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Gustav Adolphe Mossa - The Fates (1917)

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Vladimir Tretchikoff (Russian,1913-2006)

Crayfish Seller, 1969

Oil on canvas

weepingwidar

Oda Iselin Sønderland (Norwegian/Irish, 1996) - Ophelia (2023)

weepingwidar

Kensa Hung (Chinese, 1993) - Synchronised Swimming (2020)

weepingwidar

Samantha Joy Groff (American, 1993) - Still in the Mud and Mire (2021)

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Ilya S. Glazunov, The Lake of Tears, 1988.

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Leonard Koscianski - Nice Doggie, 1997 - Oil on panel

metsang

Ilya S. Glazunov, The Lake of Tears, 1988.

nevver

The long way home, Jeroen Henneman

suonko

by Kayama Mataz

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polkadotmotmot

Leonard Koscianski - Nice Doggie, 1997 - Oil on panel

mentaltimetraveller

Katharina Fritsch, Tischgesellschaft (Company at the Table), 1998, polyester, wood, cotton and paint

espantajerias

Gregory Crewdson-

justineportraits

Gregory Crewdson Untitled, Ophelia 2001 photograph

cryptonaut

The secrecy of this surveillance is neither idle nor prosaic; places that do not appear on maps are also places that are often outside or above the rule of law. This process of manifestation creates a platform for re-examining the surveyed landscapes which we inhabit.

Trevor Paglen, They Watch the Moon

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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nobrashfestivity

Trevor Paglen, Untitled, Reaper Drone

nobrashfestivity

Alexander Rodchenko, 1918

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