lev 23 white silverjew. unironically anti-irony. ruthless cosmopolitan & rootless critic of all that exists. nyc

JVL
Today's Document
styofa doing anything
Lint Roller? I Barely Know Her
noise dept.
DEAR READER
🪼
Stranger Things
almost home
KIROKAZE
$LAYYYTER
AnasAbdin

blake kathryn

@theartofmadeline
Claire Keane
we're not kids anymore.
d e v o n
Mike Driver
Keni

seen from United States
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seen from Vietnam

seen from Ireland

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seen from Malaysia
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@lookoutsea
lev 23 white silverjew. unironically anti-irony. ruthless cosmopolitan & rootless critic of all that exists. nyc

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it is done, finally.... I thought I'd have to post this without any movie looks, but luckily my local review theatre showed it again for Canada Day! ⭐️🇨🇦💥 In chronological order... kinda... some episodes the boys didn't have matching looks so I occasionally mixed and matched to get as many similar pairs in there! 🎶 🖋
when u and someone else both hate the same thing for the same reason
sat on the 3am train across from a guy with two big tattoos on his knees and one said MUAY THAI and the other said ADOLFINA
my parents are fujoing the fuck out

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The thing about American "leftist" comedians is that they aren't actually leftist, they are the Imperial Court Jesters. They stand on a stage, point directly at the blood-soaked gears of the war machine, make a little tee-hee noise, and the crowd erupts. Not because they are critiquing the machine, but because the laughter is a pressure release valve for the people inside it. Take the video of that stand-up asking the defense contractor if she helped Trump bomb those 160 Iranian school girls, and everyone laughing, including the contractor herself. That laughter is ritual absolution. The contractor laughs because she knows she will never face a tribunal. The audience laughs because they get to feel "self-aware" without having to actually stop anything. The joke doesn't condemn the contractor; it humanizes her, turns her into a lovable scamp who just happens to have a job graphing the velocity of shrapnel through children's bodies. By making it a punchline, the comedian sanitizes the atrocity. The blood is scrubbed off the stage. The audience gets to say "wow, we are so edgy for talking about it" while the person who builds the bombs gets to chuckle and order another drink. It is not satire, it is a team-building exercise for the empire.
Then there is the YouTuber talking about Transformers, casually dropping the "Iraq war aesthetic" like it's a color palette. Desert punk. Military core. A vibe. This is what happens when your country hasn't had a war on its own soil in living memory; the violence becomes media, a backdrop for childhood toys. The explosions are no longer the sound of mothers screaming; they are cool action sequences. They are digesting the visual debris of massacre as a nostalgic fashion choice, scraping the trauma off and compressing it into a genre for their retro-futurist fantasies. The apocalypse becomes a mood board.
And finally, the girl recounting celebrity love triangles from her childhood, flippantly mentioning how the U.S. was "busy with the Iraq war or whatever." Or whatever. That single phrase is the thesis statement of American innocence. Over a million dead, a region destabilized for a century, an endless river of grief; and for her, it was the commercial break between pop culture segments. It didn't raise her rent. It didn't stop her Wi-Fi. The violence is geo-locked to brown skin and distant deserts, just background noise like a refrigerator humming. She has the luxury of forgetting because the machine doesn't eat her children, it eats yours.
Americans don't hate the machine; they love the output. They hate the mess of it. So they turn it into jokes, into aesthetic, into "whatever." Because if they stopped laughing, if they stopped scrolling, if they actually looked at the 4K drone footage of the aftermath instead of the cool explosion CGI in their movies, they would have to realize that the lithium in their phones, the gas in their tanks, and the comfort of their suburban cul-de-sacs are all greased with the fat of foreign children. And they can't handle that. So they laugh. They turn it into a vibe. They call it "the Iraq war or whatever." You can't deconstruct the master's house with the master's jokes, especially when the punchline is the corpses holding up the floorboards.
i nut loud as hell and if you don’t like it then go to a different ntbtstm screening
& Then a weird guy appear
Strike "Wo" and "Celebrity" and this has just been what the last goodly while has been like lets be honest
thinking about a soon to be unemployed 55 year old divorcee: i could be her second divorce

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o777 stands for october seven seven seven
ive been drinking 2-3 celsii a day for the last almostyear so whi why is this celsius trying to kill me
posts with fake songs i can imagine so perfectly it’s like they were real
and like, if individual pieces of art aren't materially impactful on the world, is capital a Art capital I Important in some big metaphyiscal way? i don't really think so either honestly. i mean i love art and creating art and thinking about art. that's like half of what this blog is about, the fact that i need somewhere to put all my thoughts about works of art. art is hugely important to me and has shaped my life. but ultimately art is just a particular set of social and intellectual activities, and many people live perfectly happy and fufilling lives without ever particularly thinking about it. i think "art is a deep metaphysical need of the soul", "art is what makes us human" etc is just more artist self-flattery
morrissey is kind of the original pjackk

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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my contribution to girlvanna the band with my fave webseries shot
Hyperspecific poll but it's all common things that are just rare on Tumblr
cishet and neurotypical
have an active sex life
gym at least once a week
consider yourself completely untraumatised
not interested in creating any form of art/storytelling
none of the above
multiple of the above