Senegal, 1975
I'd rather be in outer space πΈ
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@lunaspina
Senegal, 1975

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The axe forgets; the tree remembers.
African Proverb
Out of Africa - Lost Happiness
Karen Blixen: When you go away... you don't always go on safari, do you? Just want to be away.
Denys Finch-Hatton: It's not meant to hurt you.
Karen Blixen: It does.
Denys Finch-Hatton: I'm with you because I choose to be with you. I don't want to live someone else's idea of how to live. Don't ask me to do that. I don't want to find out one day that I'm at the end of someone else's life.
Lesson: Karen Blixen fell in love with the strong and independent character of Denys Finch-Hatton. He needs solitude und free space to unfold his character. If she forced him to change, she would kill the very thing in him why she once fell in love with him. Emotionally intelligent people would never ask for that.
-
Denys Finch-Hatton: You've ruined it for me, you know.
Karen Blixen: Ruined what?
Denys Finch-Hatton: Being alone.
Lesson: Denys Finch-Hatton voluntarily gives up his inner need for solitude and free space - since his need to be with Karen Blixen is stronger. That's the only way how change works - voluntarily and never by coercion. And only then itβs a real gift.
Out of Africa (1985) - 'Flying Over Africa' scene [1080]
<3 La MIA Africa...
Out of Africa (1985)

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βEccola lΓ¬, dinanzi a lei, la vita. La vita: ella cominciava a pensarci, senza concludere. Dava uno sguardo alla vita, perchΓ© ne aveva una sensazione precisa: come di cosa reale, di cosa intima chβella non condivideva con alcuno. Tra la vita e lei correva una specie di transazione in cui ciascuna delle due parti tentava di soverchiare lβaltra; ed entrambe, ogni tanto (quandβella era sola) venivano a patti: avvenivano a volte grandi scene di riconciliazione. Ma di solito, strano a dirsi, ella si avvedeva di percepire la vita come una forza tremenda, avversa e pronta ad incrudire alla prima occasione.β
β Virginia Woolf, Gita al faro
Lβoeil dβAramon designed by garden designer Pascal Cribier (1953-2015)
II Sacrificio, by Leonardo Bistolfi, Vittoriano di Roma (Alterra della Patria)
David Bowie as Jareth LABYRINTH (1986) - dir. Jim Henson
Jennifer Connelly as Sarah Williams, Labyrinth (1986) dir. Jim Henson

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Old Books with Cat, Barcelona, Photo by Francesc CatalΓ -Roca, 1953
Forever! Never!, Pierre-Eugene-Emile Hebert, 1860
βIo non sono fatta per la vita.
In me tutto Γ¨ incendio!
Io sono una creatura
scorticata a nudo,
e tutti voi
portate una corazza.
Tutti voi avete:
lβarte, la vita sociale,
la famiglia, il dovere,
io,
nel profondo non ho nulla.
Tutto cade come pelle,
e sotto la pelle
carne viva, o fuocoβ.
Marina Cvetaeva
Edward Gorey - A Dull Afternoon
π΄π πππ ππππππ ππ ππππ π¬ ππππππ ππππππππ
(B&W Alt)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Un legame di sguardi e di silenzi li univa tra le ombre di quella casa, alla fine di una strada isolata dove si prendevano cura l'uno dell'altro, lontani dal mondo.
Carlos Ruiz ZafΓ³n
πͺ¦πΈοΈπ―οΈ