My protagonist needs to win a âfriendlyâ spar against a fellow Marine who has at least six inches and a hundred pounds on her. How does she beat him? Heâs a bodybuilder whoâs more into the aesthetic of strength than actual balanced fitness, so she probably has the edge in endurance and agility, but as long as theyâre both at least pretending theyâre not trying to seriously hurt each other, his sheer size still seems like it outweighs everything else.
Iâm going to take issue with some things here.
Weâve said this before, but, apparently this needs to be discussed again. Sparring isnât about winning or losing, itâs a part of your training.
Sparring is not, âplay fighting,â itâs about learning to put techniques together.
Most of martial arts training consists of practicing the motions until they are reflexive and second nature. Itâs about retraining your body until you donât have to think about what youâre going to do, and simply do it. This wonât win a fight, for that you need to learn to transition smoothly from one technique to the next.
Sparring is the process of learning to turn the techniques you drilled with into something you could actually use against a real opponent.
Sparring isnât about winning or losing. Itâs not a low stakes fight your characters can do to show off. Itâs your character learning to chain their techniques together.
Howâs she going to beat him? Sheâs certified in MCMAP. Sheâll do it using her training. But, theyâre both trained in MCMAP, so this is the next issue.
When it comes to creating a character, who they are is the sum of their experiences, training, and views. Your characters are Marines.
Your marine canât weight 100 lbs more than her. At most, he can weigh about 60 lbs more than her. This is because the Marines have very strict weight requirements. If your character is 66 inches tall, she must weigh between 117 and 170 lbs. Now, the Marines kinda expect her to be trending towards the upper end of that spectrum, because muscle mass is heavy.
If your character is 66 inches tall and her foe has six inches on her, thatâd put him at 72 inches (6 feet), and he can weigh between 140 and 184.
See the problem? He literally cannot exceed her weight by 100 lbs with them both passing physical. You can adjust the heights a bit, but, without pulling apart the entire chart, thereâs just not enough range for that kind of weight difference unless heâs much taller than her.
This is also where the whole, body builder idea doesnât quite work. Marines are specifically pushed towards balanced fitness. The goal is to turn out effective combatants, not meatheads who think their pecs of steel will stop a bullet.
I get that the idea here was to show up the misogynistic meathead, but thatâs not a marine.
Also, stereotypes aside, Iâve never met a dumb marine. A few idiots who were in the army, and at least one navy vet prone to dubious life choices, but never a marine. Theyâre weird, but not dumb.
The militaryâs training structure prioritizes teamwork. They are not single operators, they are a unit. They train with their unit, and fight with their unit. Soldiers live and die by their ability to work together. All the hellish training Marines go through is there in part to build that bond, not just between individuals but with everyone who shares a similar experience.
You donât need to prove your female character can fight. Sheâs a Marine. She can kill someone. Sheâs trained to do it. Thatâs not a question. Writing a sparring session on the idea she needs to win puts you in the wrong mindset, because, again, sparring is not about winning or losing. Sparring is all about figuring out how to use the skills youâve been drilling in a free-flow environment where you act and react to an opponent.
If you donât believe me, letâs quote the Marineâs own training manual:
1. PURPOSE. The purpose of body sparring is to bridge from static to dynamic and inoculation to interpersonal violence.
a. Bridge from Static to Dynamic. Body sparring is the bridge between static punches and a dynamic environment. This is the final stage of training after executing punches in the air and on pads. Free sparring gives Marines the opportunity to apply the individual techniques they have learned in a realistic environment with a live resisting opponent. Executing techniques one at a time in the air is much different than using them together against another person who is defending themselves and also trying to hurt you.
b .Inoculation to Interpersonal Violence. Inoculation is the process of introducing something to the body so it can defend itself in the future. By introducing Marines to violence on a personal level, they will be more prepared for a real close combat scenario.
This is a learning experience, not a contest.
Sparring is just about providing a live experience with a resisting partner, not an exercise in who can hurt the other more.
The part youâre having an issue with is that you donât know what it is Marines are trained to do. The good news is they make their training manuals available online. So, in the event youâre willing and able to do the research, you can write an entire sequence that is up to code.
2. CONDUCT OF THE BOUT. Free sparring is a training tool designed to develop Marinesâ skills and confidence, and must not become a fight club or beat-down.
This is the problem with almost all sparring sequences in fiction. If youâre using it for dramatic tension then youâve already sabotaged the purpose of the exercise, and your characterâs own training. No competent instructor will pair up two people who have a legitimate beef with each other, because neither will learn anything from it. Any instructor who wants to stack the deck against a misogynistic meathead will stack the deck so hard against him that he canât win, and has no method of recourse. They use someone who has already finished training or one of the TAs. They can also turn it into a good learning exercise for said meathead about making assumptions and assuming size matters. Thereâs nothing like the experience of someone half your size tossing you around the room to bring the point home.
However, it wonât be your female character currently in training who makes that point. She canât. She doesnât have the experience or the skill for the defeat to be so total that it sticks in the studentâs memory forever. The woman who makes this example will be someone who has finished their training. This teaches your male students a valuable lesson and gives your female students motivation, and a reminder to work towards when the going gets tough.
The only way this scenario works on face value with the antagonism angle is if sheâs sparring someone much greener than her who she has no problems turning into mush.
b. Maturity. All Marines must control their egos and tempers at all times. Marines who demonstrate immaturity, lack of control, or unsportsmanlike conduct will not be allowed to participate.
Sparring is not a free space to beat the crap out of someone you donât like. The only grading score here is that you can achieve a kill with a simulated weapon before your opponent. Thatâs all the Marines care about. And in case you thought they didnât have rules for girls⌠you were wrong.
b. Safety Gear. The safety gear required for body sparring is head gear, mouthpiece, 16 ounce (minimum) boxing gloves, and groin protection. Females must also wear a flak jacket for added protection for the female anatomy.
Did you envision your characters wearing protection in this sparring session? They better be.
Training not only the physical but also the mental is crucial to the development of the combative mindset. Body sparring prepares the Marine to function when faced with stress and violence. These skills are the building block to developing the physical skills and combative mindset vital to success on the battlefield.
Whatever other goals for this scene you may have as a writer, you want to keep the above in mind. This is what your charactersâ sparring session is for. If they are not learning this lesson through this training in your narrative then you are failing them as well as yourself. You are also failing in showing their combat ability and professionalism. Marine is a mindset, it is a profession, and will become a core part of your characterâs personal identity. If you havenât begun researching who the Marines are, what they do, what their outlook on life is, and how they behave⌠now would be good time to start. This is who your character (male or female) is going to be at the end of their training.
How does your character âwinâ? By using her training. Now, go take another look at MCMAP (Marine Corps Martial Arts Program.)
Everything Milspec has to be available publicly. If you want to write soldiers, say thank you to Uncle Sam. You can read up on all of the training documentation online. Therefore, there is no excuse for you not to do your homework. They will tell you exactly how the Marines handle sparring, put together by Marines for Marines, and you too can follow the training outline.
I will leave you with this last instructor note:
Unsafe Conditions. It is the refereeâs, and RSOâs, responsibility to immediately stop the fight if they see any unsafe condition such as a defenseless fighter, safety gear problems, or if a fighter is injured. A fighter is defenseless if they appear unable or unwilling to intelligently defend themselves by exposing their back, falling to the ground, dropping their weapons,or dropping theirs hands. If any safety gear is unserviceable, missing, or not fitted properly the fight must be stopped to correct the problem. If a fighter appears to be injured, by screaming or yelling, the fight must be stopped. Once the unsafe condition is corrected, the referee will restart the fight.
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Q&A: Sparring was originally published on How to Fight Write.
