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DIAGRAMMATIC/ROUGH SKETCHES
In progress...

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PROTOTYPE 3 @ SCALE OF 1:10
Exterior: Vinyl Chloride Resin, with a thickness of 0.1mm
Interior: Styrofoam Beanbag fillers
Outcome: The overall outcome wasnāt too great as I found the material and form lost some of its flexibility when completely filled with styrofoam. However, accidentally overfilling it and bursting the melted seams which inevitably created a huge pool of styrofoam was a wonderful mishap as I found that the styrofoam would often āstickā to the latex of the balloon and the vinyl when electrically charged. I am still yet to figure out how to combine this interesting discovery into my final project.
PROTOTYPE 2 @ SCALE 1:10
Exterior: Vinyl chloride Resin, with thickness of 0.1mm
Interior: Air
Outcome: I did two trials, one with a complete ābeadā and one with two ābeadsā joined together. I found that the one with two beads when inflated, the edges of the melted plastic in the interior would become a lot more vague, due to the air pressure forcing the merged plastic to separate. The trial that I did with the sole circular bead has maintained air quite well over the past 30hrs which will be important to consider for my final proposal. The basis of my installation is also the idea of a body landscape so my material and form has to display a sense of vulnerability and change when a human puts their body and weight on to the material and form. I feel as if this material executed this sense of moulding process to the human body well.Ā
PROTOTYPE 1 @ SCALE 1:20
Exterior: Latex
Interior: Air
Outcome: It was interesting exploring the forms these balloons can make by layering them. I originally used the balloons to form a rock pool, so to create a protective habitat that the neptuneās necklace can obtain sunlight from (through the various crevices) and thus live and breed and create a colony underneath this floating habitat. I also want this installation to be completely prone to washing up on to the shore since it will be close to the shallow end of the baths due to its coexisting nature of helping young or old people to swim and stay afloat. So in order to execute this, I may need to anchor it down on to the sea bed or have these beads expand to the edges of the existing structure and have it connected there.

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DESIGN PROPOSAL as a result of material testing...
Purpose: To bring a new facility to Middle Brighton Baths so that people who canāt swim are able to physically learn how to by staying afloat but slightly submerged in the water. Their bodies will be supported by expanded circularĀ ābeadā shapes to imitate the neptuneās necklace form which will be simultaneously living and over time be breeding a colony underneath this installation. The installation is also a manifestation of a rock pool as that is the habitat that the neptuneās necklace are used to living in while allowing them to float up into the crevices to obtain sunlight.Ā
sync
moulding to fit the human body perfectly, like memory foam
->how can I add the idea of memory foam so that my expanded neptuneās necklace installation is continuously changing to fit the range of human participantās bodies?
Karine Laval - Altered States, 2012
āREGULATIONSā ALREADY IN PLACE
To make visitors/swimmers/participants feel more safe, comfortable? How about regulation for non-humans? Since neptuneās necklace/seaweed/vegetation are basically vision impaired, would sensation be a key aspect in the way in which they can achieve comfort? Can this shared experience instil a distorted sense of comfort?
Taken at Middle Brighton Baths on the 18/09
SIGNS OF LIFEĀ
Taken at Middle Brighton Baths on the 18/09

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trace
A PROCESSIONĀ OF ATMOSPHERIC/EXPRESSIVE PHOTOMONTAGES
Making these photomontages really made me think about how a non-human (in this case, neptuneās necklace) would share the waters at Middle Brighton Baths with humans. For the first photomontage, I was thinking about using the characteristics from my protective cast; the netting and the see-through tubing and embedding it into the waters and dividing the waters with these netting and tubing materiality. I then continued to explore division, in the second photomontage, as a contrast to theĀ āsharingā aspect of our design brief and thought about how would the humans feel to sharing their relaxing/active space with these alien looking seaweed and vice-versa, the neptuneās necklace and other non humans would think that they have a more liable claim to the waters as it is their home. From this photomontage, I thought about the masses of humans in comparison to the masses of neptuneās necklace. Both species can completely swarm a space, so I came to the conclusion the Middle Brighton Baths may need some sort of regulation so that the masses of all species can share the waters peacefully. For the third and the fourth photomontage, I started to thinking of the humans and neptuneās necklace sharing the waters more intimately. If there was no visible sight of the neptuneās necklace and it touched a human underwater, would it induce fear? Or would a human voluntarily dive deep into a colony of neptuneās necklace? These questions probe the limits of the relationships between humansā and non-humans and I am excited about having to solve these perhaps uncomfortable relationships in a spacial context.Ā
Floating
via nevver
_MEDIA MATTERS 12
A speculative proposal/construction...
TEAM Nancy, Bec, Em, Erin

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