ââ Beauty, unlike the rest of the gifts handed out at birth, does not require dedication, patience and hard work to pay off. But itâs also the only gift that does not keep on giving ââ. - Paulina Porizkova
Acquired Stardust
i don't do bad sauce passes
noise dept.
Keni
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
Mike Driver
almost home
let's talk about Bridgerton tea, my ask is open
Monterey Bay Aquarium
Not today Justin

romaâ
DEAR READER
Jules of Nature
todays bird

Show & Tell

cherry valley forever

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seen from Singapore

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@lzrdk
ââ Beauty, unlike the rest of the gifts handed out at birth, does not require dedication, patience and hard work to pay off. But itâs also the only gift that does not keep on giving ââ. - Paulina Porizkova

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My dad gave me a USB drive with hundreds of pictures he has taken since the 70â˛s. This picture of the Snuggle bear playing UNO is undoubtedly the best picture he has ever taken.
This pic feels like Iâm playing for my life
Women in Bird Bodies by Hans Thoma (1886)
We
I hope you guys are also being kind to people you donât wanna fuck.
acting a downright bitch to anyone that i dont want in my hole

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Baie de Disko, Groenland, Claude Heidemeyer, en  Vautour velours  de Mugler, 1987 Ph. Thierry Mugler
**sends a picture of my pussy with slam effect**
iâm in the business of misery letâs take it from the top sheâs got a body like an hour glass itâs ticking like a clock

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i love a good t shirt
1997 Gucci by Tom Ford
what a mood

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âOne day there was an anonymous present sitting on my doorstepâVolume One of Capital by Karl Marx, in a brown paper bag. A joke? Serious? And who had sent it? I never found out. Late that night, naked in bed, I leafed through it. The beginning was impenetrable, I couldnât understand it, but when I came to the part about the lives of the workersâthe coal miners, the child laborersâI could feel myself suddenly breathing more slowly. How angry he was. Page after page. Then I turned back to an earlier section, and I came to a phrase that Iâd heard before, a strange, upsetting, sort of ugly phrase: this was the section on âcommodity fetishism,â âthe fetishism of commodities.â I wanted to understand that weird-sounding phrase, but I could tell that, to understand it, your whole life would probably have to change. His explanation was very elusive. He used the example that people say, âTwenty yards of linen are worth two pounds.â People say that about every thing that it has a certain value. This is worth that. This coat, this sweater, this cup of coffee: each thing worth some quantity of money, or some number of other thingsâone coat, worth three sweaters, or so much moneyâas if that coat, suddenly appearing on the earth, contained somewhere inside itself an amount of value, like an inner soul, as if the coat were a fetish, a physical object that contains a living spirit. But what really determines the value of a coat? The coatâs price comes from its history, the history of all the people involved in making it and selling it and all the particular relationships they had. And if we buy the coat, we, too, form relationships with all those people, and yet we hide those relationships from our own awareness by pretending we live in a world where coats have no history but just fall down from heaven with prices marked inside. âI like this coat,â we say, âItâs not expensive,â as if that were a fact about the coat and not the end of a story about all the people who made it and sold it, âI like the pictures in this magazine.âA naked woman leans over a fence. A man buys a magazine and stares at her picture. The destinies of these two are linked. The man has paid the woman to take off her clothes, to lean over the fence. The photograph contains its historyâthe moment the woman unbuttoned her shirt, how she felt, what the photographer said. The price of the magazine is a code that describes the relationships between all these peopleâthe woman, the man, the publisher, the photographerâwho commanded, who obeyed. The cup of coffee contains the history of the peasants who picked the beans, how some of them fainted in the heat of the sun, some were beaten, some were kicked.For two days I could see the fetishism of commodities everywhere around me. It was a strange feeling. Then on the third day I lost it, it was gone, I couldnât see it anymore.â
â
Wallace Shawn, The Fever
(To understand it, your whole life would probably have to change.)
I saw Wallace Shawn at the end of this quote and thought surely itâs a different Wallace Shawn surely itâs not the fucking dinosaur from Toy Story this canât be the fucking Sicilian from the Princess Bride but it is. Itâs the same fucking guy I just read an explanation of commodity fetishism written by Mr. Incredibleâs tiny boss at the insurance company
fatou jobe and laporcshia for vogue arabia