TATO ARCHITECTS HOUSE IN ROKKO, 2011 Kobe, Japan Images © Kenichi Suzuki.
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TATO ARCHITECTS HOUSE IN ROKKO, 2011 Kobe, Japan Images © Kenichi Suzuki.

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A captivating picture taken by Kristina Podobed
Single family house at Via Selvetta Caprino - Lugano, Ticino, Switzerland; 1962-63
Peppo Brivio
see map | information 1, 2
via “Archi : rivista svizzera di architettura, ingegneria e urbanistica” (2001)
Getting Away from It All Maxfield Parrish - 1961 Private collection Painting Height: 29.21 cm (11.5 in.), Width: 39.37 cm (15.5 in.)

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Mohamed Amine Siana combines flat planes and wavy walls at Villa Z in Casablanca »
Jonakirche / Blumenaukapelle (church) Mannheim, Baden-WĂĽrttemberg, Germany; 1960-61
Helmut Striffler (photographs by Robert Häusser)
see map more info 1, 2
via “Informes de la Construcción: Volume 18, 172" (1965)
Donato Bramante, Plan for New St. Peters, 1506
The centerpiece of Pope Julius II’s transformation of the Church to rival Ancient Rome, New St. Peters was initially designed by the consummate High Renaissance Architect, Bramante. Replacing Constantine’s venerated 4th century basilica, Bramante’s new structure was built to rival the Pantheon. Bramante’s plan would go unrealized outside of the area around the dome of present day St. Peters. Still built over the tomb of St. Peter, Bramante maintained a central plan of a martyrium, yet grew it to epic proportions, marrying antiquity and Christianity. Centrally planned and crowned by a dome, it was the perfect expression of God, with man being the measure of all things. The proportions of which were influenced by Vitruvious and the dome included in that it was the cosmological symbol of heaven. While an ideal plan, it was no particularly practical for Christian practice. The most ambitious of Julius II’s early plans, he saw his new St. Peter’s as the new Pantheon, establishing himself as a present day Constantine. The overall schematics show the unity and harmony inherent in High Renaissance architecture. St. Peter’s would only finally be realized in the Baroque period but the underlying reasons and means by which its construction began helped to usher in the Protestant Reformation.
(image courtesy of miami.edu)
David Marsh from Parks and gardens UK on glasshouse pioneer John Claudius Loudon (1783 - 1843):
Loudon’s most significant invention was a method of making glazing bars in wrought iron that could be made in curvilinear sections. The big breakthrough was to make them flexible enough to be bent in any direction without reducing their strength.  Suddenly curvilinear or even conical glazing was possible and the great age of glasshouses and conservatories was born.
This led to the publication of  Remarks on the Construction of Hot-Houses in 1817 and in 1818 A Comparative View of the Common and Curvilinear Mode of Roofing Hot-Houses and Sketches of Curvilinear Hot-Houses.
Unfortunately he sold the idea for the glazing bar  to  Messrs W. and D. Bailey of Holborn at an early stage.  They patented it in 1818 and so Loudon did not reap any financial reward from his invention, which is a pity since he was, despite all his publication, on the edge of bankruptcy much of his life.
Loudon collaborated with Baileys on a number of glasshouses in the following years. including Felton Park in Northumberland.
MARSH D., John Claudius Loudon…. and Greenhouse Technology
House at dusk | Photographer | VE

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The face of the architect ~ J. Fullaondo Errazu
Apartment building at Mazarredo Zumarkalea Bilbao, Biscay, Spain; 1965
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Tadao Ando - Rokko Housing I, Kobe 1983. Personal scans via, photos © Shinkenchiku-sha.
model of old people’s flats, white city, london for glc. c.1964 noel moffett associates
Socialism. Perspective. Andrei Lacatusu
Surrounded by the decaying socialist architectural legacy, I somehow managed to like it and appreciate it’s forms, geometry and angles. I recreated in 3d software some interesting buildings of that period, and rendered them in a some kind of a minimalistic manner.
Images and text via Andrei Lacatusu
11 Beach Street | New York

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PHOTOGRAPHY: Vlvelvet
London-based mixed media artist and documentary photographer Mon Levchenkova (monkier: Vlvelvet) has a knack for beautifully capturing still life #aesthetics.Â
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