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Featured: Casey, TCRG and owner of O'Connor School of Irish Dance
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@luckylisah
Do what you love. Love what you do!
Featured: Casey, TCRG and owner of O'Connor School of Irish Dance

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love your blog/your thorough answers to questions! as a senior lady who recently started working full time, i was wondering if you could break down what a typical week of dance practices on your own/dance classes/workouts looks like for you. i noticed in an old post you said you practice 2x a week besides class, do you think its enough? i'm trying to find the right balance for myself and am looking to see how other senior ladies in the working world handle dance practice/gym time. thanks =)
Thank you for your kind words! Before I start, Iâll just state my usual disclaimer with these posts and questions.
Disclaimer: My response is solely based on my own experience and training schedule. I am not a fitness trainer and would recommend doing your own research or consult with a licensed trainer to learn more.
With regards to finding a balance between working FT and dance/training/workouts, it definitely became a process of experimenting and a process of elimination. It depends entirely on your workout style or training regimen, as well as if youâre between majors or preparing for a major, etc.
Iâll do a breakdown of my âoff-seasonâ which I would classify any time right after a major where you get a break from dance for about 2 weeks or take part in standard studio practices during the season. After that, Iâll do a breakdown of what my training schedule looked like right before a major (specifically before the NAIDC).
Iâll just clarify that this was during the 2016-2017 season and can change depending on which nights I have class in the studio, holiday breaks and whatnot.
â
âOff-Seasonâ or Between Majors (Post-Oireachtas)
Monday: Work (8:30-4:30 PM) | Arms/Abs Workout
Tuesday:Â Work (8:30-4:30 PM) | Dance Class (1 hour)
Wednesday:Â Work (8:30-4:30 PM) | Running (Jogging/Sprints)
Thursday:Â Work (8:30-4:30 PM) |Â Dance Class (1 hour)
Friday:Â Work (8:30-4:30 PM) | Rest Day
Saturday:Â Work (8:30-4:30 PM) | Leg Workout
Sunday:Â Work (8:30-4:30 PM) |Â Running (Jogging/Sprints) | Arm Workout
â
Leading Up to A Major (NAIDC 2017)
Monday: Work (8:30-4:30 PM) | Arms/Abs Workout | LIIS | Legs Recovery Stretching
Tuesday: Work (8:30-4:30 PM) |Â Dance Class (1 hour/HIIT mix)
Wednesday: Work (8:30-4:30 PM) | Full Body Workout | Arms/Abs Recovery Stretching | LIIS
Thursday: Work (8:30-4:30 PM) |Â Dance Class (1 hour/HIIT mix)
Friday: Work (8:30-4:30 PM) | Rest Day | Full Body Recovery Stretching
Saturday: Work (8:30-4:30 PM) |Â Dance Practice (1 hour/HIIT mix) | Uphill Sprints (30 minutes)
Sunday: Work (8:30-4:30 PM) | Leg Workout | LIIS
*Itâs important to note that I keep it flexible and listen to my body. This is just a rough outline of what my week looks like with workouts and training. If my body doesnât feel up to a leg day (because Iâm sore or I found out suddenly I now have another practice the next day), I swap it out for another workout like arms/abs to give my lower body a break. You have to listen to your body.Â
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I think these breakdowns require an explanation of some kind. I actually changed up my training regimen for the NAIDC in New Orleans. I was getting frustrated with my process and changed it all up a month prior. I decided that I needed to start training in the gym like I was in the studio - by being smarter and more efficient with my time. I started incorporating super sets that included weights, cardio and plyometrics. I also did some serious cutbacks on any refined sugars in my diet and kept it lower to focus on healthier options and avoid the sluggishness I felt from those sugars.Â
I also have changed my âoff-seasonâ workout to follow my pre-major schedule a bit more. However, I do a max of 2 practices a week during the off season now until my teacher starts adding more closer to a major or I choose to go in for an extra practice. So if you remove one dance practice from the pre-major schedule, thatâs what I am currently doing now (though I took 2 weeks off from dance to rest and have only done workouts). During my âoff-seasonâ where I donât dance for a week or two, I replace my dance workout (which I classify as HIIT training) with jogging to keep my heart rate up.
I find that my new schedule is training smarter in a shorter period of time and Iâm much happier doing these workouts as well. đ Itâs also better because I donât waste time between circuits. I have plenty of time to include a LIIS workout for a 30 minute walk post-workout while my boyfriend or family finish their respective workouts.
Hereâs an explanation of everything above in more detail:
LIIS: Low-Intensity Steady State (walking, cycling, etc.)
HIIT: High-Intensity Interval Training (running, Irish dance, sprints, etc.)
Arms/Abs, Legs, Full Body Workouts: mix of plyometrics, weights, and cardio for about 30 minutes. These change each week so I donât plateau.
Recovery Stretching: basic stretches to help my sore muscles loosen up and release the lactic acid buildup.
Rest Day: NO workouts during the day to allow the body to relax and recover.
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With regards to how many practices you should do each week, I think that is entirely dependent on your goals and your own schedule. Itâs hard to compare one dancer to another because we are all so unique.
In the last three years of seriously working out, Iâve only just started finding a workout regimen I like and am getting results with. However, it is always changing and adapting. So the best piece of advice is this:
Print out a weekly agenda that shows your times for each day.
Mark out the hours that are blocked out for work or other commitments you must attend.
After youâve mark those down, start marking the hours you have blocked out for dance class or practice.
After that, then block out your workouts to work around those. I find itâs much easier to do this since you donât want to do a hard leg workout the day before a tough dance practice.Â
The best advice Iâve heard for this is to be flexible and to listen to what your body is saying. It truly has made a difference in my performance and training.
I hope this answered your question! And Iâm sorry if this was so long! I tried my best to condense a fairly lengthy topic since there are so many components. If you have any questions about what I wrote above, feel free to send me a PM. Iâm always open to chatting about it. đ
Nancy đťđŻ
Inspired by Ed Sheeranâs songs Galway Girl and Nancy Mulligan â¤ď¸ Iâve been really love Irish music and dance since I was young!!! Love these two songs â¤ď¸
Flanagan OâHare dancers doing a beautiful sunset photo shootÂ

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If anyone is interested, here are some set dances that were recorded at the An Comhdhail Worlds.
I have suddenly made it my goal to learn all traditional sets by the end of summer.
I know three. Maybe 3.5 since I have technically learned garden of daisies twice before (just hasnât stuck); but I really want to teach myself King of the Fairies and Three Sea Captains. I figured though I should learn the basic five first (Saint Patrick, Blackbird, Job, Jockey, Garden) then move onto the King and Captain.
I will be pulling this Benjamin style (as in Benjamin Franklin and his journey to become more moral. If you donât know what he did you should look it up, its interesting)
Anyone want to join me on this endeavor?
I made it my goal last year to learn all the trad sets but I didnât make it very far. I learned The White Blanket though but CLRG doesnât do it lol. Maybe Iâll try this challenge again this year and do better.
Iooo @luckylisah I saw the white blanket listed as a set but there are no videos! I am very interested lmao
@theshinybuckles Here is a link to some clips of trad sets including the White Blanket taken from the Olive Hurley videos . I learned a slightly different version though done by the CRN organization. https://www.youtube.com/channel/UCVgY_WeFlRqTGC6nNMwUuAA
I have suddenly made it my goal to learn all traditional sets by the end of summer.
I know three. Maybe 3.5 since I have technically learned garden of daisies twice before (just hasnât stuck); but I really want to teach myself King of the Fairies and Three Sea Captains. I figured though I should learn the basic five first (Saint Patrick, Blackbird, Job, Jockey, Garden) then move onto the King and Captain.
I will be pulling this Benjamin style (as in Benjamin Franklin and his journey to become more moral. If you donât know what he did you should look it up, its interesting)
Anyone want to join me on this endeavor?
I made it my goal last year to learn all the trad sets but I didnât make it very far. I learned The White Blanket though but CLRG doesnât do it lol. Maybe Iâll try this challenge again this year and do better.
Warning: Irish dancing can seriously damage your health. Engineers at Coventry University have discovered that Irish dancers ankles have to bear 14 times their bodyweight while executing certain steps and have compared the force with that experienced by fighter pilots.

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For more fitness motivation: in-pursuit-of-fitness
For healthy living and fitness tips: for-fitness-sake
Why January is the worst for Irish Dancers
Iâve been seeing a lot of posts on here and thoughts from dancers in my class about how tough January can be for Irish dancers, and I thought Iâd post some food for thought on here. I know we come back from Christmas break and our teachers go nuts because we donât have magical stamina and forgot how to hornpipe, but Iâm here to tell you thatâs ok and thatâs what you should be doing!!!
Let me explain:
Every other sport besides Irish dance has a year divided into stages (and practicing hard, harder, and harder-er donât count as stages): off-season, pre-season, in season, and peak. This is because itâs not physically possible to peak all year round! You need cycles to let your body recover and build strength in preparation for the next season. If you practice as hard all year round as you do the month before a major, your body will start to break down and youâll be much more prone to overuse injuries.
Your teachers understand this to a certain extent because after a major, you (typically) take a step back from stamina work and either learn new choreography or drill bits of steps. You may even take the 2 weeks around Christmas completely off to recover, eat, and be merry. But what your teachers may not understand is that itâs not reasonable to think all their dancers will come back in January and be able to dance as hard as they did in November. And thatâs where the discouragement and self-doubt come in for dancers trying to come back. Iâm here to tell you, even against your TCâs words, that itâs ok and youâre not failing at anything!
Like I said, there are several stages to a season (dance or otherwise), and they each have their very important purpose:
Off season: We donât really acknowledge that we have an âoff seasonâ as dancers, but this is a critical time for your body to recover immediately after a major. Typically we only take a real off-season if we danced through an injury at a major. Admit it, weâve all done it. âI swear, doctor, Iâll put the boot on as soon as the Oireachtas is over!â Lol. But this time is also great to increase flexibility by stretching every day, do strength training on opposing muscles once a week to prevent injury, or switching over to another sport like yoga, swimming, or running to keep fitness up by using totally different muscles. The off season is also important for your brain. We need a time to release the mental stress and anxiety that built up before a major, and switching our focus to other physical activities will do just that. If you do 3 majors a year, your off seasons are in December and July/August.
Pre-season: This is the time to build strength and general stamina, which Iâve talked about in previous posts if you need ideas for kinds of exercises and frequency of workouts. You build a solid base of strength that will directly and pretty immediately benefit your dancing, but it wonât put you in peak dancing form just yet because you havenât had time to incorporate this new strength into your dancing. This is also the time when I tend to incorporate a new style change into my dancing (like my only focus is really pulling up my thighs to straighten my legs, which kills my stamina immediately), which is difficult to balance when youâre trying to get back to the same standard of dancing that you were at before the major. It may also be hard for your TC to understand why youâre not dancing âto your potentialâ when they remember you dancing a certain way at the Oireachtas. And to add complexity, feises start up again during your pre-season. If youâre used to placing a certain way at feises when youâre at your peak, you may be disappointed to find that youâre not quite at that level during your pre-season. In my mind, this is ok too! You canât peak all year long, itâs just not possible. Remember what your goal is, and use feises as practice (both physical and mental) for your next major. If youâre not doing Worlds or Nationals, itâs ok to designate a certain feis where you want to peak. If you do 3 majors a year, your pre-seasons are January and September.
In season:Â This is game time. You drop off your heavy strength training and shift to plyometrics and sprints to build power and agility. You increase the frequency or intensity of your dance practices and shift to a more dance-centric practice schedule. This is when you start to see the big jumps in performance. Youâre really getting in the zone, and the major is so close that you can TASTE it! This is your hardest month for training, so itâs important to think about what youâre eating as well. Make sure you increase your caloric intake when youâre training this hard, and get enough sleep to help your body recover. On the note of recovery, make sure you take at least one day COMPLETELY off from all exercise every week. Recovery days are just as important as workout days. If you do 3 majors a year, your in seasons are February and October.
Peak: This is a critical time in the pre-major schedule. Youâre dancing really hard most days of the week, and decreasing your plyometric and agility training to polish the final details of your rounds. Weâre all pretty familiar with this stage. What most of us do not do is whatâs called a taper phase: one to two weeks before a competition, slowly back off on training. You shouldnât be doing 9 steps in a row the day or even the week before your competition. You want your muscles to be primed and ready to go, not exhausted, on the day of the competition. I know itâs tough to get your TCs to give you a taper during class, so Iâd say gradually decrease any strength exercises youâre doing down to nothing a few days before the competition. I donât do any dancing at all the day before a competition, but thatâs personal preference. If you do 3 majors a year, your peaks are March, June, and November.
Notice I didnât mention what to do in April and May. Thatâs because you donât have a full month complete each of the training stages in this time. I recommend either shortening each of the training phases, or going through an extended âmaintenanceâ phase, depending on how early worlds are that year. The maintenance phase is exactly what it sounds like: you want to maintain that conditioning you worked up to in March. To do this takes some playing around, but I recommend picking different days of the week to alternate pre-season and in season training work, culminating in June being the peak month. The most important thing to preventing injury during this stage is listening to your body. If something doesnât feel right, take a day off, no question, and come back the next day.
Now that youâve read through the different stages, you hopefully understand why January sucks for Irish dancers. Itâs hard mentally to accept, but I promise that this stage, and this perceived setback, is essential to your dancing. Your body only gets stronger when you make it adapt to new things. If you just danced hard all year long, you wouldnât see as big of an improvement because youâre not forcing your body to change. This is why cross fitters change their workouts completely every 6-8 weeks. In order to build strength, you have to put your body in unfamiliar territory. Only then will you adapt and really see a dramatic jump in strength or agility. So as dancers we need to take these rest periods, these steps back, as recovery periods, and then we need to force our bodies to change by doing something totally different from the past, some new cross-training exercise, a new way to build stamina, etc. Combine that with a solid dance practice schedule, and youâre going to see improvement in your dancing for sure.
There are certainly people, especially TCs, that would disagree with me on this. But I firmly believe that part of being a dancer is extending your dancing career for as long as possible, and to do that you need rest, recovery, and discrete training periods. Iâm in this for the long haul, and Iâm going to keep doing whatâs best for my body, even if my TC yells that Iâm out of shape. I know Iâll peak when the time is right. Iâm trying to be kind to myself this January, and I encourage the rest of you to do the same. :)
Happy practicing!
Thank you SO much for writing this. Itâs so easily forgotten that we physically cannot handle extremely hard practice year round. I wish I had had this post to slap some sense into me earlier this year. I started heavily training for nationals in January and didnât slow down until September when my body was basically started shutting itself down for me because Iâd done too much. My stamina was so bad and I could barely get through light practice. I also was not doing so well with anxiety and depression at the time, which made me exhausted and sick 24/7 but that easily could have been caused by overtraining. Fast forward to right now, and Iâm coming off off-season and entering preseason. People think Iâm slacking off by not dancing as much or cross training. Believe me, Iâm doing my body a service and it is thanking me.
So moral of the story? Follow this post. You will not regret it.
Allllll of this.
Lauren Early in her book âReaching new Heightsâ goes through Irish Dance seasons very well. Here are the calendars for various dancers with certain majors:
For 1 major a year (assuming Oireachtas is November): January through April- Off season May through July - Pre Season August through October - In Season November - Peak, Oireachtas December - Rest
For two Majors (worlds and Oireachtas) a year: January - Off Season February - Pre Season March - in Season April - Peak, Worlds May through June - Off Season July through August - Pre Season September through October - In Season November - Peak, Oireachtas December - Rest
For three majors a year (Worlds, NANs, O): January - Off Season February - Pre Season March - In Season April - Peak, Worlds May through June - Maintenance July - Peak, Nationals August - Off Season September - Pre Season October - In Season November - Peak, Oireachtas December - Rest
For further elaboration, I highly suggest purchasing her book :) I love it, and I use it for my training schedule now.
THIS. đđđđđ PREACH!
Phoenix Park, Dublin, Republic of Ireland (Eire, Southern Ireland). Full titles read: "IRISH DANCING COMPETITIONS - at the Aeridheacht Mhor in the Phoenix Pa...
Feis in Phoenix Park, Dublin in 1929. Â Looks like boxes were in vogue then.
I love Sean Nos, I love Galway, I love Emma OâSullivan, and I love these steps!
Love the old style dancing

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This RhythmâŚ.Â
it always amazes me how much you can pack in, rhythm wise, in just 30 seconds
Whyyyy is it so much harder to choreograph advanced beginner steps than champ steps?!?!?!?!
I have that same problem, learning to simplify steps.