mazerundaily

he found himself thinking of newt, maybe the one he liked most of all of them.

And if my wishes came true It would’ve been you

“We started it together, we might as well end it that way too.”

People take the little bit of information they’re fed, and they draw a picture of who you are. Most of the time, it’s wrong.

There are so many things that you’re supposed to conform to as an actress. Keep your mouth shut. Look pretty. Be a fashionista. I’m not stylish. I don’t want to become this character.

Nathalie Emmanuel of Hulu’s ‘Four Weddings and a Funeral’ poses for a portrait during the 2019 Summer Television Critics Association Press Tour at The Beverly Hilton Hotel on July 26, 2019 in Beverly Hills, California. (Photo by Benjo Arwas/Contour by Getty Images)

Rosa Salazar for 1883 Magazine, 2019 [x]

Kaya Scodelario for Vogue Russia (2019)

When I first started in this industry, I made a promise to myself to not get put in a box, so I want to be a part of every genre, and play every type of character. I’m dying for a good period piece, someone put me in a corset, and let me run around in a hoop skirt! I’m dying to play a serial killer, I want to do something really dark and weird, I love the idea of the variety that exists in the human experience, and I just love exploring every aspect I possibly can.

nathalie emmanuel / by hao zeng, 2019.

I think the most influential factor for me so far has been the fact that I am, and always will be learning. I am a perpetual student. I love to learn and am very aware of the fact that I have so much to learn from the people I work with. As such, I am constantly looking at how people around me work, how they handle situations, and how they tackle the tasks of the job. I am listening to directors, writers, and producers in their dealings with me and with other departments so I am aware of the big picture. That’s what I love about working in a creative industry. It’s all about learning, exploration, and making mistakes.

Nathalie Emmanuel photographed by Sonia Szóstak for Porter (May 2019)

Thomas Brodie-Sangster for the Gentleman’s Journal (2019)

Katherine McNamara’s portrait at the 2019 TCA Winter Press Tour on February 05, 2019 in Pasadena, California.

Katherine McNamara for Grumpy Magazine (2018).

The Maze Runner (2014) | The Death Cure (2018) dir. Wes Ball