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@metalentransicion

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Mac Lipstick Color Folio.
Pseudogoth, pseudocadaver,
a metropolitan bruise made for Angelina Jolie, resting on your lips.
Yesterday, a woman walked into the shop wearing that brown-purple shade—
sickly, cold.
Eighty years old, maybe fifty, maybe far fewer than I believed.
Smeared, sliced, drifting toward the edges.
On that wrinkled, cracked, bone-dry lip,
several small voids where the lipstick had vanished:
dotted line, broken line, crosswalk, casual interruption.
A kiss from that October night.
Color folio?
This page I’m writing on is white, not purple—
sometimes yellowed, recycled, gentle.
Nothing about this lipstick is that folio.
It is frozen corpse, late-’90s Hollywood.
And nothing pleases me more.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Aleación metálica,
earplug anclado al cartílago lateral, desde aquí a aquella antena:
Viena, Berlín, París, Madrid;
Europa estancada en pantalla metacrilática.
Localizada.
Barra acérica, Margiela pasarela.
Carrie Bradshaw, sueños guiados por espinas diseñadas para pezuñas urbanitas.
Aquí, armadura marginal madrileña, Bad Gyal suena en los Airpods.
Airpods anclados, labios hidratados, imantados, atacados, aginebrados para el botellón, para la fiesta
apartada allí, al lado.
Carretera lateral, árbol saliente en la cuneta, en la acera. Hace camino mientras paseo por esta sombra.
Esta acera.
Esta acera.
Está A CERA.
A CERO.
ACERO.
Aleación amantillable, tacón afilado.
Aguja para bordar antes, anterior a olvidar.
Corteza a-frontal, amígdala hipocampal en la ciudad
Jeffrey Campbell Cross Hills.
Higher mountains have been seen.
But none brighter—
I picture a drag queen doing a spin and dip. It smells like
synthetic leather, like glue, the kind that sticks to your fingers,
the kind you can peel off like a scab. Possibly the girl who glued
on every little stone that fell off her heels knows this feeling.
JEFFREY CAMPBELL CROSS
HILLS, HEEL-LESS HEELS,
little mounds, a house without foundations.
a cross in the center made of tiny stones that mimic diamonds.
THAT MIMIC DIAMONDS.
They fall apart after every walk to the disco. After each outing
at least two stones disappear.
She stops by the bazaar, picks out and buys some similar
stones, for 11.
Stones that look alike, and THAT
glue: transparent,
strong, liquid Loctite.
She glues each stone
carefully, rebuilding the fallen cross; but you can tell those
stones are from Villaverde, Madrid (really from China), from
that bazaar open from 10.