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trying on a metaphor
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@lostinstuff

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Ingrid Amslinger, The Golden Spiral, Marha Plain, Morocco, 1980 - 1987 by HannsjĂśrg Voth.
âHannsjĂśrg Voth is a German artist mainly known for his Land Art constructions in the Moroccan desert. There he built different structures to connect the arid plain to the stars.
In the 80âs HannsjĂśrg Voth discovers the Moroccan desert. Attracted by the desertic vastness, the landscape zero, he built his first project in the plain of Marha, between Goulmima and Arfoud.â https://www.instagram.com/p/CPWIukWAfe4/?utm_medium=tumblr
Andy Warhol photo of Lou holding pet dachshunds Archie and Amos, 1976.
my over-boarding wienerdog love that made me bid on the christieâs auction for this original print, well well
Amanda Williams Color(ed) Theory, Pink Oil Moisturizer, 2015.Â
âAs an African American person, color is always in the foreground as a racial signifier. Most of the colors relate to products that had been marketed towards the African-American community in the sixties, seventies and eighties. So each color has some relationship to some memory that I have of that time.â
Mary Beth Edelson, Death Of The Patriarchy / A.I.R. collage, china marker and ink 1976

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Mary Beth Edelson, Goddess Head, 1975
Mona Hatoum
âDaybedâ and 'Paraventâ 2008
Black finished steel, in the size of bed for discomfort
Peter Whitehead Penny in Iranian Desert with Watermelon 1972
âPretty much everyone hated my work when I made it, except for feminists,â the artist Martha Rosler said, sitting in the living room of her house and studio in Greenpoint, Brooklyn. âIâm used to a minimum 10-year lag before anyone has anything good at all to say about anything Iâve done.â
Issue 15 artist Martha Rosler has been well-known for her collections of iconic feminist art. Click here to read an intriguing retrospective on her legacy by the New York Times.
Anne Charlotte Robertson (1949-2012) was a Super 8 filmmaker and diarist who lived in Framingham, Massachusetts. Her main work is the thirty-eight-hour opus, Five Year Diary, which she began in 1981 and continued filming well beyond five years. Spanning varying numbers of days, each episode is twenty-seven minutesâapproximately eight camera rollsâand the diary is eighty-three reels long. In addition to the Five Year Diary (1981-1997), Robertson made over thirty other short filmsâmostly diaristicâincluding Apologies (1990), Talking to Myself (1985), Magazine Mouth (1983) and Melon Patches, or Reasons to Go On Living (1994).
Robertson took the written diary form and extended it to include documentary, experimental and animated filmmaking techniques. She did not shy away from exposing any parts of her physical situation or emotional life. She became a pioneer of personal documentary and shared experiences and observations on being a vegetarian, her cats, organic gardening, food, and her struggles with weight, her smoking and alcohol addictions, poverty and depression (she was diagnosed with bipolar disorder). Romance (or lack thereof), obsession and the cycle of life are also long-running themes in the Diary films. Robertson sows seeds, reaps vegetables, cooks and pickles them, then composts the scraps. She welcomes babies and buries family members and beloved cats, notes the changing seasons, contemplates suicide, has nervous breakdowns, pines for her celebrity crush (Tom Baker of Doctor Who), finds religion and obsessively documents her own life on film, paper and audio tape.

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Hannah HĂśch with Raoul Haussman Self Portrait 1919
Suzanne Valadon (French, 1865-1938), Nude woman with striped blanket, 1922. Oil on canvas, 104 Ă 79 cm
Gwen John Girl With Bare Shoulders, 1909 Nude Girl, 1910
Claude Cahun (25 October 1894 â 8 December 1954), born Lucy Renee Mathilde Schwob, was a Jewish-French photographer, sculptor and writer. She adopted the gender-ambiguous name Claude Cahun in 1917 and is best known for self-portraits, in which she assumed a variety of personas. Her work was both political and personal, and often undermined traditional concepts of static gender roles. She once explained: âUnder this mask, another mask; I will never finish removing all these faces.â

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âStudy of a Young Womanâ (1884) by Anna BiliĹska-Bohdanowiczowa  (Polish, 1857- 1893) National Museum, Warsaw .
Edouard Manet, Berthe Morisot With a Fan, 1872
my art history lecturer I shagged once told me I look like Berthe Morisot and I run with it ever since