thanks 2 anyone interacting w this blog
Too many blogs to keep up with
βπΎ4 now!!
Cosimo Galluzzi
Acquired Stardust

Love Begins
KIROKAZE

β£ Chile in a Photography β£

Andulka

#extradirty
2025 on Tumblr: Trends That Defined the Year
dirt enthusiast

Product Placement
Game of Thrones Daily

titsay
hello vonnie

Kaledo Art
Xuebing Du

tannertan36
Sweet Seals For You, Always

pixel skylines
styofa doing anything
Jules of Nature

seen from Argentina

seen from United States
seen from India
seen from United States
seen from Germany

seen from Malaysia
seen from TΓΌrkiye
seen from United States
seen from India

seen from Belgium

seen from Malaysia
seen from United States
seen from Belgium

seen from Malaysia
seen from United States
seen from Malaysia

seen from Malaysia
seen from Canada
seen from Chile
seen from Saudi Arabia
@mega-procastinator
thanks 2 anyone interacting w this blog
Too many blogs to keep up with
βπΎ4 now!!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
Oh
eh
10 Mistakes to Avoid in Action
PatreonΒ ||Β Ko-FiΒ ||Β MasterlistΒ ||Β Work In Progress
β
Over-Describing
When it comes to action, it helps to remind yourself that readers like to inject action with a hint of their own imagination. They can fill in the blanks very easily with written action scenes, because unless otherwise stated, a reader will assume that the characters are moving quickly with a lot of precision and a lot of energy. Try to comb through all of your action scenes and ask what your reader can and canβt infer. By all means, hint at the highlights and intensify focus on important details or symbolic moments, but the action is not why theyβre here. Theyβre here for the progression the action creates.Β
Superhuman Pain Tolerance
As it turns out, getting hurts is painful. Getting hit or kicked or stabbed or shot is painful, and unless the injury was very light or minor, itβs gonna hurt for a while. Even if your character is the type to repress their own feelings and ignore their pain, some inability due to pain or injury is unavoidable, especially if your character is simply human.Β
No Internal Events
Action scenes are about more than what the characters are doing with their body. Itβs mentally taxing, and incredibly revealing how an action scene plays out. Use this to your advantage. Use body language, pacing, emphasis, and expression to show how your character is feeling, what theyβre thinking, and portray the larger implication of the scene overall.Β
No Stakes
Every action scene needs stakes. Itβs a simple truth, but one that is often ignored or excused away. Even if the action scene is for βentertainmentβ, it needs to play a role in pushing the story forward somehow. Create a smaller conflict that the characters attempt to solve, resulting in the fight scene, and then revealing a larger truth about the overall plot or developing the characters themselves. Someone needs to have something to lose or something to gain.Β
Scene Accomplishing Nothing
I touched on this in the last point, but any scene whose sole purpose is βentertainmentβ will probably be cut in the final draft because out of all moments to make up the final product, a meaningless action scene is the quickest to cheapen it, at least to an audience. There must always be an immediate purpose, and an overarching place in the story.Β
Thoughtless Character Actions
What your characters do is revealing. Body language is the hardest to manipulate to suit oneβs own agenda, so the way your character fights can do an incredible and efficient job of developing them. Be intentional in your choreography of action scenes. Question why your character would choose to lunge at that moment and shy away in another. Why does this character avoid the physical confrontation versus another character who actively seeks it out as the ultimate solution to the problem?
Destroying The Suspension Of Disbelief
Your reader can let a lot of improbabilities slide, but not everything. There has to be some logic in the way action scenes play out. Where did that helicopter come from and who sent it? How are they all communicating with each other despite being miles apart? Where is this endless hoard of enemy soldiers materializing from?Β
Editing Too Kindly
Cut out what doesnβt develop the story or the characters. World building can be an iffy task during an action scene, but occasionally those moments are valuable. Action scenes should never occupy too much space, because thereβs only so many words a reader can read in one sitting in which characters attack each other.Β
Muddy Descriptions
Be succinct and precise in your description. Avoid filler and excessive context, and please donβt spend paragraphs describing the city center before the upcoming action scene results in it being destroyed.Β
Be Intentional With The Tone
Tone is everything. Where the tone begins and where it evolves to is so, so telling about your story and the characters within it. If your action scene starts with a funny moment that is interrupted by an abrupt and unexpected attack, follow through with an appropriate tone like smug victory. If it starts with a devastating loss, the ending should be equally impactful.
β
Masterlist | WIP Blog
If you enjoy my blog and wish for it to continue being updated frequently and for me to continue putting my energy toward answering your questions, please consider Buying Me A Coffee, or pledging your support on Patreon, where I offer early access and exclusive benefits for only $5/month.
Shoutout to my $15+ patrons, Jade Ashley and Douglas S.!
damn lemme get back on chere

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
How to convey information through dialogue without shoehorning it in
So you have information you want to plant into your story, and you would like to do that through dialogue. Naturally, you'd want to make the dialogue look natural, so that it doesn't scream -> This Piece Of Information <- Will Be Relevant To The Plot Later!!! I never saw any writing advice about this subject, so I thought Iβd write up a post about it.
Say, for example, you want to plant the information that Barney is afraid of fridges. Fridges? Jup. That's weird. Jup. Which makes it all the more difficult to bring up in a scene. And what makes it even more difficult, you decided you want this dialogue to take place before the Thing With The Fridge Happens later on, so you're in a pickle. How do you bring up a fear of fridges, when there are no fridges around?
First, I'm going to show you how shoehorning the information in a dialogue would look like.
Don't do this:
Annie and Barney are in a scene that has nothing to do with fridges.
Annie: "By the way," she asked casually, "have I ever asked you what your worst fear is? Since weβre on this quest together, we should know these things about each other."
Barney: "Fridges. They scare the bejeebers out of me."
Annie: "Fridges?" She laughed incredulously. "How come?"
Barney: "Well, one time my brother locked me into a fridge, and I've been afraid ever since."
Annie: βThat makes sense, Barney. Iβm sorry you had to go through that.β
Try to avoid using things like βby the wayβ or βsuddenlyβ in this part of the dialogue, because thatβs a shoehorn red flag.
Instead, you want the conversation to flow from something inconspicuous to the information you want to plant and then into at least one other topic.
Do this:
Annie and Barney are in a scene that has nothing to do with fridges, for example they are thrown into a snake pit during their quest.
Barney deals with venomous snakes without a second thought.
Annie, in the corner, trying to get a hold of herself: "I can't believe you're not afraid of those snakes."
Barney: "You just got to know how to handle them."
Annie, in awe: "You're fearless."
Barney, laughs: "Trust me, I'm not. You should see me around fridges."
Annie: "Fridges...?"
Barney: "My brother locked me into one when we were little. I almost suffocated. Never trusted them ever since. Nor my brother, obviously."
The conversation continues about his relationship with his brother, making it seem like that's the important bit. You sneaked the information about Barney's fear for fridges into the dialogue about snakes and his brother.
Letβs break that down, shall we?
This conversation has three topics: snakes, fridges, and Barneyβs brother. The snakes and Barneyβs brother donβt really matter. They could just as well be completely different topics. (I'll show you later.) Their only function is to ease into the conversation about Barneyβs fridge fear and ease out of it without drawing the readerβs attention to its importance.
Topic 1: Something present in this scene that has a thing in common with topic 2
Discussing the snakes feels organic and natural, because they are kind of hard to ignore in this scene. Make the first topic something related to what the characters see, feel, experience in that particular scene⦠Write a piece of dialogue about topic one.
Topic 2: The information you want to plant
Then transition into the topic switch. How? The topic of fridges and the topic of snakes have one thing in common: fear. Specifically, Annie is afraid of snakes and Barney isnβt, but he is afraid of fridges. Bringing this interesting bit into the conversation changes the topic again, because how can you not go into a sentence like this?
Topic 3: Anything related to topic 2 you can latch onto
The topic is changed yet again after the information you planned to plant. Just let this part of the dialogue run its course. It doesnβt matter much what you do with it, as long as you donβt stop the dialogue right after the moment you delivered the line you needed to deliver. The trick is to make the conversation flow to and from your chosen topic.
Letβs look at another example, something more realistic. You still want to convey the fact that Barney is afraid of fridges, but this time, Annie and Barney are not on a quest, they are in a romance novel.
Barney and Annie are looking out over the ocean. She brought a bottle of wine, a light breeze cools their skin, in the distance, a cargo boat slowly glides along the horizon. It seems like a perfect moment.
Barney raises his glass and compliments Annie: βYou pick great wine.β (topic 1)
Annie: βThanks. I did a wine course last year in my local community center, a series in which we learned all about the different kinds of wine and what to pair it with.β
Barney: βSounds like fun. You should teach me sometime. Did you get to taste everything?β
Annie: βYeah, of course. That was the main reason I joined. What about you? Which wine do you prefer?β
Barney: βOh, Iβm not a connaisseur. I like anything but white wines.β (change of topic)
Annie: βWhy not?β
Barney, embarrassed: βRed wines are usually kept at room temperature, and white wines go in the fridge.β
Annie, after a second: βI canβt see the problem there.β
Barney, embarrassed: βAh. Well. I donβt like fridges. Like, not at all. My brother once locked me into one, and β well, letβs say it was a hugely traumatic experience.β (boom, there it is: topic 2)
Annie, confused: βBut β How do you keep your food fresh?β (change of topic) (doesn't necessarily have to happen so soon after The Line)
Barney, still embarrassed: βI go to the supermarket every other day.β (topic 3)
The conversation continues about going to the supermarket every other day and foods that Barney can't eat because they spoil too fast outside of the fridge. Annie is surprised to hear how many things can be kept at room temperature for a day or two. (topic 3,5)
That's it, folks :)
I hope this was helpful. Donβt hesitate to ask me any questions, and happy writing! This post was inspired by a question from @therska.
Follow me for more writing advice, or check out my other writing tips here. New topics to write advice about are also always appreciated.
Tag list below the cut. If you like to be added to or removed from the list, let me know.
...Yandere!All Might would snap someone's neck right infront of you.. to prove a point.
Imagine that you're apart of a family of millionaires. One day, an accidental discovery of a crime scene, causes you to evacuate with your family. There's someone out to get your fortune, and you fell into right their set up.
Note to self tag by genres
Colossus/reader prompt
Imagine getting into an very heated argument with Colossus in front of all the X-mansion residents and students. You being caught by your tounge, leave the area out of exasperation.
Upon stumbling down the town's alleyway, leaving one of your favorite small stores with something to soothe your anger, you are ambushed by an Anti-Mutant organization.
Days upon your absence, Colossus is overly worried and his guilt upon your disappearrance doesn't settle with him at all. He asks for Wilson's help, who non the less accepts the request.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
The world is reassured with peace again. All Might's pushed into retirement. Toshinori's very subconscious about doing anything in public, though he's still greeted with excitement of some people he encounters on the street. Fearful of what the public eye may think of him in his "weakened" form. Y/n's there as his support. There to help him recover, health, and wellbeing..
I want a new url frl
βπΎπππΎππ
Wow there's actually some drafts in here
Two bad it's OLD
REBLOG IF YOU ARE A WRITER ON TUMBLR
IT DOES NOT MATTER WHAT KIND OF WRITER YOU ARE YOU CAN BE WRITING: POEMS, FANFICS, IDK NORMAL FICS, NOVELS, SHORT STORIES, IDK ANYTHING!! JUST REBLOG!!!
yeah I writeote
months ago

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
Imagine you and your f/c are both mega stars in (category). You both feature in something together, and celebrate it's debut! β¨ π₯πΆ
Quarantine? You both celebrate live on your social media accounts, emerging both of your fandoms together!
alright lemme-