump turned his back on career diplomats at the State Department, doctors and epidemiologists at the Centers for Disease Control, and experienced lawyers at the Justice Department and replaced them with loyalist hacks?

Or the meaning of “equal justice under the law” before Trump turned the Justice Department into his own private law firm to prosecute political enemies and pardon supporters?

Did we comprehend the true meaning of freedom of speech and expression before Trump attacked our universities for allowing demonstrations he disliked? Before he got CBS to fire Stephen Colbert for satirizing him and muzzle “60 Minutes” for criticizing him? 

Did we know the dangers of oligarchy before Trump authorized Elon Musk to destroy entire federal agencies? Before Trump suck-up Jeff Bezos prohibited the editorial board of The Washington Post from endorsing Kamala Harris? Before Trump turned over to Larry and David Ellison much of how Americans learn what’s going on — CBS’s broadcast network, its news division, and over 28 local television stations, as well as CNN, TikTok, Comedy Central, Discovery, HBO and HBO Max, and Warner Bros. Studios?

Did we understand the importance of the federal government keeping us safe and healthy before Trump eviscerated health and safety regulations? Before he decimated the Environmental Protection Agency, the Centers for Disease Control, and much of the Department of Health and Human Services? Before he authorized a crackpot with no medical background who opposes vaccines to run the world’s largest and most powerful health agency?

Did we understand why the Federal Reserve needs to be independent of politics? Did we know why the Federal Trade Commission needs to crack down against monopolies? Did we appreciate why the National Labor Relations Board must protect workers’ rights to form unions?

I venture to say, in answer to all of these questions: No, we did not know. 

Now, most of us do.

It’s a terrible time. I share your sadness, anger, and fear. But prior to this daymare, too many of us had fallen asleep at the wheel. We had let America barrel down a road that was compromising too many of the ideals we hold in common.

Maybe we needed this horrific wakeup call in order to get back on the road we should have been on. We needed to see how fragile the institutions of self-government are in order to know why we must strengthen them. We needed to be reminded of what America is all about — what it should be about — in order to revive it — and reclaim it, for and by the people. 

Today is the 82nd anniversary of D-Day — the Allied invasion of Normandy on June 6, 1944. It’s referred to as “D-Day” after the military term for a day when a secret combat attack or operation is planned. 

It was the largest seaborne invasion in history. It began the Western Allied effort to liberate western Europe from Nazi Germany. 

Over 2,500 American soldiers, sailors, and airmen were killed during the initial amphibious assaults and airborne operations. All told, there were 4,414 confirmed Allied deaths on the first day of the invasion, which also included troops from the United Kingdom and Canada.

At the time of the invasion, my father was 30 years old, in a tank battalion readying to go to Europe. My mother was 25, working in a factory producing gas masks for the war. Some of their friends participated in the invasion. A few were paratroopers. Others were pilots. Others were soldiers. 

As a small boy, I remember trying to talk with my father and my mother about D-Day. I wanted stories. The little I’d heard about it made it seem romantic and exciting. But they were reluctant to talk about it. They answered my questions in short sentences. Their voices were hurried. It was as if I was trying to open a door they’d rather keep closed. They had lost friends, relatives. D-Day, and the war it helped end, had left deep. scars. 

Eventually they and their generation were called America’s “greatest generation” for their valor and sacrifice. They had fought fascism and won. 

Now, 82 years later, we have home-grown fascism. An entire political party seems to have given up on democracy. They’re supporting an ego-maniacal “strong man” who cares only about enlarging his own (and his family’s) wealth and power. 

His regime is marked by a degree of corruption, cruelty, and criminality never before witnessed in America’s national government. 

Trump’s and his “war” secretary, Pete Hegseth’s firing of so many top brass can be seen as a way to guarantee the loyalty of other officers to Trump rather than to America. Trump’s proposal to increase the U.S. military budget by nearly 50 percent is best understood as a bribe to America’s officers. He wants them to side with him if and when he tries to stay in power indefinitely. 

He has already tried to turn much of America into a police state. 

Public support for him is waning, and the federal courts have fought back. But it is startling and saddening how far Trump and his regime have gotten.

What happened to the bravery and dedication of the greatest generation? What became of the sacrifices my parents and their peers made so that this nation could be free? 

How and why did so many Americans succumb to neofascism? 

I think it has to do with the anger so many Americans feel that they and their children haven’t been able to get ahead, no matter how hard they work. Trump and other neofascists have channeled that anger toward immigrants, gays, transgendered people, Muslims, and Black people. 

Democrats and progressives should be channeling that anger toward the real culprits — a wealthy elite that’s used their money to gain political power and rig the economy to their benefit and against everyone else. 

Another reason so many have succumbed to Trumpian neofascism is the passage of time. Eighty-two years is long enough for a nation to forget, especially a nation whose collective memory is short to begin with. Very few living Americans remember the terror and heroism of our fight against Nazi fascism. The greatest generation has mostly died off. 

But we must not forget. Fascism is being born again, in America and in Europe. This time it’s masquerading as white Christian nationalism, but it’s as dangerous as ever. 

Today’s weather is so beautiful that Heather and I decided to have our coffee klatch outside on the Berkeley campus. Much to talk about — including the giant initial public stock offerings of the Artificial Intelligence behemoths Anthropic, OpenAI, and SpaceX, in coming weeks, expected to generate over a trillion dollars each. AI may create all sorts of fabulous things, but it’s also dangerous as hell, and the window is rapidly closing on what can be done to stop AI from eating our jobs and destroying the human race. 

We also talk about Trump’s 10 days — the House voting to end his war in Iran (or get authorization to continue it), the courts ordering his name off the Kennedy Center and pausing his $1.8 billion Thug Fund, entertainers bailing out of his 250th anniversary megalomaniacal show on the mall, his endorsee losing Iowa’s governor’s race — and what it means for the future of his pathetic lame-duck presidency.