John Galliano Spring 1993
cherry valley forever

blake kathryn
I'd rather be in outer space 🛸
Aqua Utopia|海の底で記憶を紡ぐ
Claire Keane
2025 on Tumblr: Trends That Defined the Year

Kaledo Art
Peter Solarz
TVSTRANGERTHINGS
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JBB: An Artblog!
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@mary-maud
John Galliano Spring 1993

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Three Black Cats (c. 1891–1906) by Carl Kahler (Austrian, 1856 – 1906), signed ‘Carl Kahler’ (lower right), oil on canvas, 60 ¼ x 44 ¼ in (153 x 112.4 cm), Private Collection
This magnificent Art Deco brooch exemplifies the elegance and precision that defined high jewelry during the 1920s and 1930s. Masterfully crafted in platinum and set with brilliant diamonds and vivid emeralds, its perfectly balanced geometric design radiates outward in a striking sunburst pattern. Delicate diamond garlands, symmetrical lines, and graceful loops create a sense of movement while maintaining the clean sophistication for which Art Deco is celebrated. The emerald drop adds a vibrant focal point, enhancing both contrast and luxury. Designed as a statement of refinement and prestige, this extraordinary jewel remains a timeless masterpiece, admired for its exceptional craftsmanship, dazzling brilliance, and enduring architectural beauty.
Marbled endpaper. 1779.
Internet Archive
Baroque Pearl Mounted as a Grotesque Beast
c. 1600-1725
Gold, enamel, diamonds, and baroque pearl
European
Art Institute of Chicago

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Roses
john galliano spring 1993 ready to wear
Belgrade, Serbia 1920s
Interior Visions: Great American Designers and the Showcase House, 1988

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Self-portrait as an absinthe drinking Mephistopheles from Goethe’s Faust, 1914. By Harry Clarke.
Photographer: M. Muraskin DO NOT ALTER OR REMOVE THE CREDITS. THANK YOU. ♥
Here
Venus And Cupid Descending (William Etty, 1787 - 1849)
Fly by ERIC SAY HI on Flickr.

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Ethel Larcombe - Original Artwork for a calendar c1908
Ethel Larcombe (née Laura Ethel Larcombe, 1876-1940) was an early twentieth-century British children’s book illustrator and designer. Born and raised in Exeter, she was the daughter of John Samuel Larcombe and his wife Louisa who owned a small school in the town. She first garnered attention for her 1899 representation of Summer for a competition held by The Studio Magazine, and her typographic lettering was subsequently shown at the Prima Esposizione Internazionale d'Arte Decorativa Moderna in 1902 in Turin. She was employed on a freelance basis by Talwin Morris, Art Director at Glasgow-based publishers Blackie & Son to design bookbindings for the firm and their London subsidiary, Gresham. Many of these designs were produced in several colourways. Larcombe’s work can be seen in contemporary publications by The Studio Magazine, Stone, Von Larisch,Walter Shaw Sparrow and Salwey. In the spring of 1917, American retailer Sears marketed green-bordered cotton cloth “coverlettes” bearing Larcombe illustrations to customers looking to decorate nurseries and children’s rooms. Prior to that she had illustrated a number of “rag books” for Dean & Son. Her designs were also used for chromolithographed postcards printed by E. W. Savory Co. of Bristol and she provided an advert for Arts & Crafts furniture designers Neatby & Evans. Larcombe died in Exeter on 12 December 1940.
Valentino - Fall 2012 Couture