LUZDANAEE

hello i am here today to not lose track of the art cheats i have discovered over the years. what i call art cheat is actually a cool filter/coloring style/way to shade/etc. that singlehandedly makes art like 20 times better

80’s anime style

glitch effect

glow effects

adding colors to grayscale paintings

foreshortening ( coil )

foreshortening ( perspective )

clipping group (lines)

clipping group (colors)

dramatic lighting ( GOOD )

shading metal

lighting faces

for all the artists following me

draw fast. it’ll look messy for a long time but you’ll improve faster than if you spend 4 hours on every drawing

if you draw in pencil and have a habit of erasing all of your mistakes, try drawing in pen or marker. i know it’s scary but it’ll help in the long run (i’m speaking from experience)

try different methods and mediums but don’t worry about mastering any of them, just have fun

if you’re not rich, buy art supplies from the dollar store, not the art store (seriously. i go through a sketchbook about once a month and i’d rather spend $4 on one than $15)

there’s no wrong way to learn. you can copy other people’s art if you want to, just don’t post it

DO NOT worry about having a consistent style. do not. just draw however you want

if you want to make original characters then do it. don’t worry about if they’re original, or a good design, or if they have an accompanying story. make sonic ocs. do it. it’s fun and it’s not hurting anyone

try not to kill your back. stand up and stretch once in a while

make a folder and save all of your favorite arts for inspiration 

draw from life. draw your dog. draw your teachers. draw your desk. draw your own hands (seriously that’s the best way to get better at drawing hands)

in general, drawing from life or a photo is better than drawing from a diagram

draw whatever you want. draw youtubers if you like youtubers. draw undertale if you like undertale. when i was a kid i drew nothing but shadow the hedgehog and horses. everyone deserves to draw what they want without being mocked, and if people start making fun of you, block them and keep drawing

don’t expect to get any notes at first. don’t let it discourage you. if you want validation go show your art to your mom or your friends or your teacher or your grandma

“no that’s not dramatic and cheesy enough”

“getting warmer”

Drawing A to Drawing B: -the most obvious change is the exaggeration of the line of motion in the character.  

In Drawing B the line of motion is much more pronounced, creating more drama and movement to the whole composition

-The arms are open wider, showing more confidence and exuberance in the character, exaggerating their emotions so they can be more clearly read without having to look to the face for emotional cues.

-the legs are wider apart, adding to the aforementioned confidence but also giving the character a solid foundation, visually speaking.

-The head is tilted back and overlapped by the chest, adding a touch of dynamic perspective to the drawing.

Drawing B to Drawing C:  -Most obvious change is to zoom in on the character.  Character framing is just as important as what the character is doing.  Zooming in can help infensify emotions.  this shot is ALL about this character and what they’re feeling. -Because of the zooming in, the arms/hands would have gotten lost, so instead of making the canvas wider, the artist has elected to rotate the character slightly, bringing a dynamic angle to things and more intensity to the close shot. -While the character is more upright in this shot compared to Drawing B, in Drawing C the chest still slightly overlaps the neck, preserving the feeling of being slightly below the character (putting them in a position of power relative to the viewer), which helps maintain confidence and power in the character. -the chest is exaggerated to carry the majority of the body’s line of action so even though you cannot see the legs, our brains are able to fill in the gap and envision that line of action. -The cropping/framing of the character allows for a more interesting composition/negative shapes created by the positive (character) on the negative (background), creating more visual interest as well as a circular motion to the composition through the arms, across the face to the negative space for the eyes to rest in before dropping to the hand in the background and back through the composition again.