Mark Hesselgrave, Architect

Rafael Canogar - Tête, 2005

Pablo Picasso and Le Corbusier on the site of Unite d'habitation in Marseille 1949 | © FLC/ADAGP

Inspired by his father, a skilled carpenter, James took his first woodworking class in high school. “At that time, I struggled with the typical textbook/chalkboard style classroom dynamic, and felt more comfortable in a setting with hands-on learning techniques,” he remembers. Now, with his own studio and over a decade of experience in making wooden objects, James, who’s 30, creates delicately detailed sculptures of urban landscapes. “Like a painter uses a paintbrush, I work primarily on a band saw to produce abstracted architectural forms,” he says, adding, “The work is designed to be engaging from a distance, and like a city skyline from afar, reveal layers of patterns and textures as the journey gets closer to the object.”

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Michael Heizer, Dissipate No. 8 of Nine Nevada Depressions, 1968.

Tyler Harlen | VUW Architecture about a Mosque

Tadao Ando

A Date With Data. MArch [Prof] Design Thesis. Hayden Grindell

Yuan Feng

Vertical crematorium - Horaţiu C. Vâlcu

Unknown.

Davide Fracasso, Giacomo Mason, ‘Seosomun Park Regeneration, New Christian Church and Parish’, 820x520 mm, 2015.

Nervi’s design for the grand stand of a stadium, Rome

Charlie Hodgson, Untitled I (Tribalism, Brutalism & Defensive Architecture), 2015, Ink, Acrylic and Coloured Pencils on Panel.

Aidan Conway, Thaltej Metro, pencil on trace and photoshop,  2015.