“All the words that create you, and all the breaths you exhale are already in paradise.”

i want to go to the other side of earth, holding your hand to put an end to this winter

by Langston Hughes

This is for the kids who die, Black and white, For kids will die certainly. The old and rich will live on awhile, As always, Eating blood and gold, Letting kids die.

Kids will die in the swamps of Mississippi Organizing sharecroppers Kids will die in the streets of Chicago Organizing workers Kids will die in the orange groves of California Telling others to get together Whites and Filipinos, Negroes and Mexicans, All kinds of kids will die Who don’t believe in lies, and bribes, and contentment And a lousy peace.

Of course, the wise and the learned Who pen editorials in the papers, And the gentlemen with Dr. in front of their names White and black, Who make surveys and write books Will live on weaving words to smother the kids who die, And the sleazy courts, And the bribe-reaching police, And the blood-loving generals, And the money-loving preachers Will all raise their hands against the kids who die, Beating them with laws and clubs and bayonets and bullets To frighten the people — For the kids who die are like iron in the blood of the people — And the old and rich don’t want the people To taste the iron of the kids who die, Don’t want the people to get wise to their own power, To believe an Angelo Herndon, or even get together

(Quote from Ursula Le Guin:)

All times are changing times, but ours is one of massive, rapid moral and mental transformation…. It’s unsettling. For all our delight in the impermanent, the entrancing flicker of electronics, we also long for the unalterable…. So people turn to the realms of fantasy for stability, ancient truths, immutable simplicities.

And the mills of capitalism provide them. Supply meets demand. Fantasy becomes a commodity, an industry.

Commodified fantasy takes no risks; it invents nothing, but imitates and trivializes. It proceeds by depriving the old stories of their intellectual and ethical complexity, turning their action to violence, their actors to dolls, and their truth-telling to sentimental platitude. Heroes brandish their swords, lasers, wands, as mechanically as combine harvesters, reaping profits. Profoundly disturbing moral choices are sanitized, made cute, made safe. The passionately conceived ideas of the great story-tellers are copied…advertised, sold, broken, junked, replaceable, interchangeable.

What the commodifiers of fantasy count on and exploit is the insuperable imagination of the reader, child or adult, which gives even these dead things life-- of a sort, for a while.

Imagination like all living things lives now, and it lives with, from, on true change. Like all we do and have, it can be co-opted and degraded; but it survives commercial and didactic exploitation. The land outlasts the empires. The conquerors may leave desert where there was forest and meadow, but the rain will fall, the rivers will run to the sea. The unstable, mutable, untruthful realms of Once-upon-a-time are as much a part of human history and thought as the nations in our kaleidoscopic atlases, and some are more enduring.

We have inhabited both the actual and the imaginary realm for a long time. But we don't live in either place the way our parents or ancestors did. Enchantment alters with age, and with the age.

We know a dozen different Arthurs now, all of them true. The Shire changed irrevocably even in Bilbo's lifetime. Don Quixote went riding out to Argentina and met Jorge Lois Borges there. Plus c'est la même chose, plus ça change.

"Look, everyone! This is what hatred looks like! This is what it does when it catches hold of you! It's eating me alive, and very soon now it will kill me! Fear and anger only make it grow faster!"

Mahmoud Darwish- memory of forgetfulness