John Irving, The Hotel New Hampshire
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The Stonewall Inn
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John Irving, The Hotel New Hampshire

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Bashar Shglila captures life in the Libyan deserts, from the sky—-sundown.
This is Africa, our Africa

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(by ɹǝuʇʇǝʇs lǝıuɐp)
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— e.e. cummings
Christoph Waltz for Moves
Sidereus Nuncius I / II

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ft. in the Game of Thrones season 4 trailer
I have noticed that when all the lights are on, people tend to talk about what they are doing – their outer lives. Sitting round in candlelight or firelight, people start to talk about how they are feeling – their inner lives. They speak subjectively, they argue less, there are longer pauses. To sit alone without any electric light is curiously creative. I have my best ideas at dawn or at nightfall, but not if I switch on the lights – then I start thinking about projects, deadlines, demands, and the shadows and shapes of the house become objects, not suggestions, things that need to done, not a background to thought.
Jeanette Winterson, Why I Adore the Night (via erraticintrovert)
Johnny Depp as Edward in Tim Burton’s Edward Scissorhands, 1990.
My Own Private Idaho (1991)

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George Davison, Oxford Street, 1897