Tempat seorang overthinker dan procrastinator profesional berbagi asa, rasa, dan karsanya yang menjelma menjadi karya. Tulisan, gambar, coret-coret, dan banyak hal-hal lainnya....
Terima kasih karena tidak hanya menunjukkan bunga yang cantik, tetapi juga akar dengan tanah dan cacing yang merupakan alasan kokohmu dan juga batang kasar dan berlubang yang memampukanmu berdiri.
Terima kasih karena telah menunjukkan tepung, telur, gula, cokelat, dan krim--bahkan membiarkanku melihat dapur yang berasap dan meletup-letup, mengendus aroma gosong dan mengotori wajahku dengan tepung, tetapi tidak pernah lupa memberikanku sepotong kue paling lezat untuk dicicip.Â
Terima kasih karena telah mengingatkanku bahwa dunia ini tidak selalu indah. Terima kasih karena telah menyadarkanku bahwa dunia ini bisa jadi indah.
Kau bernyanyi dengan indah, kau memetik gitarmu dan terkadang lagumu sumbang, tetapi terima kasih karena telah membiarkanku mendengar.
Aku berpuisi, aku berteriak dan berbisik, suaraku tidak lembut dan tidak manis, terkadang terlalu pelan untuk didengar... dan kau tetap mendengarku. Terima kasih.
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               As a broke university student, I love reading about food. Itâs almost like eating a real meal myself <3.
I get a little angry when characters are eating a meal and I barely get to experience it with them. In that, I mean I donât just want to know what it is, but what itâs like to eat that foodâhow it tastes, smells, sounds, and feels. Is a perfect croissant still a perfect croissant without the crack of the exterior, the airiness of the pastry inside, the smell of yeast?
               Probably not. When writing about a dish, the smell, texture, technique, taste, and how it looks are all important to painting the experience, so hereâs some words to use when describing a meal:
Taste:
Acidic: Sharp tasting. Often used to describe tart or sour foods as well.
Aftertaste: A different taste that remains in the mouth after eating something
Bitter: Tart, sharp, and sometimes harsh flavour.
Bittersweet: Less harsh than bitterness. Tartness + sweetness.
Bland: Has no significant flavor or texture
Briny: Just means salty. Often describes pickled foods.
Citrusy: Bright flavour like⌠well citrus fruitsâoranges, lemons, limes, etc.
Cooling: Mimics that cooling feelâlike mint.
Earthy: Reminiscent of soil. Can be used to describe wines, root vegetables, and mushrooms.
Fiery: Another word for spicy.
Fresh: Light and crispâdescribes produce or herbs.
Fruity: Sweet and reminiscent of fruit.
Full-bodied: Rich and âfeels heavyâ in your mouth. Can describe wines or soups.
Herbal: Bright, fresh, sometimes earthy from the presence of herbs
Honeyed: Sweet or candied taste like honey.
Nutty: Taste similar to the flavors of nuts. Often used to describe certain cheeses.
Rich: Full, heavy flavour. Often dishes that contain cream taste rich.
Robust: Rich + Earthy. Used for lots of wines or aged liquor.
Savory: Describes meaty, earthy dishes and soups.
Sharp: Harsh, bitter, or tart taste. Used to describe acidic foods.
Smoky: Reminiscent of the smell of smoke.
Sour: Biting, tangy, tart flavor.
Spicy: Burning taste.
Sweet: Sugary.
Tangy: Tart, biting tasteâfeels tingly
Tart: Sharp, bitter, or sour flavour. Used to describe acidic foods.
Woody: Earthy, sometimes nutty taste. Describes some coffees or cheeses.
Yeasty: Earthy taste reminiscent of yeast. Describes beer and bread.
Zesty: Fresh, vivid, or invigorating flavour.
Sound/Texture:
Sound has a lot to do with texture, so I've combined them for this section!
Airy: Light, pillowy texture (think inside of croissant)
Brittle: Hard but easy to break
Bubbly: Usually during heating, when bubbles rise to the surfaceâlow sound.
Buttery: Smooth, creamy texture (think certain pasta sauces)
Chewy: Food that needs to be chewed thoroughly. Can be light and bouncy (chewy bread) or heavy (steak) and sticky (candy)
Creamy: A smooth and rich texture, comes from dairy.
Crispy: Light texture with slight crunch.
Crumbly: Food with loose structure that falls apart into crumbs.
Crunchy: Firm, crisp texture with a sharp, loud noise.
Crusty (behave): Food with a hard outer layer and soft interior (many loaves and breads)
Delicate: Light and fine, feels like it can come apart easily.
Doughy: Soft and heavy, usually pale colouring.
Fizzy: Usually liquidsâa hissing sound, feels like âstaticâ
Flaky: Light, characterized by layers that come apart during eating.
Fluffy: light and airy.
Frothy/Foamy: Airy bubbles, usually in a drink like a latte.
Gamey: Usually refers to meats when theyâre very âmeatyâ
Gooey: Viscous, sometimes sticky texture from moisture in a dense/solid food.
Hearty: Firm, robust texture.
Juicy: Tender and succulent texture from liquid in a solid food (steak)
Molten: Hot, gooey
Oily: Slick, heavy, lingers on the tongue.
Silky: Fine, smooth texture that feels sleek.
Smooth: Texture free of grit, lumps, or edges.
Snap: A quick, sharp, crackling sound when broken.
Squelch: A soft sucking sound when pressure is applied. Somewhat gross.
Sticky: Gluiness in the mouth.
Succulent: Tender and juicy
Tender: Soft and easy to break down
Velvety: Smooth and rich
Smell:
Acrid: Strong, bitter, unpleasant
Comforting: pleasant, probably calls back to a nice memory
Damp: Wet smellingâprobably a bit earthy
Delicate: subtle, faint, not overpowering
Earthy: reminiscent of soil
Fetid: Caused by decayâunpleasant
Fishy: reminiscent of fish
Floral/flowery: Reminiscent of flowers
Fragrant: Sweet or pleasing
Fresh: Cool, crisp, refreshingâproduce, probably not cooked
Funky: Somethingâs gone off
Heady: Strong smell, pungent, rich
Musty: Not fresh
Perfumed: Pleasant, reminiscent of something (can be perfumed with citrus, say)
Piquant: stinging, pungentâtickles the nose
Powerful: strong
Rancid: Definitely gone off, decomposing
Ripe: Strong, usually unpleasant smell
Savory: spicy, salty, no elements of sweetness
Sour: has gone off
Spicy: Sharp, tingles the nose
Tangy: Strong and bitter but in a good way
Tart: Sharp
Woody: earthy smell, reminiscent of wood
Sight:
Usually texture gives us a really good picture of what a food looks like, so hereâs some non-texture sight additions:
Blistered: Bumpy exterior.
Caramelized: Usually golden brown
Cloudy: Splotched. Almost see through if not for a slight white or grey mist.
Colourful: Bright and vibrant
Glassy: Resembling glass
Glossy: Smooth, shiny
Marbled: Two colours intertwined
Opaque: Not transparent. Canât see through.
Ripe: Colourful (can be to a fault). Nearing the end of its edible state.
Scaly: Covered in scales, fish.
Shiny: Appears wet or glossy
Sparkling: Glimmers under the light
Stuffed: An ingredient placed inside a larger part with no additional space.
Translucent: Allows light through
Vibrant: Striking, bright
Food Prep:
How the food is prepared gives it these other attributes. If your character is familiar with cooking (or is the cook themselves!) they may describe food this way.
Baked: Cooked in an oven. Results in browned or crispy outer layer.
Blackened: When food is dipped in butter and coated with spices then cooked in a hot panâspices darken, making it appear âblackenedâ
Blanched: Food scalded in boiling water and moved to cold water so it stops cooking. Texture comes out soft.
Braised: Food that is briefly fried in fat and then stewed in a pot. Results in seared, crispy exterior with a tender interior.
Breaded: Coated with breadcrumbs/batter then baked or fried so it turns crispy
Broiled: Food cooked with intense radiant heat in an oven or on the grill. Results in a darkened appearance and crispy texture.
Caramelized: Food slow-cooked until itâs browned, nutty, and has a bit of sweetness.
Charred: Grilled, roasted, or broiled and gains a blackened exterior and smoky flavor.
Fermented: Food thatâs sat with bacteria, yeast, or another microorganism and has produced acids, alcohols, or gases. Results in a biting, pungent flavor. (Kimchi is fermented)
Fried: Food cooked by submerging in hot oil. Creates crispy, crunchy texture and golden colour.
Glazed: Food with a coating brushed onto its surface. Appears glossy with a thin, flavorful, and crisp outer layer.
Infused: Food steeped in liquid with another ingredient so it carries the essence of that ingredient. Used with herbs usually.
Marinated: Usually meat soaked in liquid containing flavourful herbs, spices, vinegar, or oil.
Poached: Food cooked in near boiling water. Results in tender, moist texture.
Roasted: Food cooked with dry heat in an oven or over the fire. Results in browned exterior and crisp coating.
SautĂŠed: Food cooked quickly in small amount of fat.
Seared: Food cooked in small amount of fat until caramelized. Finished by roasting or grilling. Results in crisp exterior and tender interior.
Smoked: Food exposed to smoke from smoldering wood for a long time. Results in that distinctive smoky flavor.
Whipped: Food beaten to incorporate air. Light and fluffy.
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How to write about someoneâs appearance? Their physique, styles, face , clothes,?
How to Describe a Character's Appearance
-> dabblewriter.com
-> link to Character Description Prompts
Avoid Over-Describing
Overloading readers with too much information can be overwhelming and make your characters feel flat and one-dimensional. Focus on the details that are the most important to the story and the characters themselves.
If the character's appearance is not central to the story, then you may only need to give a basic description. If it plays a significant role, you may want to go into more detail. Always keep the purpose of your physical descriptions in mind.
Show Don't Tell
Don't blatantly state every little thing about your character's appearance, but rather show it through their actions and behaviors.
example: If they are tall, show that through their actions. They have to duck to get under a doorway, they help someone reach the top shelf, etc.
Include Personality Traits
A character's personality is what makes them memorable. Consider their motivations, values, beliefs, and quirks and give them a well-defined personality.
Avoid Stereotypes
Create characters that are more than just their cultural, racial, ethnic, or gender identity. Give them unique interests, hobbies, and personalities. Allow them to have flaws, contradictions, and diverse perspectives.
External Features
External features include a character's height, weight, body type, and general appearance. You can describe their skin color, hair color, eye color, and any distinctive features like freckles or scars. This type of description gives the reader a basic understanding of what the character looks like, which is helpful in creating a mental image.
Clothing
Describing the type of clothing they wear, including the colors, patterns, and how they fit, can reveal a lot about a characterâs personality and social status.
For example, a character who wears tailored suits and expensive shoes might be a little snobby and concerned with their image, while a character who wears ripped jeans and t-shirts might be casual and relaxed.
Facial Features
Facial features can be used to give the reader a more in-depth understanding of a character's personality and emotions. You can describe their smile, the way they frown, their cheekbones, and their jawline. You can also describe their eyebrows, the shape of their nose, and the size and shape of their eyes, which can give the reader insight into their emotions.
Body Language
Body language can be used to give the reader an understanding of a character's emotions and personality without the need for dialogue. Describing the way a character stands, walks, or gestures can reveal a lot about their confidence level, mood, and attitude.
For example, a character who slouches and avoids eye contact is likely to be shy, while a character who stands up straight and makes direct eye contact is likely to be confident.
Words to Describe Various Features
Head and face
Oval:Â rounded, elongated, balanced, symmetrical
Round:Â full, plump, chubby, cherubic
Square:Â angular, defined, strong, masculine
Heart:Â pointy, triangular, wider at the temples, narrow at the chin
Diamond:Â angular, pointed, narrow at the forehead and jaw, wide at the cheekbones
Long:Â elongated, narrow, oval, rectangular
Triangular:Â angular, wide at the jaw, narrow at the forehead, inverted heart-shape
Oblong:Â elongated, rectangular, similar to oval but longer
Pear-shaped:Â narrow at the forehead, wide at the jaw and cheekbones, downward-pointing triangle
Rectangular:Â angular, defined, similar to oblong but more squared
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The Writer's Guide to Authentic Wounds and Fatalities
Writing fatal injuries in a story requires a delicate balance between realism and narrative impact. The portrayal of these life-altering events can evoke strong emotions in readers and shape the trajectory of your characters' journeys. In this blog, I will explore the intricacies of depicting fatal injuries in a manner that feels authentic, engaging, and respectful to the gravity of such circumstances. By understanding the nuances of fatal injuries, you will be equipped to craft compelling narratives that resonate with your readers.
Writing Fatal Injuries
When it comes to writing fatal injuries, it is crucial to approach the subject with care and accuracy. Fatal injuries carry immense consequences for your characters and can shape the trajectory of your story. By delving into the intricacies of portraying fatal injuries authentically, you can ensure that the gravity and impact of such events are effectively conveyed to your readers.
Choosing the right injuries for your story
Selecting the appropriate fatal injuries for your narrative involves considering various factors. Ask yourself: What purpose does this injury serve within the story? How does it affect the characters and the overall plot? Conduct thorough research to identify injuries that align with your story's context and resonate with the emotional journey of your characters.
For example, in a historical drama, you may research common fatal injuries during a particular era, such as battlefield injuries, diseases, or accidents prevalent at the time. In a crime thriller, you might explore the portrayal of fatal gunshot wounds or traumatic injuries resulting from violent encounters. By aligning the injuries with the context and themes of your story, you create a more immersive and believable experience for your readers.
Researching the mechanics of fatal injuries
To portray fatal injuries convincingly, it is essential to delve into the mechanics behind them. Understand the specific anatomical structures and systems involved, as well as the forces or mechanisms that can lead to fatal outcomes. Explore medical resources, consult experts if possible, and gather insights into the physiological and psychological implications of such injuries.
For instance, if your character suffers a fatal stab wound, research the anatomy involved, the potential organs affected, and the potential consequences such as internal bleeding or organ failure. By understanding the specific details and implications of the injury, you can describe the physical and emotional toll it takes on the character with greater accuracy and depth.
Depicting the immediate aftermath
When writing about fatal injuries, vividly describe the immediate aftermath to capture the intense emotions and physical realities. Consider the sensory details, the shock and disbelief experienced by characters, and the chaotic environment that often surrounds such events. Balancing realism with the needs of your story, create a scene that immerses readers and evokes empathy.
For example, if a character experiences a fatal car accident, you can depict the chaos at the scene, the character's disorientation, and the reactions of witnesses. Emphasize the sensory details such as the sound of screeching tires or the smell of burning rubber, creating a visceral experience for your readers.
Emotional and dramatic impact on the narrative
The impact of fatal injuries extends beyond the immediate moment. Explore the ripple effects on other characters, relationships, and the overall plot. Delve into the emotional responses, grief, guilt, anger, or determination that arises in the aftermath of loss. Utilize these emotional arcs to deepen character development and drive the narrative forward.
For instance, the loss of a loved one due to a fatal illness might lead to grief and strained relationships among the remaining family members. The emotional journey of a character grappling with guilt and seeking redemption after causing a fatal accident can become a central theme in your story. By delving into these emotional arcs and their consequences, you add depth and resonance to your narrative.
Writing Minor Injuries
While fatal injuries may capture our attention with their dramatic impact, it is equally important to pay attention to the portrayal of minor injuries in your writing. Minor injuries, though less severe, can still significantly affect your characters and contribute to the authenticity of your story. In this section, we will explore the art of depicting minor injuries, ensuring that they are not overlooked or trivialized. By delving into the nuances of minor injuries, you can add depth and realism to your characters' experiences.
Types of minor injuries to consider
When crafting your story, it is essential to consider a range of minor injuries that can occur. These injuries can include cuts, bruises, sprains, minor burns, or even minor fractures. Each type of injury carries its own unique characteristics, associated pain levels, and recovery processes. By understanding these distinctions, you can create accurate and believable depictions that resonate with your readers.
For example, a character who sustains a cut on their hand may experience sharp pain, the sight of blood, and the need for immediate first aid. On the other hand, a character with a sprained ankle may struggle with mobility, experience swelling, and require rest and care for a few days. By paying attention to these specific details, you can enhance the realism of your storytelling.
Conveying pain and discomfort
When writing about minor injuries, it is important to effectively convey the pain and discomfort experienced by your characters. Consider describing the sensation of pain, the throbbing or stinging feeling, and how it affects their daily activities or interactions. Showcasing the emotional impact of pain, such as frustration, irritation, or vulnerability, can deepen the readers' connection to the character's experience.
For instance, if a character suffers from a sprained wrist, you can describe the dull ache that persists, making simple tasks like typing or holding objects challenging. By capturing these small but significant moments, you immerse readers in the character's struggle and create a more realistic portrayal.
Balancing realism with narrative pace
While it is important to depict minor injuries realistically, it is also crucial to strike a balance with the overall pace and momentum of your story. Consider the significance of the injury within the larger context of your narrative. Some injuries may require more detailed attention and impact the plot, while others may serve as background elements. Adjust the level of detail and focus accordingly, ensuring that the portrayal of minor injuries aligns with the narrative's flow.
For example, a small cut on a character's finger may not require an extensive description unless it becomes infected or triggers an unexpected consequence. By aligning the portrayal of minor injuries with their narrative relevance, you maintain a consistent pace while still acknowledging their impact on your characters' lives.
Writing Bloodshed And Realistic Blood Loss
When writing about wounds and injuries, it is essential to consider the amount of blood loss your characters may experience. Realistic portrayal of bloodshed can enhance the authenticity of your scenes and immerse readers in the gravity of the situation. In this section, we will explore the factors influencing blood loss and techniques for accurately depicting it in your writing.
Understanding blood loss and its impact on the body
To authentically portray blood loss, it's crucial to have a basic understanding of how the human body responds to injury. Research the circulatory system and the role of blood in transporting oxygen and nutrients throughout the body. Consider the different types of blood vessels and their potential for bleeding when injured. This knowledge will help you create realistic scenarios and determine the appropriate level of blood loss for specific injuries.
Factors influencing blood loss in different injury scenarios
The amount of blood loss can vary depending on the severity and location of the injury. Factors such as the size of blood vessels, the rate of bleeding, and the body's ability to clot play a significant role. For example, a deep laceration in an artery will result in more substantial blood loss compared to a superficial cut on the skin. Consider these factors when describing injuries and their resulting bloodshed.
Techniques for accurately portraying blood loss in writing
There are several techniques you can use to convey the realistic impact of blood loss in your writing. Describing the color, consistency, and flow of blood can provide vivid imagery. You can also include physical symptoms such as dizziness, weakness, or fainting that may accompany significant blood loss. Additionally, consider the emotional response of your characters and how they react to the sight of blood or their own injuries.
By incorporating these techniques, you can create scenes that evoke a visceral response in readers and enhance the authenticity of your writing.
Bruises: Colors, Progression, and Pain
Bruises are a common result of injuries, and understanding how they form, change in color, and cause discomfort can greatly enhance the realism of your writing. By accurately describing bruises, you can bring depth to your characters' injuries and portray their healing process convincingly.
Understanding the stages and colors of bruises
Bruises go through distinct stages of color as they heal. Initially, they may appear red or purple due to the broken blood vessels beneath the skin. Over time, the color changes to blue, green, yellow, and eventually fades to a brown or yellowish hue. Understanding this color progression can help you accurately describe the age of a bruise and the healing process.
For example, a fresh bruise might be vivid purple, indicating recent trauma, while a fading bruise may have a yellowish tinge, suggesting that healing has begun. By incorporating these color details, you can add realism to your characters' injuries and track the passage of time within your narrative.
Depicting the progression of bruises over time
As bruises heal, they often change in appearance and size. Initially, a bruise may be small and localized, but it can gradually spread and become more extensive. Describing this progression can provide a sense of the healing process and the passage of time within your story.
For instance, a character who sustains a significant blow to the face may develop a bruise that starts as a small spot near the eye but expands to cover a larger area over the next few days. By accurately portraying the progression of bruises, you enhance the authenticity of your characters' injuries and their recovery.
Conveying the pain and sensitivity associated with bruises
Bruises can be painful, sensitive to touch, and affect a character's movement and daily activities. Describing the pain and discomfort experienced by your characters can create empathy and immerse readers in their physical ordeals.
Consider conveying the tenderness of a bruise when pressure is applied, the throbbing sensation, or the limitation of movement due to the pain.
Remember The Side Effects
Injuries, whether minor or severe, often come with a range of side effects that can significantly impact your characters' lives. These side effects can extend beyond the physical realm and encompass emotional, psychological, and social aspects.
Physical side effects
Injuries can have profound physical side effects that go beyond the immediate pain and discomfort. Consider the potential consequences such as limited mobility, impaired coordination, chronic pain, or the need for assistive devices like crutches or braces. Describing these physical side effects can add depth to your characters' struggles and provide a realistic portrayal of their healing journey.
For example, a character who sustains a leg injury may experience difficulty walking, require physical therapy, or have long-term complications that affect their day-to-day activities. By addressing these physical side effects, you create a more nuanced depiction of the aftermath of injuries.
Emotional and psychological side effects
Injuries can have a profound emotional and psychological impact on characters. They may experience fear, anxiety, trauma, or a loss of confidence. Consider how the injury affects their self-image, relationships, or mental well-being. Explore the emotional journey your characters undergo as they navigate the aftermath of their injuries.
For instance, a character who survives a near-fatal accident may develop post-traumatic stress disorder (PTSD) and struggle with recurring nightmares or panic attacks. By incorporating these emotional and psychological side effects, you can deepen the complexity of your characters and their responses to traumatic experiences.
Social implications and changes
Injuries can also lead to significant social changes for your characters. They may face challenges in their personal relationships, encounter stigma or discrimination, or experience changes in their roles or identities. Explore how the injury affects their interactions with others and their sense of belonging in the world.
For example, a character who sustains a facial injury may encounter judgment or stares from others, leading to self-consciousness or isolation. By addressing the social implications and changes resulting from injuries, you can create multi-dimensional characters and explore the impact of their injuries on their social dynamics.
By incorporating these various side effects into your writing, you bring depth and authenticity to your characters' experiences and showcase the wide-ranging impact of injuries.
Conclusion
Writing authentic wounds and fatalities requires attention to detail and a deep understanding of the physical, emotional, and psychological aspects involved. By following the guidelines and exploring the subheadings discussed in this guide, you can create compelling and realistic portrayals of injuries in your writing.
Remember to conduct thorough research on the specific injuries you want to depict, understanding their mechanics, symptoms, and potential outcomes. Consider the immediate and long-term effects on your characters, both physically and emotionally. Incorporate sensory details to immerse readers in the experience, describing the pain, bloodshed, colors of bruises, and the progression of healing.
Additionally, don't forget to address the side effects that injuries can have on your characters' lives. Explore the physical limitations, emotional struggles, and social implications that arise from their injuries. By delving into these aspects, you can create well-rounded characters and compelling narratives that resonate with readers.
I hope this blog on forging epic battles will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday. Â
Looking For More Writing Tips And Tricks?Â
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Hayaâs book blog where I post writing and publishing tips for authors every Monday and Thursday! And donât forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!Â
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Judul tulisannya terdengar seperti judul manhwa rofan picisan, tapi gua serius. I donât care about her. Mau dia sakit kek, apa kek, bahkan M-word sekali pun, I think I wouldnât bat an eye.Â
Gua nggak suka dengan nyokap gua yang sangat memedulikan dia dan menjadikan hal itu sebagai sumber stres. Ik, itâs her first granddaughter, tapi ini KONYOL. She cared about her WAY TOO MUCH, while my brother and my sister in law thought that my mom is too old school. They didnât bother to listen to my momâs suggestions regarding how to take care of a baby. And itâs stressing my mom out.
Oh, please! Buat apa sih peduli sama ANAK ORANG?
Technically, my niece shares the same blood with me, but I donât care about her THAT MUCH.Â
Sheâs still a stranger to me.
I just hope that my mom wonât stress herself too much, caring about her.Â
youâve heard of meet cutes, now time for meet-not-so-cutes
thereâs definitely a name for this i just donât have a clue hahaha
!! some of these are graphic/descriptive and involve accidental violence (like accidentally pushing someone or stepping on their shoe or running into them)
reader discretion is advised !
i was on a call in the store and you thought i was talking to you when i was just yelling at my younger brother because he flushed my pet fish down the toilet so now you think iâve just called you a blithering idiot haha hey donât walk away i need to clarify
bonus if they meet somewhere and are forced to interact later (i.e high school, uni, work)
youâre best friends with my crush and apparently my crush liked me too but you decide to tease them and call them out on it in front of literally everyone so now they will probably never ask me out so thanks i guess lol.
Ahem............ âtry help me get together with my crush while we fall in love unknowingly trope?â đ¤
hey youâre actually really cuâ okay. why are you glaring at me...?
some jerk took my parking spot this morning after nearly crashing into me and i am so pissed off but also iâm moving into a new apartment and oh. i live next door to the parking-spot-thief amazing.
one character can overhear the other making a rude or misjudged comment (the simple misunderstanding)
we are both prosecutors defending/representing opposing people in a case, i know for a fact the person youâre defending is guilty yet you won the case so i genuinely hate you and oh great youâre switching to my firm
i am deathly afraid of dogs and you just ??? let your dog off the leash and let it come towards me and.... it bit me. thanks for two mental breakdowns, lifelong trauma, and literal therapy (i personally would not be able to forgive someone who did this but do have fun creating a reality which someone would)
you literally ran me over with a car. i am now in the hospital and you felt so bad you decided to not only offer to buy me a new car but offer me a flatshare because you got talking to my friend who was here when i was asleep and you know i am currently homeless and ur also looking for a roomie! so. thanks, i guess
hey weâve never met but ur proposing to me rn.... oh, iâm the wrong person! Oh, my bad, sorry. oh my God your s/o saw that LOL awkward. no, iâve never met them before, they were looking for you haha. carry on
can meet each other a year later or something and person a thinks b is married but eeh their bf/gf turned them down so theyâve been single for a while.... now for forced proximity đ
you pushed me into the pool and i cannot swim / am terrified of the water. we ran into each other on campus and you tried talking to me but um, iâm still mentally scarred, so kindly leave me alone!
we ran into each other and books flew and you accidentally..... ripped a fingernail off.
you talked to me really rude just now and told me it was because you thought i was your driver........ because thatâs supposed to make it better..................?
added just now because i canât stop laughing: so my mom had my photo as her dating profile picture and forgot to add that she is 57 years old and you sent her a heart thinking it was me and flirted with my mom a little until she picked up on it and let you know that no, she is not the college student in her profile picture but would u like to meet her?
somehow we meet and youâre really embarrassed because you used like thirty pickup lines on my mother but honestly itâs more funny than anything
Because itâs the only way you communicate as anonymous friends
Because one is a night owl and the other is a morning person
Because your schedules never allow for face to face conversations // schedules never align
Because youâre on opposing sides and being seen together would put the other in danger but you still want to ask how their day was or tell them you love them
âi canât concentrate with you looking at me like that.â âgood.
âKamu nggak bisa berkedip, ya?â
Komentar bernada sinis itu kulontarkan seraya menghela napas. Wonseok yang tadinya menopang dagu dengan tangan kanannya sembari terus memelototiku lantas terkekeh.Â
âBisa, dong,â sahutnya iseng seraya mengedipkan sebelah matanya. âTapi kalau aku terlalu sering berkedip, nanti kamu jadi makin jatuh cinta.â
âDuh, jangan bikin gombalan geli begitu dulu, dong. Aku lagi nggak bisa merespon dengan benar, nih.â
âYah, habisnya... kamu menyuruhku berkedip saat kamu ada di depanku? Kalau kamu jadi aku, kamu juga nggak akan bisa melakukannya.â
âWonseok!â
Pria itu tertawa. Ia menyeruput teh lemonnya dengan santai, lalu mengacak rambutku. Aku berusaha menghindar, tetapi seperti biasanya, berakhir dengan kegagalan.
âJangan pelototi aku terus,â pintaku. âAku jadi nggak bisa fokus.âÂ
âOh, bagus. Memang itu tujuanku.â
âApa?â
Wonseok bangkit dari kursinya, lalu pelan-pelan menutup laptopku. Aku menganga karena kaget. Namun, sebelum aku sempat memprotes, ia menempelkan jari telunjuknya di bibirku.
âTujuan kita berkencan apa, sih? Untuk menghabiskan waktu yang menyenangkan bersama-sama, âkan?â Wonseok lalu menepuk-nepuk pipiku. âTapi, sejak awal, kamu malah sibuk sendiri dengan laptopmu.â
Aku menepis tangannya, lalu membantah, âTadi kita sudah sempat ngobrol. Dan lagi, kamu âkan tahu, pekerjaanku....â
âKamu bisa mengerjakannya lagi nanti. Tapi, sekarang... sebentar saja, sampai kita selesai kencan, tolong fokuslah padaku.â
Senyum Wonsek membuat dadaku berdesir. Ia mengulurkan jari kelingkingnya.
âBisa?â
âBa, baiklah....â
Wajahku berubah menjadi semerah lobster saat aku menautkan jari kelingkingku dengan jari kelingkingnya. Yah, memang tidak mudah untuk menolak orang sekarismatik dia!Â
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Beberapa jam lagi deadline tugas. Gua belum menyelesaikan apa pun. Padahal waktunya sempit, padahal tugasnya rumit. Gua terlalu sering menyepelekan sesuatu dan menganggap âGampanglah, gua bisa kok.â Bukan kepercayaan diri tapi kesombongan. Kebodohan. Dan itu terbukti udah bikin gua jatuh dan kena masalah, tapi kok ya susah berhentinya ya.
I shouldâve start working on my assignments. Tapi... gua malah menghindar terus.
Kadang gitu deh! Mentang2 nganggep waktu ada âbanyakâ, gua jadi nunda2, nganggepnya âOh itu bisa kelar dalam sepersekian jamâ, padahal gara-gara itu gua ngerjainnya jadi buru-buru dan nggak maksimal.
Dan gak jarang, gua jadi menyerah tentang beberapa hal juga.
Menyedihkan....Â
Tempat Sampah Otak dan Hati @masteroverthinker - Tumblr Blog | Tumlook
