savagexcamdenâ:
The whole act is absolutely ridiculous, and heâs only more certain, as she interrupts him and waxes on and on about believers that they arenât going to get anything helpful here without humoring her, which he has no desire to do. Of course, this would be one of the witnesses, of all the witnesses heâs come in contact with on decades of cases, who would extend the invitation inside without prompting so easily, one of the houses he least wants to have to enter, the thought of humoring her more terrifying than the prospect of facing a chupacabra.
But he clenches his jaw, and lets McMahon do the humoring, lying easily enough to offer some sort of understanding that might make her more inclined to be truthful to them. Itâs almost amusing, the split second of wonder on her face when they mention that they dabble in the arcane arts themselves, makes him think she doesnât actually believe in what sheâs preaching to her little group of followers. Either way, though, she ushers them in, and the inside is just as horrifying as her costume itself, a parody of what no-majs must think witches are meant to be. Funnily enough, though, the parody feels a little too close to home to some seersâ places heâs been forced to go into on cases.
He has no desire to sit down on a damn cushion, no desire to listen talk about the trust bond between practitioners, but thereâs not much choice here, if they want to get anything at all verging on helpful, so he lets out a small sigh, and sits down, too
âOh, yes, Iâm not surprised to hear you noticed something; you seem very attuned to those otherwordly energies. We believe it is the spirit of the goatman that lingers around that bridge. My coven and I have been trying to draw it forth, but to little avail. The spirit is stubborn, to say the least,â she sighs.
âTo little avail. Has one of your rituals seemed toâŚdraw the spirit out, then?â he asks, swallowing down every instinct fighting against going along with this.
âOne night, just last week, we were performing a seance of sorts, incense, burning candles, words chanted, offerings made to appease the spirit to show itself. We heard rustling below the bridge. By the time we broke the circle nothing was there, but I know it was the spirit.â
Incense and fire, both things that could seem similar to fireworks to the chupacabra. The mention of offerings, though, makes him wonder. âThese offerings you made, I know different practitioners have different methods⌠were they offerings of food? Of blood?â
âBlood? I donât know what sort of arcane arts you practice, but we donât use blood in our rituals,â she gapes looking between the two of them. âYou should be cautious. I donât think this spirit would respond well to blood offerings. It could turn hostile.â
Incense, fire... it really does seem like either the smell or the sight of burning might be a good way to lure the chupacabra outâlure her out but not prompt her to attack, clearly, because just like in Gerberâs case, she seemed to have gotten close enough to be just without sight but not close enough to attack. Like something was holding her back. Maybe she was scared of fire, saw it as a threat to her territory, but didnât want to get any closer to it than she had to? That could be promising, for them, one of them still acting as bait but not in any direct danger of being attacked.Â
Either way, sheâd been beneath the bridge both times. It was impossible to say which side sheâd come from, but it gave them a better picture of what trying to lure her out would look like; the consistency is huge, and they feel a little relieved to know that they probably arenât going to have to summon the strength of whatever lingering and unknown werewolf abilities they have to go all out fighting her to take her in.Â
Groscup seems baffled and disgusted by the mention of blood, and thatâs a whole other kind of reliefânot just that no oneâs been trying to lure Audrey in with blood, but that whatever bogus witchy shit Groscup and her âcovenâ think theyâre doing seems unlikely to end in some kind of misguided human sacrifice. Let âem play at magic all they want as long as no oneâs getting hurt, thatâs what Marleigh thinks.Â
   âThen what kind of offerings do you use?â they ask, shooting Savage a look.
    âOh, you know, the normal things. We burn sage, we put out wine and honey and oil, we chant together...â
She keeps talking, but Marleigh canât help but tune her out a little bit. Still puzzling over why, exactly, the fireworks and the incense and chanting are drawing Audrey out of hiding, drawing her to the bridge. Neither the drunk hiking men with fireworks nor the fake witches sounds particularly threatening, and again, she doesnât seem to want to hurt anybody, judging by the fact that no one seems to have gotten hurt.
   âItâs magic, of course,â she continues. âYouâd know it if you saw it.â
Itâs a meaningless phrase, butâbut it makes something click. Magic. Not real magic, but the appearance of it. The witches looked like they were conducting a ritual, even if their methods were bullshit. A sparkler in someoneâs hand could look like an illuminated wand. What if it wasnât fire or smoke that was drawing Audrey in, but magic?Â













