Moonie and Jeffrey :D
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@marbledbees
Moonie and Jeffrey :D
Art i did some time ago

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moon kniiiiiiigghhhttt
oi!mk in that hellfire gala skin
Dog years

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hi iβm posting this and idk if anyone even noticed this in the show buttttttt
this was oscar and his younger brother (mike)βs bed. obviously i know his brother is in many of his projects alike even Moon Knight.. leading me toβ¦
Marc and RoRo had double race car bunk beds.. i wonder if oscar pitched something similar/close adjacent to his childhood bed.
this actually made me a little sad to think of, mike was there in those scenes filming with oscar.. wonder if this was intentional.
"I asked AI" well I asked Marc Spector and he told me to ask Steven Grant and then when I asked Steven Grant he told me to ask Jake Lockley
if you're still obsessed with moon knight, you're a real one and i love you
older whiteboard doodles ft. frien doodles
i had to

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Okay @shadradraws I loved your replies so much I went through my episode notes to gather a list of the books I spotted throughout Steven's flat lol
a LOT of books on Ancient Egypt (goes without say)
a book on the Silk Road
a book on Greece
a book on Neanderthals
Papers on NASA (I know this isn't a book but I still found it interesting it was on his desk)
some book on Area 51
a World Mythology book
What's Old is New Again: Asgard
History of Wakanda
Rome and her Empire, David Shotter
Free-Born John, Pauline Gregg
Luther: Man Between God and the Devil, Heiko Oberman
Love and Louis XIV: The Women in the Life of the Sun King, Antonia Fraser
The Revolution of the Dons, Sheldon Rothblatt
The Church and the Age of Reason, Gerald R. Cragg
a book on Everest
Lawrence in Arabia: War, Deceit, Imperial Folly and the Making of the Modern Middle East, Scott Anderson
Revealer of Secrets, Joseph Perl (this is an epistolary styled novel that was considered to be the first modern novel in Hebrew, by Jewish educator, writer and central figure in the Haskalah)
The Man in the Ice, Konrad Spindler
Les Pleurs, Marceline Desbordes-Valmore (*infinite heart eyes*)
The Lost Explorer, Conrad Anker
People and Places of the World: In Search of Australia and the South Pacific
Mr. Foreigner, Matthew Kneale
The Lost World of Pompeii, Colin Amery
Cities of Destiny, Arnold J. Toynbee
This is just a growing-list I keep for fic reference so feel free to use it and add onto it if you want :)
Something that's interesting about the way Steven keeps his space in comparison to Marc's...
Throughout the show we were given a lot of instances where Marc and Steven are extremely dichotomous. In the beginning, it felt like the purpose was to demonstrate juxtaposition between them, where they define each other by mutual exclusion. So why would it stop at levels of organization, right? I like to read it as going deeper than just 'one's more cleaner than the other'. Idk why but I do so here lol.
Your physcial environment subconsciously acts as a reflection of yourself.
Everything from the lighting, the colors, noises, the people occupying the space with you. Warmer lights induce relaxation, pleasant aromas promote peace of mind, good company encourages positive mindsets, etc.Β Because of this, clutter is a strong source of anxiety for people; essentially, if there's a mess outside, than the inside can't be much better.
One of the first things we see in the show is Steven's flat, and it's...cluttered. But he doesn't seem bothered by it. He doesn't make his bed, his clothes are laying about, there are a million books stacked on pretty much every flat surface, a shameless hobby that indicates where he goes to seek comfort. There's a wall of maps and postcards that spread all the way to the fishtank, depicting an obvious adoration for the world and travel, little windows into places he feels intrigued by.Β Instead of the state of his flat inflicting unease, it seems to instead be a source of solace.
Then we look at Marc's space in the storage locker. It's nearly empty, which is him detaching himself from tangible things to add separation from the life he's convinced himself he doesn't deserve, a life he's disgusted with living in most of the time. (And even though it's safe to say most of his belongings are likely still with Layla, having his current space nearly empty hints at the amount of time he spends fronting, which is significantly less than Steven). It's organized, perhaps reflecting childhood discipline as well as habits picked up from his time as a Marine. And it's completely enclosed and reflective, no windows to let in the outside world and external stimuli, with walls that provide nothing but his reflection to look at. It's not only representative of the physical solitude that he forces himself in but the mental. He gives himself nothing to distract from his intrinsic guilt and shame, nothing else to look at besides, most torturously, himself.
But WAIT. Marc and Steven shared a space before...
And it was Steven who liked to keep a tidy room, with Marc who was on the messier side. When little!Steven fronts in ep 5, he immediately begins to clean up little!Marc's mess.
But as they get older, this obviously switches, and we even get ep 6, where Marc lightly jabs at Steven's flat ("I can't believe you live in this frickin' mess"). This is a full circle moment, imo. As if Marc loses the freedom that comes with simply making messes, whereas Steven gains enough autonomy that allows a more lived-in space, something that finally belongs to him.
Marc distances himself from the prospect of settling down and indulging in life while Steven attempts to immerse himself in it. Marc isolates himself from attachments and Steven surrounds himself with small pieces of the world. Both of them yearn for connection but show and mask it in different ways.
That's why I think the way their spaces were portrayed goes deeper than just illustrating their differences. It shows that even though they are separate, their lives were bleeding into each other long before Wendy's Shiva, (I adore the concept of Marc sharing his toys with Steven)
(But there's also parts of Marc overlapping into Steven's life within the flat, like the postcards, the sand around his bed, the shape of the roof reminiscing a pyramid, the platform above his bed reminiscing a tomb, the additional fish, etc). It's acknowledging that it's a journey of acceptance, that as their time together progresses, it turns more into a glimpse at potential harmony and embracing those distinctions. It's not just, 'they contrast so strongly, how will they ever even get along?', but also 'oh, this is how they learn to coexist despite their differences'. And if when we get s2, Jake will have to be apart of that journey as well, like adding little parts of himself throughout Steven's flat and allowing himself that physical space of a home.
I also can't help but think of the day that Marc or Steven go down to the storage locker to turn in the key. How strongly it translates to Marc that he no longer needs to hide anymore, that he's not alone in this and that maybe one day he can leave around a bit of a mess too.
my favorite band just released their album recently and one of the lyrics in the songs are "i dont wanna say what happened, i just wanna let it go, nothing was the same right after i went to the funeral" n i just went omfggghgjhghk marb spetr its u its u thats literally u

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most people: damn. time for the emergency room
marc: my kidney hurts. Must be all my mistakes here to drag me under
This sketch page was a blast to do, probably the last order like this i'll do in a while though, I prefer to do flat colors or fully rendered- Still HUGE WIN that I got to draw Jake so much! And @khonsulockley 's lovely OC let me practice drawing elegant ladies :D!
More below the cut!