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untitled
Sade Olutola


pixel skylines
The Bowery Presents
Misplaced Lens Cap
Keni

roma★

#extradirty
Jules of Nature

Origami Around

gracie abrams
RMH

Product Placement
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Claire Keane
macklin celebrini has autism
"I'm Dorothy Gale from Kansas"

Kiana Khansmith
seen from Japan

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@memory-echo

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Chi No Wadachi (Trail of Blood) Ending
Blood on the Tracks | Chi no Wadachi - chapter 29
This scene has to be one of the sweetest and warmest. I don’t know, but Liz is the literal embodiment of what a transcendental and cosmic love looks like. Even when she has every opportunity to avoid getting hurt or to choose a normal life, she still chooses Max. Every circumstance and every moment only reinforces the truth that, for her, there is only Max because she shares this unearthly connection with him.

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Liz & Max: 1x16 Review
This episode has to be one of the most intense Liz and Max scenes.
The damn urgency Max has is incredible, and the buildup to it makes it even better because Max has already been gravitating toward liz for the past few episodes while he’s been trying to resist her. And then this moment happens...They are absolutely crazy.
What makes this scene so compelling is how their intensity and desire amplify everything between them.
When Liz drops the pen, that entire moment is just... damn. The connection between them, and Liz's expression in particular, is fascinating.
I find it so interesting that their love is so intense it actually magnifies the magic between them. Her expression says everything, she literally forgets they’re in the middle of class and completely loses herself in the moment. They are utterly zealous here.
And then, when Max realizes their connection is giving them visions, Liz wonders if he’s only there because of the visions. But the way Max continues shows that he’s there because of how deeply he feels for her. The visions are merely a byproduct of the intensity they share.And then this scene...
The vehemence between them is astonishing. There’s an uncontrollable spark between them, an overwhelming fervor that neither of them can suppress.
And the fact that Liz knows something could happen to her with everything that's been happening, yet she simply can’t stop she has to keep going, fully aware of the risks yet completely unflinching in the face of the consequences. That’s how intense they are.
Hey, July 11th is World Horse Day! 🐎
Lost in Adaptation
There's something profoundly regretful about the fact that neither adaptation of Aku no Hana was willing to fully adapt the story of Nanako Saeki.
Both the live-action film and the tv series adaptation preserved some of the story's most uncomfortable and shocking moments, but fail to adapted the scenes that give those moments meaning. These omissions are not as minor as they seem.
The meeting between Saeki and Kasuga at the shopping center in chapter 24, where she asks him if he's finally happy with Nakamura, is an important piece in her descent into hell, since she can't understand why he broke up with her to be with Nakamura if he's still not happy. This encounter only adds to her confusion, as well as her belief that she can somehow win him back, which, of course, brings us to the horrific scene in chapter 26, which is there in both adaptations for... reasons.
There is another little moment that got cut from all adaptations (call it a nitpick of mine). In chapter 25, after the argument between Saeki and Kinoshita, there is a panel of a dead cicada being eaten by ants. That image has a deep symbolic significance, and yet, it didn't merit being kept on the show.
The flying hat however... they seem to be very fond of it. An isolated panel of her hat flying in the wind while she bikes away as tears fall from her eyes. A seemingly meaningless detail... but they kept it.
Anyway, the deflowering on chapter 26 was completely expendable. If I had to cut anything from every adaptation it would be that one! I'm the only one who seemed traumatized by it, anyway. No one else in the story seems particularly concerned about it. Kasuga certainly isn't!
I will give the folks kudos for the metaphorical imagery. That was clever!
So once again, that scene was all adapted. Well, almost all of it... They left this out... for reasons unknown.
👇
The folks responsible for both adaptations were willing to keep that scene in, but were not willing to follow through with it. So, that crucial conversation in chapter 29 disappears. What makes this especially frustrating, after deciding to adapt chapter 26...? Why open that door if you're not willing to cross it?
A curious thing about both adaptations is how they remove a particular question that wouldn't take more than two seconds to deliver. I know they seem trivial questions, but they need an answer, and Takao's unwillingness to engage with the subject at hand is very telling. Ultimately, Saeki is right about him going from one obsession to the next, never really caring about the people he claims to care about. His stubborn denial of reality and his selfishness will destroy him and everyone he comes in contact with.
Of all the parts they cut, chapter 29 is the biggest offense of all, because chapter 29 is the linchpin of their relationship, if not the entire narrative. It crystallizes the manga's central themes and offers Kasuga a path forward. More importantly, it reveals something essential about Saeki. She is not standing outside the story's suffering, untouched by the same anxieties and alienation that consume Kasuga and Nakamura. She's just as trapped. The difference is that she has already arrived at a painful realization: there is no magical "other side." There is no distant place where all confusion, shame, and loneliness vanish. There is nowhere to run that will free us from ourselves. That conversation completely transforms Saeki from her idealized image into a full human being. It's one of the most mature moments in the manga. Without it, the adaptations lose not only Saeki's character but a vital piece of what Aku no Hana ultimately stands for. That realization is not as nihilistic as Kasuga thinks it is. It is the first step upward out of the hell he got himself into.
This conversation is later referenced in chapter 42, when they meet for lunch, but of course both adaptations cut Takao's line, since chapter 29 was so unceremoniously dropped out.
These cuts are incomprehensible, but what's really annoying and frustrating is that all the scenes I mentioned above would have been adopted in that godforsaken anime... How's that for irony?
These two are seriously something....
Their chemistry is just INSANE
🎼Buckets of rain, buckets of tears...

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"You all say I've crossed the line
But the sad fact is I've lost my mind
You all say I've crossed the line
But the sad fact is I've lost my mind
But I'm just getting started let me offend
The devil's got nothing on me, my friend
All I want is to be left alone
Tact from me is like blood from a stone”
Seiko Osabe's Thene
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#押見修造 #ShūzōOshimi #血の轍 #ChiNoWadachi #BloodOnTheTracks ATrailofBlood SeikoOsabe myvideo playlist ASoundtrackForChiNoWadachi
https://www.instagram.com/p/DaJcmyRjP76/?img_index=7&igsh=MWRzZm9jOGhzMHc4dw==
«Hoje já não tenho personalidade: quanto em mim haja de humano, eu o dividi entre os autores vários de cuja obra tenho sido o executor. Sou hoje o ponto de reunião de uma pequena humanidade só minha.»
Fernando Pessoa, excerto de rascunho de carta a João Gaspar Simões, 13 de Janeiro de 1935.
Cartas de Fernando Pessoa a João Gaspar Simões. (Introdução, apêndice e notas do destinatário.) Lisboa: Europa-América, 1957 (2.ª ed. Lisboa: Imprensa Nacional - Casa da Moeda, 1982). . . Muitos parabéns, Fernando! 🎉
[Quarantine Marathon] "Max To The Max" Part 1
— Max suddenly remembering how to open the door always felt a bit strange to me, simply because it's too great of an epiphany. Up until this point, their epiphanies have been slow and short. This was a huge leap, and I can't shake the idea that Tess is interfering in the process yet again. 🤔
— Isabel straight up refuses to believe any of this, but we know she's still freaked out about her dreams with Michael, so I gave her a pass. Gone are the days when Isabel was blasé about her alien identity and playing CDs in her ear with her powers.
— Michael's stunned expression tells the entire story. Max cares about his family, but Michael always wanted to know the truth… Which makes him an easy target in Tess' hands.
Nasedo: You saw that camera. Who do you think put it on them in the first place? Our friend, Pierce.
— It was actually your friendly neighborhood waitress, Liz Parker. In a genius move, I might add. 🎯
5th tweet:
Tess: You're not my family. You never will be. Max, Michael and Isabel are. Nasedo: Fine. Go have your little reunion.
— This was the time when the writers were trying to convince us that Tess, while manipulative, genuinely wanted her family back. Of course, now I have to pretend season 2 doesn't exist…
Nasedo: Pierce is dangerous. You all still need me if you expect to survive him.
— He's right, there. There's no denying the dangers of Pierce and the Special Unit. 🤔

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