Joseph Granié (1861-1915), Portrait d'une femme debout, 1900
Fai_Ryy
almost home
occasionally subtle
Today's Document
Sweet Seals For You, Always
noise dept.
Monterey Bay Aquarium
"I'm Dorothy Gale from Kansas"


shark vs the universe

Andulka
Cosmic Funnies

pixel skylines
DEAR READER

Product Placement

PR's Tumblrdome
trying on a metaphor
wallacepolsom
Show & Tell

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@mangogatherer
Joseph Granié (1861-1915), Portrait d'une femme debout, 1900

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James Ensor (Belgian, 1860-1949), Hare and Crow, 1908. Oil on canvas, 72 x 88 cm.
Octave Tassaert

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Fausto Pirandello (Italian, 1899-1975), NATURA MORTA, 1928-30. Oil on board, 40 x 50 cm
Fausto Pirandello Donne sulla scala 1934
Et elle s'écria plus fort, voyant qu'elle marchait sur la route de trois couleurs, faite de poussière jaune, d'un canal bleu, et d'un talus vert.
The Spirit of the Beehive, 1973

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Sarah Moon, Maria's Dogs, 2000.
Marina Abramović, The Kitchen II - Homage to Saint Therese, silver gelatin prin, 2009
Antony Gormley
Hughie Lee-Smith
(1915-1999)
Untitled.
Oil on masonite board, 1953.
Signed and dated in oil, lower left.
Swann Galleries
Hughie Lee-Smith, Untitled (Youths on a Lakeshore), 1952

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Hughie Lee-Smith, Girl Fleeing, 1959, oil/canvas (Private Collection, Detroit)
Walter Williams
1920-1998
Untitled (Man with Watermelon).
Oil on Masonite board, circa 1950s.
Signed in oil, lower left.
Swann Galleries