this little tully kid is book accurate robb stark and its giving me whiplash
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this little tully kid is book accurate robb stark and its giving me whiplash

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How is Oscar Tully — literally a teenager yesterday — smarter and more decisive than half the adult characters?
Loved how he handled himself with Roddy the Ruin. Roddy's what, ten times his age? With one hundred times the battles? And still.
Larys and Aegon are literally an elderly married couple making up after a fight and the silent treatment. The way Larys reconciliatorily slid that apple over to Aegon 😅
Deniz, sweetie, remember that school will end — and sooner than you think. In adult life, it really doesn't matter who someone was in school. Go to university, travel, work, take care of yourself, live YOUR life. Don't waste a single minute on scumbags, and remember: healing other people is not your job — everyone has to heal themselves.
🌈Rainbow Valley🌈 children
Personally, my favourite Anne of green gables book in the series! I'm gonna show em some love since I think it's pretty slept on! Next target would be the Meredith children
I'll probably do more Anne of green gables fanart. I hope i meet alot of peeps who loves the series as much as I do hehe

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So, does Mysaria already know about Helaena's pregnancy?
Helaena is obviously keeping it secret, but she's missing her cycles — and the maids would definitely know.
Surely Mysaria has spies among those who are constantly around the royal family?
HOUSE OF THE DRAGON Season 3, Episode 4 "Tumbleton"
Jace deserved so much better.
He was actually a smart strategist, gave Rhaenyra solid advice, but the show keeps pushing his childish side — impulsive, reckless, and that's all we get most of the time. We do see a princeling, not the actual heir.
The writers try to show Rhaenyra's motherhood through her kids and her grief, only occasionally remembering that her children are also heirs — political figures. If they'd kept that in mind all the time, the Jace/Rhaenyra conflict before his death could've been way deeper.
And even now that he's gone, Rhaenyra still sees him only as her son: she says he was killed. Yeah, he was. But that's not all. He died in battle, fighting for his throne. He was the heir and made his own decisions. He died a warrior. There's no need to downplay that.
The long-awaited scene of Daemon interacting with his daughter — and it was such a letdown.
He didn't even know she hadn't gone to Pentos, his main concern seems to be that she's not around to accompany HIS sons, and while it looks like he's worried about Rhaena and offers to take her with him, the scene is so poorly written that the later beheading of the shepherd does nothing to salvage it or to make Daemon's motivations believable.
There was potential for an actual conflict between crown duty and fatherhood — but since they never bothered to develop Daemon's relationship with his daughters, there's no real foundation for that conflict. Why did he kill that shepherd? Was it to save Rhaena, or just to secure his place near the throne?

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Ugh, are they even gonna bother showing us Daemon's relationship with at least Baela? I guess we should count ourselves lucky that he knows when his daughter is out on a recon flight.
Guess I'm in the camp that thinks Rhaenyra's move with Corlys was stupid.
Yes, he made his own choice, yes, he swore to her, but she should understand the value of alliances. She's been trained to rule her whole life — hasn't she learned how to manage relationships with the nobility? Corlys isn't some insignificant hedge knight — he's her only truly influential and loyal ally, the one who actually proved by his actions that he was ready to fight for her claim. Yes, he always looked out for his own gain, but who doesn't in the game of thrones?
Corlys truly lost everything (yes, he has granddaughters, but he can't seriously count on being able to leave them Driftmark, seeing what's happened to the realm because Rhaenyra is a woman — and besides, Baela already turned him down).
3×03 of HOTD turned out unexpectedly well imo. The choppy narrative, scattered scenes, and the complete lack of properly developed relationships between characters — all of which we've been seeing throughout the season — actually worked in this episode's favor. They really sold the feeling of hysteria, where nothing is under Rhaenyra's control. The civil war is unfolding according to its own logic, the maw of violence has picked up speed, and no amount of queenly anointing is going to give her control over the situation.
The main reason the season's flaws actually worked so well in this episode? The music. It acted like glue, pulling everything together and guiding the viewer through the entire episode.
What could've been.
#and that's on how to tame a dragon
OSCAR TULLY & DAEMON TARGARYEN House Of The Dragon 2.07 | "The Red Sowing"

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Oscar Tully really grew up. From a stuttering kid to literally standing his ground against Daemon and ordering the dead buried with honor. Love to see it.
I feel like HOTD had so much potential: it could have shown complex, intertwined relationships within a family, the struggle of conflicting motives within a single person, and the messiness of human connections with others and with oneself.
But that didn't really happen to its full extent. So many characters don't show any deep bond with each other — it's like they barely even have a relationship at all.
For example, I think it's a huge missed opportunity that they didn't show Daemon's relationship with his daughters. Yes, they show Rhaena's deep trauma over not having a dragon and feeling like her father is disappointed in her. But that's it. We have no idea what Daemon actually feels about his daughters. What does he feel about Baela — a true dragonrider who chooses war and battle, turning down her grandfather's offer to inherit Driftmark?
Speaking of Corlys — his relationships with his granddaughters and grandsons are completely unclear. We're just supposed to believe that these people on screen, who seem like strangers to each other, actually feel something for one another.
And so many characters are just window dressing! Take Jace — they could have written him so much deeper. They could have made him a more talented and promising leader, and then his conflict with Rhaenyra, his attempt to separate from his mother, would have felt so much more meaningful.
Got a comment like this on the post – "With only 8 episodes a season they simply don’t have time." – and I'm gonna make a separate post to reply.
8 episodes isn't a lot, sure. But honestly?
That's exactly what screenwriting is: making choices about where to invest your limited minutes to build characters, motivations, and relationships that feel real. You cut the filler, you cut back on the big flashy action scenes, and you focus on what makes the story matter — the people in it.
Plenty of shows with even fewer episodes manage to make you feel the weight of every connection. It's not about quantity of screentime; it's about using it wisely. The writers chose to spend time on other things, and that's a creative decision, not a necessity.
The show often mistakes confusion for complexity, throwing wave after wave of superficially written characters at the audience without giving them real depth. The showrunners clearly prioritised spectacle over character work.
Even in the first season, key emotional moments were skipped over — like Rhaenyra's reaction to Alicent's marriage. That's not a time issue; it's a priority issue. When a major battle scene feels hollow, it's because we don't care about the people in it — they're just pawns in a game we've barely been made to understand.
So yeah, blaming the episode count is just admitting that the writers failed at their main job: making us believe in these people and their relationships. And that, sorry, is a failure of craft — not of runtime.