I think a lot about the architecture ideas drawn by Étienne-Louis Boullée
They're sketches from the 1780s and they look like the end of the fucking universe

tannertan36

Origami Around


if i look back, i am lost
occasionally subtle
Sweet Seals For You, Always
hello vonnie
Lint Roller? I Barely Know Her
we're not kids anymore.
Sade Olutola
trying on a metaphor
AnasAbdin

izzy's playlists!

❣ Chile in a Photography ❣
Show & Tell

@theartofmadeline

Janaina Medeiros
h
Aqua Utopia|海の底で記憶を紡ぐ
Cosimo Galluzzi

seen from Poland
seen from Netherlands
seen from Bangladesh
seen from Türkiye
seen from United Kingdom

seen from Malaysia
seen from Tunisia
seen from Brazil
seen from Mexico

seen from Spain

seen from Malaysia

seen from Saudi Arabia

seen from United States
seen from United States
seen from Indonesia

seen from United Kingdom

seen from Slovakia
seen from United States
seen from Kenya

seen from Poland
@mentally-moderato
I think a lot about the architecture ideas drawn by Étienne-Louis Boullée
They're sketches from the 1780s and they look like the end of the fucking universe

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Forgot to close a parenthesis and now spirits enter me like a waterslide
Dar al-Hajar, Wadi Dhar, Yemen
A former royal palace built in the 1920s
Tournefeuille, réflexions
Tournefeuille, reflections
by sir20 for feuilletourne-sir20
LOL whos tye saultry little binch on the bottom lsft????
this post is less than 1% away from being completely incomprehensible

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Mug, lead-glazed earthenware with marbled slip decoration, made in Stafordshire circa 1790-1810.
i love you semicolon. no one look at my 80 word sentence
They should make it easier for trans women
i love you rain, i love you cold air, i love you sound of raindrops hitting the rooftops, i love you cloudy skies

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Karin Kneffel Hühner I, 1990 Oil on canvas
if anybody has beef with me, it’s one-sided. i do not care. i do not have the energy. i am tired.
My understanders will Understand me
i should be allowed to psychically project all my agonies onto people who try to minimize my disabilities. oh yeah, "its not that hard"? watch this
my tumblr ads are alternating between reminding me i’m a dyke and telling me to fear the space scorpion

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
hey did you know that uhh
i. the monster's body is a cultural body
ii. the monster always escapes
iii. the monster is the harbinger of category crisis
iv. the monster dwells at the gates of difference
v. the monster polices the borders of the possible
vi. fear of the monster is really a kind of desire
vii. the monster stands at the threshold… of becoming
oh shit i didn't expect this to actually get notes lmao
these are all direct quotes from jeffrey jerome cohen's "monster culture (seven theses)" (full pdf linked) i highly encourage you to read it yourself!
that said, while i think cohen's writing is evocative, it can be a little dense, so while i'm here, here's my capsule summary (you can also hear me talk about this in the first episode of my podcast) (listen to @ghostswerepeopletoo)
i. the monster's body is a cultural body - The monster is a work of fiction to be analyzed through tools of literary and sociological theory.
ii. the monster always escapes - As long as the cultural fear from which the monster stems persists, the monster will reappear in retellings, reimaginings, and sequels.
iii. the monster is the harbinger of category crisis - Monsters defy binaries and challenge easy comprehension or categorization.
iv. the monster dwells at the gates of difference - The monster represents the Other.
v. the monster polices the borders of the possible - Tales of the monster exist to discourage unacceptable or taboo behaviors.
vi. fear of the monster is really a kind of desire - Subjects can vicariously participate in the disruption of the social order through the monster.
vii. the monster stands at the threshold… of becoming - Within the monster we find information about the self.