FILMS in 2024: 94 | The Terminator (1984) — dir. James Cameron
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FILMS in 2024: 94 | The Terminator (1984) — dir. James Cameron

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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oh hi it’s me, changing my pfp yet again
*adele voice* hello. it’s me
the mentalist as text posts, part 7
i like when fiction treats love as a more complicated force and not something that is inherently pure or redemptive. portray it as flawed and complex as any other human impulse. give me love as prejudice, love as possessive stasis, love as addiction, love as blindness, etc.

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It's been weeks since I finished my Farscape rewatch, but Ben Browder's portrayal of John 'Fine, you want a wormhole weapon? Here's a wormhole weapon, you fuckers' Crichton is still haunting me.
Spoilers:
I rewatched Farscape the Peacekeeper Wars for the first time in a long time, and I’m going through the tags trying to find analysis of this specific scene because it’s so devastating. A theme of Farscape is the cost of Empire, and the looming threat of war between Empires and how few options someone on the fringes has.
So we get John just shoving in the Imperial leaders (or as close to) faces what the eventual end result of this race to the top is, and it’s Nothingness. It’s a lack of future. It’s a lack of legacy. It’s The End. Which he and his friends and prepared to face because they’ve been facing it every day for years, if not their whole lives.
And Shakespearean trained actor Ben Browder acts his absolute ass off, of course.
Oh shit. Oh shit oh shit oh shit, Thelma!
THELMA & LOUISE | 1991 — Dir. Ridley Scott
PATRICK JANE & TERESA LISBON The Golden Hammer
Winter on the High Line, New York City
Les Étoiles (“The Stars”) in Ivry-sur-Seine, France, is one of the most iconic examples of post-war experimental housing. Designed by architect Jean Renaudie in the 1970s, the complex rejects the monotony of uniform blocks — instead, it bursts into angular terraces, sharp geometries, and lush rooftop gardens.
Photograph: Robert Doisneau

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Kyoto, Japan
FARSCAPE John/Aeryn in every episode ↝ The Locket
as a lover of Women Fighting & Killing media it's so important to me when they actually let the women look like shit. you know what i mean. like im so bored when a woman is in what's supposed to be a brutal fight and her hair is just aesthetically tousled or something and her makeup is still pristine. fuck offfff. if she's beating the shit out of someone and fighting for her life she should be covered in blood n bile she should look like she got hit by a truck and the truck exploded
Felix Mittermeier
there's nothing going on between me and vic.

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I was needed and I was there.
Ashes to Ashes "Alex's Big Day"
Carrie-Anne Moss as TRINITY in THE MATRIX (1999) • dir. The Wachowskis