i don't like your art and thats ok
no. it isn't.
Jules of Nature

Love Begins
let's talk about Bridgerton tea, my ask is open

祝日 / Permanent Vacation
todays bird

tannertan36
he wasn't even looking at me and he found me

Andulka

Janaina Medeiros
DEAR READER
Show & Tell

blake kathryn
ojovivo
Sade Olutola

pixel skylines
art blog(derogatory)

JVL

oozey mess
will byers stan first human second

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@malicious-transplantation
i don't like your art and thats ok
no. it isn't.

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Ukrainian Landscape with Windmill by Volodymyr Orlovsky (1882)
The FBI cut the phone lines during the 1977 disability rights sit-in. Then they turned off the hot water.
They locked the doors from the outside. One hundred and fifty people were trapped on the fourth floor. Half of them used wheelchairs. The government assumed they would leave.
Kitty Cone was thirty-three. She had muscular dystrophy. Her muscles were failing, but her logistics were flawless. She knew how to organize people.
The federal government had promised to sign regulations protecting disabled Americans from discrimination. The policy was known as Section 504. They printed the promise on paper. Then they stalled. Without a signature, it was just typography.
The protesters entered the regional Health, Education, and Welfare building in San Francisco on a Tuesday morning. They took the elevators to the director's office. They brought sleeping bags and catheters. They informed the staff they were not leaving until the law was signed.
By sunset, the police surrounded the exits. Kitty sat near the windows. She organized the floor plan. She assigned committees for security and sanitation. She kept her medication in a small cooler.
According to federal memorandums released decades later, the strategy to end the occupation relied on medical attrition. The building was not equipped for long-term habitation. The FBI calculated that a population requiring ventilators, specialized diets, and daily medical aides would voluntarily evacuate if the environment became sufficiently hostile. They instituted a blockade.
The blockade went into effect immediately. No food deliveries allowed. No medical supplies permitted through the lobby. Guards stood at the main doors checking identification.
Kitty's muscles deteriorated faster under the physical strain. She couldn't walk. When the phone lines went dead, the fourth floor lost contact with the press. The government waited for the quiet.
Kitty dropped to the floor. She realized the barricades were designed for standing adults. The police had blocked the hallways at waist height. They hadn't blocked the linoleum.
The floors were covered in cigarette ash and spilled coffee. She dragged her body through it. She crawled under the barricades to reach the restricted elevator shafts and unguarded offices.
She carried notes in her pockets. She found a single working payphone the FBI missed. She called the local news desks. She called the mayor's office.
She crawled back. When her arms failed, someone pulled her by her ankles. The Black Panthers heard the news reports. They crossed the police lines with hot meals. The FBI could not stop them without a riot.
They shut off the elevators, so she crawled.
The occupation lasted twenty-five days. It remains the longest non-violent occupation of a federal building in American history. On April 28, the Secretary of HEW signed the regulations without a single alteration.
The protesters left the building the next morning. They went back to their apartments. The Rehabilitation Act regulations laid the groundwork for every accessibility law that followed. The HEW building still stands on United Nations Plaza. The elevators run on a schedule. The doors are heavy glass.
Kitty Cone: the woman who crawled under the barricades.
Source: Kitty Cone's oral history, Bancroft Library.
Verified via: National Museum of American History.
(Some details summarized for brevity.)

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"Prairie Keeper" 11"x14" Acrylic, wax pastel, and paint pen on canvas
Horses and other heavy hoofed animals (bison, elk, deer, cattle) not only depend on the grasslands to support them but they in turn support the grassland. Their hooves break up the soil, giving seeds better purchase and moisture more opportunities to penetrate the soil. Their nibbling the grass encourages the grass to grow, and their droppings fertilize the soil and bring habitat for insects, which in turn feeds birds. In the winter, big animals can plow the snow aside to get to the ground, which frees up feeding grounds for small predators and other small grazers. The constant trimming, walking, and defecating, when multiplied across hundreds of thousands of individuals across thousands of acres creates prairies and grasslands and savannas that host tons of wildlife and plant biodiversity.
spiral
A Real Dream Time Story
The Aboriginal spirit of lightning is Namarrkon, often called the Lightning Man.
In the rock art and bark paintings of western Arnhem Land, Namarrkon is shown with axes at his elbows and knees, striking the clouds to create thunder and lightning. He is not a “god” in the Western sense, but an ancestral being—a powerful force within the Dreaming who shapes the land, governs storms, and carries law.
To look at Namarrkon is to see lightning not as random, but as intentional, alive, and meaningful—part of a living system where land, weather, and spirit are inseparable.
Taking a moment to step into another culture’s way of seeing the world can be grounding. Instead of endless scrolling, you’re reminded that for tens of thousands of years, people understood nature as something to listen to, respect, and learn from—not just observe.
Sometimes the old stories don’t just explain the world… they slow it down.
Aboriginal Art by Mawalan Marika
Ben Edge (British, 1985) - Earth Mother (2024)

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"horse lords spread throughout eurasia in the early bronze age and propagated their language, culture, and religion from the pontic steppe to most of the eastern hemisphere" sounds like the kind of thing that would be made up
do all these mythological and cultural parallels throught the world point to some sort of "collective unconscious" hidden deep in the human mind? no, sorry that's just the influence of the horse lords.
"why cant i find a date? am i a failure of a human being?" no sorry, your soulmate and forever wife whom you would have sired a dozen children with in an idyllic neolithic farmer lifetime instead got married off to the horse lords.
maybe drown your sorrows with a meal of fried grain and cheese, which you are, sadly, mildly intolerant to due to lack of sufficient horse lord DNA
Commerce Avenue, Iron Gate, Virginia.
Libor Wagner (1933-1994) — The Key [oil on canvas. 1961]

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Saint Stephen. late 15th century. Credit line: The Cloisters Collection, 1959 https://www.metmuseum.org/art/collection/search/471845
ROAR - I'm Not Going To Help You (a fanmade music video)