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@mesmericmonad
Shape a new world around you.

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Unlike many of the nuns of her time, Catherine of Siena did not come from a noble family. Her father was a wool-dyer by trade. She was born into a large family of twenty-four children, including her own twin Giovanna, who passed away not long after birth.
At the age of twelve, her parents were already arranging a marriage for her, which she staunchly refused. Catherine refused to cooperate and became a Third Order Dominican at the age of fifteen. In this vocation, she took care of the sick and poor.
Ever since at a young age, she was given to divine visions. According to the biography written by her confessor Raymond of Capua, her vision occurred when she was five or six years old. She and her brother were on their way home from visiting a relative when she received a vision of Christ seated in glory with the Apostles Peter, Paul, and John the Evangelist.
When she was sixteen, her sister Bonaventura died in childbirth and her parents pressured her into marrying her sister's widower. In protest, she fasted and cut off her long hair. Despite the pressure to marry, Catherine served her family with humility, treating her father in the image of Christ, her mother as the Blessed Virgin Mary, and her brothers as the Apostles. Eventually, her parents consented to allowing her to live an unmarried life. She averted the traditional course of both marriage and joining a convent, living as a chaste laywoman for her whole life.
She fasted for long periods of time and continued to tend to the sick. One day, while attending a woman with cancerous breast sores, Catherine was disgusted. In an attempt to overcome this, she gathered the pus in a ladle and drank it. That night, she was visited by Jesus who invited her to drink the blood gushing out of his pierced side. It was with this visitation that her stomach "no longer had need of food and no longer could digest." (In this regard, please do not follow her example.)
At the age of twenty-one, Catherine experienced a vision in which she was wedded to Jesus Christ in which she was given a wedding ring made of Christ's foreskin rather than jewels and gold. She wrote in a letter (to encourage a nun who seems to have been undergoing a prolonged period of spiritual trial and torment: "Bathe in the blood of Christ crucified. See that you don't look for or want anything but the crucified, as a true bride ransomed by the blood of Christ crucified β for that is my wish. You see very well that you are a bride and that he has espoused you β you and everyone else β and not with a ring of silver but with a ring of his own flesh."
Her works of charity became so renowned that she became a correspondent of Pope Gregory XI and Pope Urban VI. Through letters she dictated to scribes, she begged for peace in France where her letters reached a wide audience of nobles and kings. She worked counseled Pope Gregory XI to return to Rome during the Avignon Papacy and to reform the Papal States. In 1376, she was sent to Avignon as an ambassador of the Republic of Florence. Unfortunately, she wasn't successful and was disowned by Florentine authorities, though she did sent a torching letter back. She was, however, at least somewhat influential in the return of the papacy to Rome from Avignon.
In 1377, she founded a women's monastery and later that same year began dictating her famous work "Dialogue." At the order of Pope Gregory XI, she traveled to Florence to work for peace. Following his death, riots broke out and led to her near assassination in June 1378. In November of that year, Pope Urban VI summoned her to Rome to help convince nobles and bishops of his legitimacy at the outbreak of the Western Schism.
For many years, she practiced rigorous fasting that alarmed even the religious sisters and clergy of her day. She lived on the Eucharist alone. Her confessor Bl. Raymond of Capua instructed her to eat properly, but she could not, describing her inability to eat as an illness. Eventually, she lost use of her legs. On April 21, Catherine experienced a stroke that left her paralyzed from the waist down. She died eight days later with her last words, supposedly, being, "Father, into Your hands I commend my soul and my spirit."
Patronage: against bodily ills, against fire, against illness, against miscarriage, against sexual temptation; fire prevention, fire fighters, nursing homes, people ridiculed for their piety, sick people; Europe (proclaimed on October 1, 1999 by Pope St. John Paul II), Italy (proclaimed on June 1, 1939 by Pope Pius XII); Rome, Italy; Siena, Italy
"The divine intelligences are said to move as follows. First they move in a circle while they are at one with those illumination which, without beginning and without end, emerge from the Good and the Beautiful. Then they move in a straight line when, out of Providence, they come to offer unerring guidance to all those below them. Finally, they move in a spiral, for when while they are providing for those beneath them they continue to remain what they are and they turn unceasingly around the Beautiful and the Good from which all identity comes." -psuedo-dionysius the areopagite, late 400s
Quoted in a book im reading on the 6th century theologian Saint Maximus the Confessor, in which he himself writes "all movement is either linear, circular or spiral, that is it is either simple [linear] or complex [circular or spiral]."
A fascinating diagram in Marjorie Hewitt Suchocki's book "God-Christ-Church: A Practical Guide to Process Theology" depicting a process view of the relationship between God and actual occasions in the World via Alfred North Whiteheads categories
"The divine intelligences are said to move as follows. First they move in a circle while they are at one with those illumination which, without beginning and without end, emerge from the Good and the Beautiful. Then they move in a straight line when, out of Providence, they come to offer unerring guidance to all those below them. Finally, they move in a spiral, for when while they are providing for those beneath them they continue to remain what they are and they turn unceasingly around the Beautiful and the Good from which all identity comes." -psuedo-dionysius the areopagite, late 400s
Quoted in a book im reading on the 6th century theologian Saint Maximus the Confessor, in which he himself writes "all movement is either linear, circular or spiral, that is it is either simple [linear] or complex [circular or spiral]."
Julian of Norwich: The First Showing oil on carved wood, 2023 9" x 13"

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Starship of Theseus and Echoes of War were so fucking good, exactly what I wanted from the Time War. Ripples of time distortion, rewriting reality so things that the 8th doctor remembers actually didnt happen, people disappear and names are changed over the course of a few minutes. And I loved the innovation in the second story with pockets of area in the jungle operating in a different timeline from those just miles away, non-linear events crashing into each other, and in the end, the retroactive causality of Gallifreys invasion setting up the battles that just happened. The mindbending hard to follow stuff is just like peak time war concept. Much preferred to vague assertions of "The destruction of Time itself" or something. Can i get dozens of hours worth of this lol
Painted a thing for Julian of Norwich
All shall be well, and all shall be well, and the manner of all thing shall be well
i've been reading julian of norwich
You can be the most theological theologian to ever theology but if you intellectualise the love and mercy of God out of your faith you have achieved nothing but emptiness

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Little solace comes to those who grieve when thoughts keep drifting and the walls keep shifting and this great blue world of ours seems a house of leaves moments before the wind.
ββ Mark Z. Danielsewski, House of Leaves
I'm not an artist at all lol and certainly do not possess any particular drawing skills. but got the urge to start drawing a scene from the Doctor Who audio 'Neverland'
"He set then his course to a scar on the face of creation, where the stars lived and died in the churn of one night, and decay was the only constant... And the Gate of Zagreus opened before him, and all of the antiverse was revealed to him, and its terrible beauty ached in his hearts."
We'll see how it goes
Romana II -> State of Decay
Romana II -> State of Decay
"At the heart of the labryinth waits the Minatour and like the Minatour of myth its name is []. Chiclitz treated the maze as trope for psychic concealment, its excavation resulting in... reconciliation. But if in Chiclitz's eye the Minatour was a son imprisoned by a father's shame, is there then to Navidson's eye an equivalent misprison of the []... in the depths of that place? And for that matter does there exist a chance to reconcile the not known with the desire for its antithesis? As Kym Pale wrote: Navidson is not Minos. He did not build the Labryinth. He only discovered it. The father of that place - be it a Minos, Daedalus, [], St. Marks God, another father who swore 'begone! Relieve me from the sight of your detested form', a whole paternal line here following a tradition of dead sons - vanished long ago, leaving the creature within all the time in history to forget, to grow, to consume the consequences of its own terrible fate. And if there once was a time when a []... that time has long passed. 'Love the lion! Love the lion.' But Love alone does not make you Androcles. And for your stupidity your head's crushed like a grape in its jaws. Reconciliation within is personal and possible; Reconciliation without is improbable. The creature does not know you, does not fear you, does not even remember you, does not even see you. Be careful. Beware." House of Leaves p. 336

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The part in House of Leaves around pages 246-300 is so sweet. "By the end of the night, Tom has begun to feel the terrible strain of that place. At one point he even threatens to abandon his post. He does not. His devotion to his brother triumps over his own fears" / "Tom may not have gone down those stairs but the alternative he came up with was far better."
The staircase is obviously the depth of where one is willing to go, the length of one's consciousness and conscious struggle with their suffering. Will's is endless, the staircase can spiral on for hours, days even. Tom waits, in a much safer place, nearer the exit. But he doesnt leave, despite how uncomfortable it is and even attempts to make light of the dark place (albeit in the form of projections of his own alcoholism). It's almost like Will asking his brother something like, "I know you can't meet me in this place [mentally], but please just wait somewhere near for me so I won't be alone while I find my way out of here".
The more I read, the more upset I am that this book is labeled a horror or even a haunted house narrative. There's so much passion and love baked into every line. Recovering from family trauma and uncovering the pieces of you still remaining through the rubble is never easy and too complex to do alone. Oh Johnny....
"To give yourself over to another body
Thatβs all you want really
But to be out of your own and consumed by another
To swim inside the skin of your lover
Not have to breathe, not have to think
But you canβt live on love, and salt waterβs no drink
Youβre dying of thirst so we feast on each other
The sea is still our violent mother
The blood round here pours down like water
Each wave a lamb lead to the slaughter
And like children that she just canβt teach
We break, and break, and break, and break ourselves upon the beach"
Florence Welch / Body of Water